Share

Low Key
'Stranger Things' Is Better When You Don't Understand It
For all the nostalgia of "Stranger Things" -- the New Coke, the mall, the music -- the most uncanny memory it conjures is the feeling of first seeing a scary movie you were too young to see.
With the very good Season 3 behind us, we still don't have resolution to some of the key mysteries unveiled in Season 1 and Season 2.
Is the show doing too much? Or does the continuing mystery add to the feeling of being 10 years old, sitting in a cold theater or watching a worn VHS tape, trying to understand the mysteries of "Gremlins" or "Indiana Jones and the Temple of Doom" or countless other mid-80s movies that drew millions of young fans, but also flirted with very confusing horror.
We've never seen another show that reminds us of that childhood sense that we were learning about strange new things that frightened us, and that we might never understand. (And that maybe adults didn't understand, either. That was the most frightening part.) The Duffer Brothers do a very good job of capturing that uniquely unsettling feeling, and how it pierces our uncomplicated nostalgia for Slurpees, video games, and the other fun parts of being a kid.
Here are some of our other discussion points this episode, and where they come up:
1:15: Does "Stranger Things" Season 3 make any sense if you haven't seen Seasons 1 and 2?
9:02: What do the antagonists actually... want?
10:20: What happened to Billy being racist?
11: 30: "This is the only show where I think not understanding it actually helps it."
11:48: One of us calls "Star Trek: The Wrath of Khan" by the wrong name
15:01: Is the show introducing too many characters without fully exploring the existing ones?
20:10: Does "Stranger Things" actually care about the death of America's small towns?
30:45: What's going on with Will (or not going on with Will), and why we relate to him
38:30: Does it seem like people are more angry at Hopper than Billy?
More episodes
View all episodes
'Straw is No Exit for Black Women'
53:40|Tyler Perry's Straw has a misleading title — because it isn't a straw that breaks the camel's back in the film about a single mom (Taraji P. Henson) driven to extremes, but an absolutely nightmarish event that is only revealed in the film's insane final act.In this episode, Aaron, Keith and Tim talk about whether the movie takes place in hell, great movie twists and why they work — from Fight Club to The Sixth Sense — and the correct way to pronounce San Pedro.We wrap up by praising Tubi's Flew'd Out and the works of fantasy author Brandon Sanderson.The Edgelord Games of Mountainhead
38:42|What is the message of Mountainhead? Aaron and Tim talk about the film as a condemnation of the gamification of everything in Jesse Armstrong's Succession successor.We Like Murderbot Well Enough
46:19|Murderbot is a security droid who is happy to just watch his shows, and so are we. Without being security droids.Magazine Dreams and the Return of Jonathan Majors
53:49|Sometimes we talk about movies that are a good hang. Elijah Bynum's Magazine Dreams is not one of them, but it is a fascinating watch with an astonishing performance by Jonathan Majors. At one point it looked like he could win an Oscar for the role — before legal troubles nearly ended his career. Now Magazine Dreams is part of a comeback attempt.Sinners Doesn't Have All the Answers
01:19:08|We talk about the excellent of Sinners, the bad version of Sinners, and letting the right and wrong ones in.Common Side Effects! Righteous Gemstones! A 1979 Jack the Ripper Movie!
56:08|Due to various calamities we couldn't find time to watch the same show or movie this week, so instead Aaron, Keith and Tim are just listing off a bunch of cool stuff they like and recommend. We also discuss great Disney sequels, the Righteous Gemstones, hip-hop Percocet era, and why Frozen 2 is, no kidding, the wokest movie ever.Mickey 17 Review
32:28|When Your Younger Self Attacks Your Older Self
01:14:12|THE SUBSTANCE is almost a perfect partner to the last film we discussed, A DIFFERENT MAN. It's about aging and beauty standards, but also the kindnesses and harms we do to our future selves.A Different Man
01:05:55|A Different Man stars Sebastian Stan as Edward, an aspiring actor with neurofibromatosis who, through a new procedure, gets the face he's always wanted. But then he meets a different man, Oswald (Adam Pearson) who thrives in a play based on Edward's previous life — and makes Edward question everything about himself.