The Last Laugh

Most people probably don’t realize Alex Borstein is the same actress who broke out on ‘MADtv,’ has been voicing Lois Griffin on ‘Family Guy’ for 25 years, and won two Emmys for her role as Susie Myerson on ‘The Marvelous Mrs. Maisel.’ And yet, while she may still not be a household name, she has slowly but surely put together a more accomplished and steady career than she ever could have imagined. In this episode, the comedian talks about returning to her stand-up roots for her latest one-woman show, ‘Alex Borstein Is Thirsty,’ and looks back on the twists and turns of her unlikely Hollywood journey. That includes her misgivings about how her iconic character Ms. Swan went from a loving impression of her grandmother to an unfortunate racist caricature and how she landed the lucrative ‘Family Guy’ gig over some much bigger names. Borstein also gets into her beloved HBO cult classic series ‘Getting On’ and why she decided to deliver an anti-fascist call to arms when she accepted her second Emmy Award for ‘Maisel.’ And finally, a deeply embarrassing story about the time she appeared opposite Halle Berry in ‘Catwoman.’ Get tickets to see Alex Borstein liveFollow Alex Borstein on Instagram @alexborstein Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodWatch full episodes of The Last Laugh podcast on the Daily Beast’s YouTube channelHighlights from this episode and others at TheDailyBeast.com

Leslie Jones has been a comedic force of nature for nearly 40 years. And in her new stand-special ‘Life Part 2’ (streaming this Friday, Oct. 24 on Peacock), she displays more bravado and confidence on stage than ever. In this episode, Jones breaks down everything that went into getting to this moment in her career, from controversial breakout performance on SNL’s “Weekend Update” to her difficult decision to walk away from that show after five seasons. She discusses her unique relationship with Lorne Michaels, her very real crush on Colin Jost, and working with “scared little boy” Donald Trump the week he hosted the show. Jones also gets into how much she wanted ‘The Daily Show’ host gig and weighs on a new SNL cast that once again features zero Black women. Follow Leslie Jones on Instagram @lesdogggg Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodWatch full episodes of The Last Laugh podcast on the Daily Beast’s YouTube channelHighlights from this episode and others at TheDailyBeast.com

By all accounts, John Candy was such a decent and kind person that when Colin Hanks set out to direct the definitive documentary about his life and career, he knew there wouldn’t be any “dirt” to uncover. In the words of Candy’s friend Bill Murray, “I wish I had some more bad things to say about him.” But ‘John Candy: I Like Me’ (streaming now on Amazon Prime Video) does explore the beloved comic actor’s many personal demons. In this episode, Hanks breaks down why he wanted to make a film about Candy, including his personal connection to the comedy star through his father, Tom Hanks, and their shared struggles with issues of anxiety and mortality. Hanks discusses his heartbreaking interview with Macaulay Culkin, reveals the piece of archival footage he was most excited to uncover, and later, discusses his own journey from teen actor to filmmaker—including his first-ever response to the “nepo baby” discourse. Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodWatch full episodes of The Last Laugh podcast on the Daily Beast’s YouTube channelHighlights from this episode and others at TheDailyBeast.com

For the first 10 years of Phoebe Robinson’s comedy career, she “dreaded” getting up to tell jokes every night. It wasn’t until she found a way to genuinely have fun on stage that she has produced her best hour of stand-up yet in the new special ‘I Don’t Wanna Work Anymore’ (now streaming on YouTube). In her return to the show, the former co-host of the popular 2 Dope Queens podcast takes on the rise of the MAGA manosphere podcasters who are suddenly having second thoughts about helping Donald Trump win. She also shares her unfiltered thoughts on the greedy comedians taking millions from the Saudi government to look the other way on human rights abuses at the Riyadh Comedy Festival and weighs in on the “divorce” rumors that have plagued Barack and Michelle Obama.Follow Phoebe Robinson on Instagram @dopequeenpheebs Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodWatch full episodes of The Last Laugh podcast on the Daily Beast’s YouTube channelHighlights from this episode and others at TheDailyBeast.com

