The Last Laugh

When Trevor Noah stepped down as host of ‘The Daily Show’ a couple of years ago, it didn’t even occur to Ronny Chieng that he could be capable of taking over that seat. But now that he’s been sitting in as guest-host as part of a rotating group of correspondents he finally feels like he deserves to be there. “I think I get how to do it,” he says. “And I’ve done it like 20 times now, so it’s definitely possible for me to do it.” In his return to the podcast, Chieng discusses the process of putting together his third stand-up special for Netflix, ‘Love to Hate It,’ which includes material about possibly becoming a father, how the internet is destroying male brains, and making “MAGA friends” in Hawaii. He also talks about grabbing the “fearless mantle” from heroes like Jon Stewart, being the first late-night host to joke about the UnitedHealthcare CEO shooting, and how he thinks ‘The Daily Show’ will evolve when Donald Trump takes back the White House in 2025. Follow Ronny Chieng on Instagram @ronnychieng Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast

Over the course of his nearly 20 years as a stand-up comedian, Joe Mande has developed an uncanny ability to accurately forecast the utter stupidity of American culture. That unique skill led his friend John Mulaney to suggest that he’s more prepared for a second Donald Trump presidency than anyone else they know. In this episode, Mande discusses his latest stand-up special ‘Chill,’ which premieres on Hulu this Friday, December 13 and was recorded before the 2024 election but includes some eerie predictions about how the country might change over the next four years. He also talks about his time in the trenches of the writers rooms for ‘Parks and Rec,’ ‘The Good Place,’ and ‘Hacks,’ on which he appears as Ray the Las Vegas hotel clerk who at least some fans want to see end up with Hannah Einbinder’s Ava. Mande isn’t ready to predict that outcome quite yet, but he definitely wants it to happen. “Hannah and I have talked about this at length and it just does feel like the natural conclusion to both of our stories,” he says. “We call it hashtag #Rayva, and we need to get this going.” Follow Joe Mande on Instagram @joemande Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast

The Last Laugh listeners, please enjoy this excerpt from the latest episode of The Daily Beast's new podcast! Comedian Jim Gaffigan reflects on the surreal experience of performing at the Al Smith Dinner, describing Donald Trump’s unorthodox comedic style as “performing on his heels” and surprisingly “killing the entire time.” Gaffigan also jokes about parenting his five kids: “Every Monday morning is kind of a surprise for them. Like, ’What? There’s school?’”Subscribe now to The Daily Beast Podcast

Ilana Glazer knows that she will forever be known as the “freewheeling stoner” Ilana Wexler from her beloved Comedy Central series ‘Broad City.’ But over the past few years she has fully embraced the role of mother—in her life, in her indie film ‘Babes’ and now on the stand-up stage in her upcoming Hulu special ‘Human Magic.’ In this episode, Glazer opens up about channeling the joy and anxiety of parenthood into comedy and the pressure not to disappoint the ‘Broad City’ superfans who want her to be her iconic character in real life. She also shares details about the episode of that show that she and Abbi Jacobson planned to shoot in Israel and why she’s “very glad” that decided not to go through with it at the last minute. And Glazer discusses the decision to walk away from ‘Broad City,’ her thoughts on a possible reboot down the line, and why, after so much time spent trying to mobilize young voters, she ultimately wasn’t “surprised” by the 2024 election results. Follow Ilana Glazer on Instagram @ilana Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast

Self-described comedy “villain” Anthony Jeselnik has made a career out of telling expertly crafted, extremely dark one-liners, from his breakthrough set at the Comedy Central Roast of Donald Trump in 2011 to his newest Netflix special ‘Bones and All,’ which marks his 20th year in comedy. In this episode, he talks about crafting his Comedy Central interview show ‘Good Talk,’ how he thinks his comic persona will continue to evolve as he ages, how getting fan mail from a white supremacist made him rethink one of his darkest jokes, what “surprises” him about Louis C.K.’s attempt at a comeback, his failed audition to anchor SNL’s “Weekend Update,” how Lorne Michaels “helped Trump get elected,” why he considers himself “uncancelable,” and a lot more.This episode was originally published on September 3, 2019.Follow Anthony Jeselnik on Instagram @anthonyjeselnik and TikTok @anthonyjeselnikFollow Matt Wilstein on Bluesky @mattwilstein and Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast

