The Napping Wizard Sessions


Tribute: Genesis Breyer P-Orridge

Season 3, Ep. 2

An incantation, a moan, a breath. This is my digital collection of Genesis Breyer P-Orridge’s music - a mere fraction of their enormous output over 6+ decades: all 154 tracks from the following recordings play simultaneously spread out at random as one song, 14.5 hours of music packed into 28 minutes. I had been a fan of their music since 1990 and then in 2015, along with 12 others, I spent several weeks with Gen at Pioneer Works deeply getting to know their philosophy, art and music. I haven’t adjusted any of the individual volumes or strategically placed any of these tracks. I only spread them out visually in the audio software, and this is the voice that spoke. Anyone familiar with the plurality of this incredible pandrogyne will know the role chance, intuition and magic played in their practice. I recommend headphones.

The recordings represented include every track from the following (not in this order): 20 Jazz Funk Greats; Allegory and Self; Fred; Heathen Earth: The Live Sound of Throbbing Gristle; Jack The Tab: Techno Acid Beat; Live at Thee Berlin Wall, Part One; Live in Bergenz; Live in Paris; Live in Thee East Village; Live in Toronto; Tale Ov 2 Cities: London and Glasgow Live; Thee City Ov Tokyo; Thee City Ov New York; Throbbing Gristle Greatest Hits.

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Interview: Moo Kwon Han

Season 3, Ep. 1
In this episode I talk with multi-media artist Moo Kwon Han about his recent exhibition, DRUM, at the Gyeongin Art Museum in Seoul, Korea. To make this work, he was granted access to multiple power facilities, many of them nuclear, all in South Korea. In our conversation we unravel the works in the exhibition, from the initial inspirational image of a detail of yellow drums containing radioactively contaminated clothing – a mere fraction of the total drums in this facility – all the way through to a final musical score that encapsulates both the path and the contents of the exhibition. When we see artworks in museums and galleries, it’s like looking at a lightening strike. We’re amazed by the instantaneous moment and evidence of what was created, but we really don’t understand what went into its making. In our conversation, I draw out the creative path Han followed in constructing Drum. I encourage you to look at his website before listening: Han was born in Gyeongju, Korea, andcurrently lives in New York. He has had solo shows at Kumho Museum of Art, Seoul (2017,2020 forthcoming),Doosan Gallery New York (2009), CUE Art Foundation New York(2009), and Gyeongin (Kyung-In) Art Museum, Seoul (2000, 2019). Han’s work has been included in group exhibitions at Cube Museum, Seongnam;NYMedia Center (2017); The Fondazione Filiberto Menna, Salerno, Italy; Galeria U Jezuitow, Poznan, Poland; Bund18 Creative Center, Shanghai, China; Coreana Museum, Seoul, Korea; Nation Centre for Performing Art, Asia Society Mumbai Centre, Mumbai, India; Metropolitan Pavilion, NY; David Zwirner Gallery, NY; Miyako Yoshinaga Gallery/ Asia Society Museum NYC; Unit B Gallery, San Antonio: Hoam Gallery and National Museum of Contemporary Art, Seoul.​Han received an MFA from the School of Visual Arts NYC (2006), attended the Skowhegan School (2008) and participated in residencies at Elizabeth Foundation for the Arts (2015-16), Seoul Foundation for Art and Culture (2013-14), Lower Manhattan Cultural Council Workspace Program (2011-12), LMCC’s Arts Center at Governors Island (2010), Art OMI (2009) and CUE Art Foundation(2008) and was a Smack Mellon Hot Pick. He was awarded a Korea Hydro Nuclear Power, Co. andGyeongju Cultural Foundation Grant (2020),Puffin Foundation Grant, and New York Foundation for the Arts Artist Fellowship in Digital/Electronic Arts (2009) and joined as a review panelist (2014/2017).