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Lagos Theatre Festival

Season 1, Ep. 1

In February 2020 I visited Lagos, Nigeria. As a half Nigerian I had been anxious to visit for the first time to find out a bit more about who I am and where I come from. The perfect opportunity arose when I was awarded a travel bursary by the British Council to go and review the Lagos Theatre Festival.


I didn’t know what to expect from the Lagos Theatre Festival; a slightly more relaxed approach than the UK for sure, but other than that I was blind. It’s not an outlandish comment to say that the UK’s theatre scene is largely monoculture. Things are gradually changing but there are still huge gaps in accessibility to the scene for those coming from diverse backgrounds. Like most industries, it’s difficult to get a foot in the door without a connection, and harder still to keep it there if unable to work for cheap or for free. This removes it as a viable workplace for those from lower socioeconomic backgrounds. The theatre industry in Lagos is currently being built back up from scratch, and with that rebuild serious considerations have gone into who the theatre is for and how to make it an environment that everyone feels comfortable in, in order for it to thrive. 


It is being reestablished as a social gathering for multiple groups and a place you can go to meet friends and involve yourself in the productions. I speak with one of the organisers, Lydia, about what the experience was like putting the festival together as well as what they have in store for this year's virtual festival.


If you'd like to find out more, head to https://lagostheatrefestival.com


Big thanks to the following for making this podcast happen:


Instagram accounts:

@britisharts

@ngbritish

@acegrams

@coachhousestudio

@redstripe



More Episodes

3/30/2021

My Introduction

Season 1, Ep. 2
For all the listeners, hello and thank you for joining me! I was going through my archives recently thinking about how much I miss performing live and I found this audio - an interview conducted by the wonderful Vanessa Maria with me before my EP launch where me and the band performed We Fly live for the first time. Listening back it was such a joy to hear a crowd and remember what it was like to be in a room full of people and the energy that comes with it and I realised that in particular is one of the things I've missed most in this pandemic. So I thought it would be the perfect way and time to introduce myself. In this episode, we talk about the process of writing We Fly, why it was so important for me to put my feelings to song and what it is to be a mixed race woman in Britain, looking at identity through music.⁠ It's then followed by a live performance of Blackbird (mentioned by Lydia in the last episode) which is wonderfully rough around the edges because heck it was live!⁠It was such a special evening, looking out into the audience and singing songs written from the heart to such a beautiful crowd of diverse people. Special shout outs to Dionne who also sent me a voicenote the next day which made me cry that I also found and chucked in at the end for good measure⁠.⁠This was my last proper gig with the band before the world closed down and I feel very blessed to have it recorded and to be able to share it with you now for anyone who wasn't able to make it on the night.Links from the episode can be found below:But a CD!! - https://ngaioamusic.bandcamp.com/merchWatch the Blackbird Music Video - https://www.youtube.com/watch?v=lx6DgjiD1FsInstagram accounts:@ngaioamusic@nessamariaw@coachhousestudio@redstripe@redstripeuk@acegrams