Jim O’Heir has almost 200 acting credits to his name, appearing on dozens of iconic TV shows like ‘ER,’ ‘Friends,’ and ‘Better Call Saul.’ But as he reveals in this episode, he almost turned down the role of Jerry Gergich on ‘Parks and Recreation’ because his agents worried it was too small. O’Heir writes about his fateful decision to take a chance on what could have remained a “background” part in his new book ‘Welcome to Pawnee,’ which is part memoir, part oral history and all around love letter to the show that changed his life. The veteran character actor shares stories about auditioning for Ron Swanson, finding out he and Retta had been elevated to series regulars just of Paul Schneider (Mark Brendanawicz) had been let go, learning that Christie Brinkley had been cast as his wife, and why he believes the show is still comforting people in dark times nearly a decade after it went off the air. Plus, O’Heir delivers perhaps the all-time greatest answer to our final question: What’s a memory from your career that you laugh about now but really was not funny when it happened?Buy Jim O’Heir’s Welcome to Pawnee: Stories of Friendship, Waffles, and Parks and RecreationFollow Jim O’Heir on Instagram @therealjimoheir Follow Matt Wilstein on Bluesky @mattwilstein and Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast

For better or worse, Timothy Simons will probably always be best known for the first TV role he ever booked: the cravenly odious political climber Jonah Ryan on HBO’s ‘Veep.’ He could have been typecast as a lanky creep forever, but in the years since that show ended, Simons has managed to have a surprisingly varied acting career, most notably with his role as rom-com sidekick Sasha in this fall’s Netflix hit ‘Nobody Wants This.’ In this episode, Simons talks about finding the nuance in what could have been a one-note character and reacts to the controversy around the show’s depiction of its Jewish female characters. He also looks back on what it what like to begin his career opposite a comedy legend like Julia Louis-Dreyfus and reveals the disturbing similarities between Jonah Ryan and America’s next vice president, JD Vance. Follow Timothy Simons on Instagram @timothycsimons Follow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast

The Last Laugh listeners, please enjoy this excerpt from the latest episode of The Daily Beast's new podcast! In the aftermath of Donald Trump’s victory in the 2024 election, co-host Samantha Bee has some tough talk for President Joe Biden and his team and comedian Michael Ian Black has news for everyone.Subscribe now to The Daily Beast Podcast

Jenny Slate has never been a traditional stand-up comic. And after a lengthy hiatus that followed her 2019 Netflix special ‘Stage Fright’ and included both a global pandemic and the birth of her daughter, she wasn’t sure she’d ever get up in front of an audience again. “I didn’t have a system in place for how to get back up on stage. I didn’t know how to do that,” she says in this episode. But now, as she puts out her latest hour ‘Seasoned Professional’, Slate breaks down how she made her way back in front of the mic and why she decided to get so intimately personal in the special. Slate reflects on how her one unfortunate season as a ‘Saturday Night Live’ cast member has informed the rest of her career, from finding the right kind of community on projects like ‘Kroll Show’ and ‘Bob’s Burgers’ to learning how to make her own unlikely success with ‘Marcel the Shell With Shoes On.’ And she discusses what it was like to pass the torch of her mixed race character on ‘Big Mouth’ to Ayo Edebiri, why she’s not sure ‘Obvious Child,’ her comedy film about abortion, would hit viewers in the same way 10 years later, and a lot more.This episode was originally published on February 21, 2024.Buy Jenny Slate’s new book of essays ‘Lifeform’Follow Jenny Slate on Instagram @jennyslateFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast