OUTCAST WORLD

Drag has never been more visible, but for many performers it has never felt more complicated.In this episode of Outcast World, Graeme Smith speaks to Crystal about what it’s really like to be a drag artist in 2026. They talk about the idea of “quiet quitting drag”, the rising pressure on LGBTQ performers, and why staying visible now comes with real personal and professional risks.Crystal joins the show while still involved in an ongoing legal dispute with Laurence Fox that is due back in court this summer. She tells us whether or not she would say it all again... after 6 years of legal battles.

Since around 2020, a lot of queer people were finally let in.Into institutions that had ignored us, sidelined us, or treated us as a liability for decades. Suddenly we were wanted. Asked to advise. Asked to represent. Asked to sit on panels, lead staff networks, front Pride content, help “shape culture”. It felt like progress. It felt overdue.And then something shifted.The tone cooled. The questions stopped being curious and started being cautious. Budgets disappeared. Projects were quietly killed. People who had been welcomed for their visibility were suddenly treated as awkward, political, or risky. The same doors that had opened so loudly were slammed shut — and we were left standing on the outside, marked as “other” again.In Part 1 of a two-part interview, we’re joined by Kevin Guyan — one of the UK’s most respected thinkers on LGBTQ+ inclusion, power and systems. Kevin is the author of Queer Data and The Rainbow Trap, books that don’t flatter institutions or offer easy fixes. They ask harder questions about what inclusion actually costs the people being “included”.We talk about what it really feels like to work inside organisations that love queer visibility but fear queer demands. The exhaustion of unpaid emotional labour. The pressure to be grateful just for having a seat at the table. The quiet expectation that you’ll soften yourself, simplify yourself, make yourself legible to straight managers who decide — consciously or not — which versions of queerness they’re comfortable digesting.We ask the questions that don’t usually make it into DEI strategy documents.Do queer people have to perform a role to survive at work?What happens if you don’t “read” gay?If you’re trans but don’t fit the image people expect?If you’re a lesbian who doesn’t behave the way they think lesbians should?If your identity is complicated, political, messy — or just inconvenient?Kevin talks about the trap of being invited in on someone else’s terms. About “gratitude politics” — the idea that we should be thankful just to be tolerated. About how quickly inclusion turns into extraction, and how easily queer people become window dressing for institutions unwilling to change anything structural.This isn’t a conversation about rejecting opportunity. Most of us can’t afford to. It’s about learning how to move through powerful institutions without losing your spine. How to recognise the red flags early. How to tell the difference between real support and rainbow garnish. And how to protect yourself when the political winds inevitably change.Part 2 takes this further — into how inclusion becomes classification, and how data and bureaucracy are now being used to formalise who belongs, who’s manageable, and who gets erased.But this first part is about the emotional reality. The whiplash. The silence. The moment you realise the door that opened so confidently can close just as fast.And what you do next.

This week on Outcast World, Graeme and Topher accidentally kick a hornet’s nest on TikTok and Instagram and get absolutely swarmed. Bots, right-wing bedwetters, and people arguing with total confidence that red is actually blue. A proper deluge. Where do they all come from, and why do they all sound the same?There is one bright spot: Green Party deputy leader Zack Polanski shares the post on TikTok, which helps restore some faith in humanity. But like everyone else, we’re still drawn to the worst comments — so we read them. All of them. Then we start replying.What follows is a scorched-earth comments policy. Bots get called out. Bad arguments get dismantled. Unhinged profiles get gently (and sometimes not so gently) mocked. We end up trolling the trolls so efficiently it becomes a full-time job — and, weirdly, a great day out.Along the way we get into why Topher will always hire and promote sex workers, and why on earth a certain Mr Yaxley-Lennon publicly complained about being served gay Grindr ads by the algorithm… then chose to post about it. The highlights are here. The comments are unhinged. And yes — we replied to pretty much all of them.

We start today's episode with an explanation from Topher Taylor, our cohost and tart with a heart, on why the original podcast recording had to be pushed back...The reason is entirely on brand... A last-minute OnlyFans shoot with a man he simply couldn’t turn down took priority. Sometimes work is work. And we respect the Hustle.Then in today's interview we chat to the gorgeous, charming Kyle Pritchard, who has a soft South Wales accent to die for and after being on reality dating show, The Bi Life back in 2018 has spent the last few years in the gym and studying Psychology in London and Bristol.Now as part of his masters research he is lifting the lid on sexual assault in LGBTQ+ community and how there is an avalanche of this stuff going unreported with as many as half of queer people impacted in some way. Queer spaces sometimes operate differently and those in charge need to know what sexual assault looks like in a more sexualised environment and how the fear of shame or not being believed puts many off reporting.

Legendary Queer photographer and the man behind the Attitude uncut Kink edition front page, Charles Moriarty joins Graeme Smith to talk about Brock — his new photobook following actor and filmmaker Brock across four unstable years, from early ambition to the completion of Brock’s debut film Test. What started as a DM in 2017 became a stop-start collaboration shaped by distance, lockdown and uncertainty. Charles breaks down how Brock holds multiple threads at once, Brock as subject, Brock as filmmaker, the photographer’s role in shaping narrative, and the thin line between lived reality and performance. Since its release, the book has been quickly picked up by queer press in the UK and US.The conversation then moves into politics, and the tone hardens. Charles is clear about his anger at the current Labour leadership, arguing that its stance on trans rights and immigration has consequences that extend far beyond messaging. He and Graeme talk about how far-right ideas are normalised through misinformation, how fear is monetised online, and why many queer people no longer feel protected by mainstream politics.

YOUR BI WEEKLY DOSE OF QUEER POLITICS, SEX AND CULTUREOn today’s episode, Graeme and Topher are joined at the start by Nick Charles — Trinidad-born Loud Brown Gays podcaster, music producer, and part of the original Outcast team — for an episode that opens on an awkward realisation: Graeme’s just seen a video on X of someone being bummed, and slowly works out the arse belongs to the man now sitting next to him.From there, the conversation moves into Heated Rivalry — why it’s landing with gay men right now, and what it gets right about desire, masculinity and intimacy without sanding things down.Politics follows. Nick talks about growing up in Trinidad, living next door to Venezuela, and having Venezuelan family, and why Trump’s renewed interest in the Caribbean feels unsettling from that position. Watching the scale and cruelty of ICE deportations in the US sharpens the concern.The episode closes back in the UK, asking whether Reform are serious about their promises — and what a real deportation drive would actually mean.P;

In 2009, Graeme went to LA to work and make TV industry contacts but was exposed to a darker and more underground world than he could ever have imagined.The intersection of tinseltown, people seeking fame and the allure of meth and sex has been the ruin of countless promising careers and Graeme tells Topher about how the career highlight of working filming TV shows in LA, led to the discovery of a dark and destructive world just beneath the surface.

In this first episode of our sixth season. Hot on the heels of our shortlisting as Best Interview Podcast at the prestigious British podcast awards, the team are back with the global queer group chat.Today Graeme Smth is joined by regular Topher Taylor and fellow queer Irishman in London Charles Moriarty. The theme is our memories of Amy Winehouse, the queer icon and British music icon, taken too young.Charles was the photographer who took the images of Amy that launched the image we remember today for the album "Frank" with the iconic Bee Hive getting its first outing on a photo shoot in New York with some of the images displayed at The National Portrait Gallery in London.Topher talks of the time he was saved from homophobic abuse at a bar in Soho back in the late 00's by non other than Amy.Please leave a rating and comment on this show to help spread the word