Will Forte is one of the only comedians to ever turn down an initial offer from Lorne Michaels to join ‘Saturday Night Live.’ But after three years in the cast, he found himself at a crossroads on the show. In his return to the podcast, Forte discusses the second lease on life that Michaels gave him after coming closer than anyone knew to cutting him loose. The star of two Netflix series this year—‘Haunted Hotel’ and ‘The Four Seasons’—also talks about his love of animation and playing the husband of his former ‘SNL’ boss Tina Fey. And Forte shares updates on the unlikely fate of his canceled and then resurrected ‘Coyote vs. Acme’ movie, reveals the potential for a ‘MacGruber’ sequel, and shares behind-the-scenes stories from his wild night at the ‘SNL50’ anniversary special.Follow Will Forte on Instagram @orviv Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodWatch full episodes of The Last Laugh podcast on the Daily Beast’s YouTube channelHighlights from this episode and others at TheDailyBeast.com

Hannah Einbinder had never really acted before she was cast as Ava Daniels opposite Jean Smart’s Deborah Vance on ‘Hacks.’ Now, she’s a three-time Emmy nominee. In this episode, Einbinder opens up about the overconfidence she brings to that role as well the onstage persona she displays in her excellent debut stand-up special ‘Everything Must Go’ on Max. She also talks about overcoming the intimidation of acting with Jean Smart, compares the generational gap between their characters to her relationship with her own mother (original SNL cast member Laraine Newman), and reveals how Stephen Colbert helped land her the role that changed her career. And later, Einbinder shares her unfiltered thoughts about the “old f*cking guys” in comedy who complain that political correctness is stifling their craft. This episode was originally published on August 14, 2024.Follow Hannah Einbinder on Instagram @hannaheinbinderFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast

Over the course of his long and distinguished career, Rob Reiner has directed some of the most beloved and acclaimed films in Hollywood history. But he had never directed a sequel until ‘Spinal Tap 2: The End Continues.’ In this episode, Reiner breaks down why he decided to reunite with Christopher Guest, Michael McKean, and Harry Shearer for one last mockumentary 41 years after they invented the genre with ‘This Is Spinal Tap.’ He talks about how the comedy of the film has evolved now that they are in their 70s and 80s, and the secret to playing the straight man opposite someone as effortlessly funny as Guest. Reiner also gets into the state of America under Trump 2.0, how Elon Musk drove him away from Twitter, and what he learned about being a politically outspoken celebrity from Norman Lear and Jane Fonda. Finally, he reflects on his relationship with his late father Carl Reiner, recalls the first time he met Mel Brooks, and considers the enduring legacy of classic films like ‘The Princess Bride’ and ‘When Harry Met Sally.’Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast

When they were shooting the pilot episode of ‘The Office,’ Steve Carell told Rainn Wilson that playing Dwight Schrute could change his life forever. And he could not have been more right. In this episode, Wilson breaks down his unique career journey from working character actor to sitcom star all the way through his latest film ‘Code 3’ (in theaters Friday Sept. 12) in which he plays a burnt out paramedic alongside fellow comedian Lil Rel Howery. His role in the new movie, as well as much of what he has done since ‘The Office’ ended in 2013, feels very different from Dwight, and purposefully so. Wilson opens up about the massive blessing and occasional curse of being so closely associated with such a hugely popular character. Addressing the perennial question about whether ‘The Office’ could be made today, he admits that the “clueless, insensitive, racist, sexist” jokes hit differently now. Wilson also reveals the “relief” he felt when NBC killed off a Dwight-centered spinoff and shares whether that character could ever pop up on the new Peacock spinoff ‘The Paper’—or perhaps even a movie version of ‘The Office.’Follow Rainn Wilson on Instagram @rainnwilsonFollow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast

Raphael Bob-Waksberg was still in his 20s when he convinced Netflix to produce his audacious Hollywood satire about a washed-up, alcoholic former TV star who also happens to be a horse. Now, as a 41-year-old father of two, the creator of ‘Bojack Horseman’ is back with another animated Netflix series that is just as boldly funny and devastatingly emotional, but without the crutch of constant animal puns. In this episode, Bob-Waksberg opens up about his “vulnerable” new show, ‘Long Story Short,’ which depicts a Jewish family in the Bay Area that is not unlike his own. He breaks down how the show’s unique time-jumping format cleverly tricks viewers into feeling like they have known the characters for years and reflects on how the essential Jewishness of the story has been interpreted—or perhaps, misinterpreted—by critics. Bob-Waksberg also looks back on the legacy of ‘Bojack,’ including what it did or not predict about the state of “Hollywoo” in 2025 and what it would take for him to revive those characters after saying goodbye to them five years ago. Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast