Material Girls

At Material Girls, we’ve been thinking a lot about the idea of using social media for social change and what those calls imply about the role of social media in our collective imaginations. And so, in the spirit of always historicizing, we recorded this episode to look back on the Black Lives Matter protests of 2020 and, specifically, to an online event known as Blackout Tuesday.If you were one of the people who posted a black square on your Instagram account — or someone who thought about it but didn't — this episode is for you! Hannah offers some really helpful insight pulling on Jia Tolentino's essay, "The I in Internet," the work of sociologist Irving Goffman, Montreal-based scholar Kelsey Blair and Canadian author and activist Naomi Klein. Together, Hannah and Marcelle dig into what it means that our social media tools, regardless of how they are used, are corporately-owned.To learn more about Hannah's research for this episode and to read Witch, Please Productions' statement on Israel and Palestine, head to https://ohwitchplease.substack.com/.And, if you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.****Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.

We had to talk about Taylor Swift more — especially as so many of you had great comments, feedback and specific inquiries! We structured this bonus like our usual Patreon-only Q&A episodes, except this time we only answered questions you submitted about Ms. Taylor Allison Swift. We talk Gay-lore, billionaires, private jets, the Jets and holding many feelings at once.Part II of this bonus will be available on Patreon this week to all of our tiers! Join today for just $5 USD/month to get the rest of the conversation in your feed and for all the bonus perks we've already released! Head to Patreon.com/ohwitchplease!And, if you liked this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in one week for a regular episode!*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.

We're so lucky to be joined this episode by Erin Keif (she/her) of the beloved Headgum podcasts Hey Riddle Riddle and Sitcom DnD. If you're a fan of Les Mis, or any musical, you'll appreciate this really special episode that covers Stuart Hall's theory of encoding/decoding, while also getting into the lyrics and musicality of the megamusical: Les Misérables. Hannah guides Marcelle and Erin through a history lesson that covers Thatcherite England and defunding of the arts in the 70s and 80s, while bringing her own relationship to Claude-Michel Schönberg's music and Alain Boublil's lyrics into the conversation. Erin, a musical enthusiast (among other things), brings some much-needed levity (as well as a catchphrase) to a discussion that touches on some more difficult themes including: death, parental loss, and violence against the oppressed. If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.

Given last week's release of 1989 (Taylor's Version), we just had to have Swiftie and Tay-lore expert Margaret H. Willison (she/her) on the show to talk about one of the (if not THE) most influential pop stars of the last decade. We start with a conversation about Taylor as an artist and Margaret provides context to help us understand how and why Taylor's Eras Tour and the 10 studio albums that led to it have created such a buzz. Then Marcelle leads Hannah and Margaret through Lauren Berlant's theory of intimate publics with an eye towards the Swiftie fandom and Taylor's fluid feminist politic. We finish the episode with Marcelle's incredible thesis and a discussion about capitalism, what makes an icon and what might be next for Swift.Margaret H. Willison is a frequent guest on NPR's Pop Culture Happy Hour, a freelance writer and cultural critic, and one of three women behind the beloved Substack Two Bossy Dames. She is a friend of the show and if you want to know more about her, you can find her @MrsFridayNext on Instagram!If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.

Why is Star Wars so popular? What were the material conditions that set the first film, A New Hope, up for success in 1977? What can a Marxist critique help us understand about the film?In this episode, Marcelle leads Hannah through a conversation about one of her favorite franchises by first taking a close look at George Lucas's politics and the state of Hollywood in the 1970s. Marcelle and Hannah then think through the movie's seemingly progressive narrative — and the way it's been co-opted by people of all political views. Pulling on the work of Theodor Adorno and Max Horkheimer, Marcelle offers a Marxist reading of the film's lasting legacy and asks: what is conservative about the film? How does the film work to undermine and/or reinforce the ideology of repressive state apparatuses?If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.

In this episode we talk about Bridgerton with a very special guest — Vanessa Zoltan. We discuss Bridgerton the book series and its move into the mainstream through the Shondaland adaptation on Netflix. Vanessa gives us some insight on romance fiction as a genre and Hannah leads us through theory from Janice Radway's book Reading the Romance. If you like Romance novels and/or juicy television, this episode is for you! We think through the radical possibilities of romance reading, how we can make sense of certain recurring tropes and what we may learn from the rise in romance reading since 2020. Come for the theory, stay for Hannah saying Vanessa's life is a combination of "stern daddy" and "chaotic women." To learn more about Vanessa Zoltan, you can head to notsorryworks.com or vanessazoltan.com. If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.

We had to talk about Avatar more — especially James "horny for the ocean" Cameron. We structured this bonus like our usual Patreon-only Q&A episodes, except this time we only answered questions you submitted about Cameron's blockbuster hit. We talk colonialism, pony tails and doing whatever Coach tells us to! Thanks for submitting such thoughtful questions.Part II of this bonus will be available on Patreon this week to all of our tiers! Join today for just $5 USD/month to get the rest of the conversation in your feed and for all the bonus perks we've already released! Head to Patreon.com/ohwitchplease!And, if you liked this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in one week for a regular episode!*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.

Did you love James Cameron's Avatar upon its release in 2009? Have you since watched it and thought, huh, now what were we thinking 14 years ago? Were you critical of it from the start? Baffled by the public's interest in colonialism and hot blue aliens? Then this episode is for you.Tune in for a conversation about this beloved sci-fi blockbuster. Hannah leads Marcelle talk colonialism, sexism, marketing budgets and how the interests of white dude billionaires drives our reality. Together, they discuss Jay David Bolter and Richard Grusin’s iconic 2000 book Remediation: Understanding New Media to better understand hypermediacy's role in this film's success. Ultimately, Hannah comes to some BIG conclusions about this movie and it's lasting impact on not just the zeitgeist, but also our literal planet earth. That's right! There are some pretty devastating ecological impacts of CGI and VFX — and in case you were wondering, yes, this episode is also a lesson on irony!If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.

In this episode we’re asking why ‘goblin mode’ is so danged zeitgeist-y such that in 2022 it became the Oxford English Dictionary's Word of the Year. Joined by McKayla Coyle (they/them), author of Goblin Mode: How to Get Cozy, Embrace Imperfection, and Thrive in the Muck, we dig into the term that took twitter by storm last year. Hannah leads Marcelle and McKayla through a discussion on 'the abject,' a concept from Bulgarian-French feminist philosopher Julia Kristeva. We talk about the racialized and ableist construction of bodies and boundaries — and how that may help us understand the radical potential of going 'goblin mode.'To learn more about McKayla Coyle, check out their Instagram, Bookstagram, Spotify (particularly their 1D ultimate jams playlist) and their website https://www.mckaylacoyle.com/.If you like this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.