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OPENING CREDITS® Podcast
We're back! Reintroductions and general catch up
Season 3, Ep. 1
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The podcast returns for season 3, so this week Steve and Laura decide to reintroduce themselves and have a general catch-up about what's been going on in the world of film & TV while we've been away.
As well as chatting about what they've each been up to, they also discuss Bridgerton, Baby Reindeer, Fallout and Dune: Part Two.
You can also hear a preview of what's coming up this season, and how you can get involved in our new segment: Crew Confessions (Shh!)
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37:51||Season 4, Ep. 9Let’s prepare for Paddington!Laura has returned from digging in the credits of ‘Paddington in Peru,’ having successfully unearthed the Production Designer, Andy Kelly, and the famous bear’s biggest fans have turned out in force to ask him about the movie. Standby for cuteness as the kids put their questions to Andy, and we find out the answers to very important things like what happened to Paddington’s magical coin, and who is his favourite Paddington baddie?Andy spills the marmalade on his own adventures designing the film, including trekking into restricted parts of Peru and having to get to know our sandwich-loving friend better than anyone else. SPOILER ALERT: Andy reveals some of the movie's secrets in this episode, so make sure you've seen it before listening! We don't want to be on the receiving end of any hard stares. FOLLOW US FOR MORE!Instagraminstagram.com/openingcreditsTikToktiktok.com/@weareopeningcreditsLetterboxdletterboxd.com/ocpodcastBuy us a coffee!buymeacoffee.com/openingcredits8. 'Black Doves' Creator Joe Barton unwraps his latest (mince) spy thriller
45:35||Season 4, Ep. 8Joe Barton is the writer and creator of the brand new festive Netflix spy series, 'Black Doves,' starring Keira Knightley and Ben Whishaw.Steve managed to grab a chat with Joe in between his busy schedule to ask him not only about his work on the show, but also about his job as a writer. In this episode, Joe takes us into the writer's room to tell us about the team effort of bringing 'Black Doves' from the page to the screen, where he gets his inspiration from, and his advice to aspiring screenwriters on how to get into the industry.Meanwhile, Laura reveals the identity of the mystery guest she's found from digging in the credits of 'Paddington in Peru'!FOLLOW US FOR MOREInstagraminstagram.com/openingcreditsTikToktiktok.com/@weareopeningcreditsLetterboxdletterboxd.com/ocpodcastBuy us a coffee!buymeacoffee.com/openingcredits7. 'BFDG' Production Designer Jonathan Green thinks the film industry can only get better
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44:21||Season 4, Ep. 5Don't listen with your parents, this week is all about sex (scene) education.David Thackeray was one of the first ever Intimacy Coordinators; a relatively new role in filmmaking introduced to help the cast and crew tackle (whoops) those more delicate scenes.He’s also one of the most in demand, having worked on ‘The Crown,’ ‘Heartstopper,’ and ‘Sex Education.’In this episode, David tells us what his job actually involves (and more importantly, what it doesn’t), how he gets past the awkwardness, and his techniques for making a film set a more comfortable and supportive place for everyone.Meanwhile, Laura gives her verdict on the newly-released ‘Paddington in Peru’, and we share some of your guilty pleasures and hidden treasures!DAVID'S WEBSITEdavidthackeray.comWE'RE NOW ON LETTERBOXD!letterboxd.com/ocpodcastFOLLOW US FOR MORE:Instagraminstagram.com/openingcreditsTikToktiktok.com/@weareopeningcredits4. 'Iron Man' VFX studio Perception tell us how they made Tony Stark's tech
50:32||Season 4, Ep. 4We're heading Stateside this week, but don't worry, we're talking movies, not politics.We're joined in this episode by not one, but two guests; Jeremy Lasky and Danny Gonzalez, Co-Founders of Perception, an Emmy-nominated design and visual effects studio based in New Jersey, USA.If you've ever seen a superhero movie, chances are you've seen their work in the interfaces, heads-up-displays and holograms of the MCU. From Tony Stark's J.A.R.V.I.S. in 'Iron Man 2,' to the futuristic lab in 'Black Panther,' these guys are in the business of designing screens for the big screen.Jeremy and Danny tell us what it's like to work with Marvel, how they use science-fiction to inspire science-fact, and what they think real world AI has in store for the future of filmmaking.LINKSPerception's websitewww.experienceperception.comFOLLOW US FOR MORE!OPENING CREDITS® Instagramwww.instagram.com/openingcreditsOPENING CREDITS® TikTokwww.tiktok.com/@weareopeningcredits3. 'Bridgerton' Hair & Makeup Designer Erika Ökvist addresses the acrylic nail controversy
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