Past Present Future

For the last episode in this season of great political films David explores Gillo Pontecorvo’s The Battle of Algiers (1966), which changed the face of political movie-making forever. Filmed to look like archive footage, featuring actual participants in the events it describes, and showing both sides of the vicious contest between insurgents and counter-insurgents, it humanises a horrifying conflict. It also raises the question: where is the line between realism and rage?Coming on Saturday: a new bonus episode to accompany this series in which David talks to Helen Thompson about Apocalypse Now, the ultimate film about war and madness. Sign up now to PPF+ to get this and all our bonus episodes plus ad-free listening https://www.ppfideas.com/join-ppf-plusTo get our free fortnightly newsletter with guides, writing and clips exploring the themes of these episodes join our mailing list https://www.ppfideas.com/newslettersLooking for Christmas presents? We have a special Christmas gift offer: give a subscription to PPF+ and your recipient will also receive a personally inscribed copy of David’s new book The History of Ideas. Find out more https://www.ppfideas.com/giftsNext time: Gary Gerstle on the 2024 Presidential Election

This episode is about two great films on the same dark theme: David talks to American historian Jill Lepore about Stanley Kubrick’s Dr Strangelove and Sidney Lumet’s Fail Safe, which appeared within a few months of each other in 1964. Both films explore what might happen if America’s nuclear defence system went rogue. One is grimly hilarious; the other is utterly terrifying. Which packs the biggest punch today?Looking for Christmas presents? We have a special Xmas gift offer: give a subscription to PPF+ and your recipient will also receive a personally inscribed copy of David’s new book The History of Ideas. Find out more https://www.ppfideas.com/giftsNext time: The Battle of Algiers

For today’s great political film David discusses Luchino Visconti’s The Leopard (1963) with the Italian historian of ideas Lucia Rubinelli. How did a communist aristocrat from Milan come to make a film about a Sicilian prince? How did Burt Lancaster get cast in the leading role? Is this a political film or a film against politics? And what is the real meaning of the celebrated line: ‘If we want things to stay as they are, things must change…’?Looking for Christmas presents? We have a special Christmas gift offer: give a subscription to PPF+ and your recipient will also receive a personally inscribed copy of David’s new book The History of Ideas. Find out more https://www.ppfideas.com/giftsNext time: Dr Strangelove & Fail Safe w/ Jill Lepore

Today’s great political film is John Frankenheimer’s masterpiece of Cold War paranoia The Manchurian Candidate (1962), which came out the week of the Cuban Missile Crisis. It’s a 1960s movie about 1950s fears: brainwashing, the Korean War, McCarthyism, all shot through with Kennedy-era anxieties about sexual potency and psychoanalysis. Who’s a Soviet agent? Who’s a mummy’s boy? And it managed to anticipate what was coming next in American politics: the age of assassination.A new bonus episode to accompany this series is out now: David explores why so many American presidents choose High Noon as their favourite film. Sign up now to PPF+ for just £5 per month or £50 a year and get all our other bonuses plus ad free listening too. https://www.ppfideas.com/join-ppf-plusTo get our free fortnightly newsletter with guides, writing and clips exploring the themes of these episodes join our mailing list https://www.ppfideas.com/newslettersNext time: The Leopard w/ Lucia Rubinelli

In today’s episode David discusses Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943), a great patriotic anti-war film made in the depths of WWII. Why did Churchill want the film’s production stopped and was he right to suspect it was about him? What does the film say about the politics of nostalgia and the illusions of heroism? And how is Blimp’s moustache like Kane’s Rosebud?A new bonus episode to accompany this series is out on Saturday: David explores why so many American presidents choose High Noon as their favourite film. Sign up now to PPF+ for just £5 per month or £50 a year and get all our other bonuses plus ad free listening https://www.ppfideas.com/join-ppf-plusTo get our free fortnightly newsletter with guides, writing and clips exploring the themes of these episodes join our mailing list https://www.ppfideas.com/newslettersNext time: The Manchurian Candidate

Orson Welles’s Citizen Kane (1941) is many people’s favourite film of all time, including Donald Trump’s. Why does Trump love it so? What does he get right and what does he get wrong about the trajectory of the life of Charles Foster Kane? What does the film reveal about the relationship between celebrity, influence and political power? And why is Rosebud not the real mystery at the heart of this story?Like Kane, want more stuff? To get PPF merch – either an ethically-sourced canvas tote bag or a bone china mug – just go to our website https://www.ppfideas.com/merchNext time: The Life and Death of Colonel Blimp

Today’s great political film is Frank Capra’s Mr Smith Goes to Washington (1939), a much-loved tale of the little guy taking on the corrupt establishment. But there’s far more to it than that, including an origin story that suggests Jefferson Smith (James Stewart) might not be what he seems. From filibusters to fascism, from the New Deal to America First, from Burton K. Wheeler to Harry S. Truman, this is a heart-warming film that still manages to go to the dark heart of American politics.To hear our bonus episode on Philip Roth’s The Plot Against America (in which Burton K. Wheeler becomes America’s Hitler) sign up now to PPF+ for just £5 per month or £50 a year and get all our other bonuses plus ad free listening https://www.ppfideas.com/join-ppf-plusNext time: Citizen Kane

For the first episode in our new series David explores Jean Renoir’s La Grande Illusion (1937), a great anti-war film that is also a melancholy meditation on friendship between enemies, love across borders, and the inevitability of loss. What, in the end, is the great illusion: war itself, or the belief that we can escape its baleful consequences?Our bonus episode with Chris Clark on how Europe’s elites sleepwalked into war in 1914 is available on PPF+. Sign up now for just £5 per month or £50 a year to get 24 bonus episodes a year plus ad-free listening https://www.ppfideas.com/join-ppf-plusNext time: Mr Smith Goes to Washington