Kreative Kontrol

Raymond Biesinger returns to discuss 9 Times My Work Has Been Ripped Off – An Informal Self-Defence Guide for Independent Creatives, what inspired him to write this book, his personal experiences with intellectual property and wage theft, distinctions between patented inventions and homage and emulation in artistic realms, the role A.I. plays in creative plagiarism, the scourge of uncredited work, memes, and my conflicts about compiling funny tweets and posts by other people, artistic intention vs. perception, his plans for future books and projects, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win a Gord Downie Vinyl Bundle in April 2026!Last Week in Funny Tweets* April 24, 2026Ep. #1088: Cadence Weapon / Rollie PembertonEp. #1005: Brian FauteuxEp. #859: Raymond BiesingerEp. #340: Anne T. DonahueEp. #329: Is social media making us desperate for fame? Long Night with Anne T. Donahue and Nirvanna the Band the Show

The first of two interviews I conducted with the late Vic Chesnutt took place over the telephone on Tuesday, September 4, 2007, at 3:00 PM ET. The occasion was the impending release of the majestic North Star Deserter, which was his first album on Constellation Records. It was co-produced by Jem Cohen and features contributions from Thee Silver Mt Zion Memorial Orchestra & Tra-La-La Band, along with Guy Picciotto (Fugazi), Chad Jones & Nadia Moss (Frankie Sparo), Eric Craven & Genevieve Heistek (Hangedup), Bruce Cawdron (Godspeed You! Black Emperor, Esmerine) and T. Griffin (The Quavers).To hear this entire conversation, subscribe to Kreative Kontrol on Patreon at the $6 tier or higher (a reminder that an annual subscription includes a discount compared to a monthly one).Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Support vish on Patreon!Related episodes/links:Ep. #900: Fugazi and Jem CohenEp. #723: Jessica MossEp. #667: Efrim Manuel MenuckEp. #382: Esmerine

David Fuller, Niko Kapetan, Bailey Minzenberger, and Korgan Robb from Friko are here to discuss their new album, Something Worth Waiting For, the state of Illinois and dystopian literature, bonding in a high school music theory class, loving noise-infused pop bands like Pavement, the Breeders, and, from Liverpool, England, the Beatles, inspiration from local bands like Smut and the Felix Culpa, the story of Friko, articulating Niko’s songwriting talents as though he is not on this call with us, why numbers seem to be invoked so often on this album, why they worked with producer John Congleton and what makes him such a great “coach,” tour dates, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win a Gord Downie Vinyl Bundle in April 2026!Ep. #1075: Bill FrisellAll Things Konsidered: The Beatles AnthologyEp. #986: John CongletonEp. #984: LifeguardEp. #951: Mark Ibold, Scott Kannberg, Jeffrey Lewis Clark, Jed I. Rosenberg & Brian Thalken on ‘Louder Than You Think: A Lo-Fi History of Gary Young and Pavement’Ep. #933: Alex Ross Perry, Scott Kannberg, and Robert Greene on ‘Pavements’Ep. #924: Lance Bangs and Bob Nastanovich on ‘Pavements’Ep. #910: The Hard QuartetEp. #806: The BreedersEp. #677: Pavement

Mike Belitsky and Travis Good from the Sadies and Dave ‘Billy Ray’ Koster are here to discuss Live at 6 O’Clock by Gord Downie, The Sadies, and the Conquering Sun, Billy’s long and all-encompassing tenure in the working lives of Downie and the Tragically Hip as a technical director and confidante, how the Sadies and Downie connected and why he was so fond of playing with them, a look back at Downie’s first solo album Coke Machine Glow and him asking Travis to play on it, Downie’s deep love for artists like Fucked Up and Daniel Romano, insights about this collaboration and what the late Gord Downie and Dallas Good may have felt about it, when Downie planned to run the stage light show himself, poignant reasons for picking songs about ghosts and sadness for this live record primarily consisting of songs by other artists, further insights into how the Tragically Hip viewed Downie’s work outside of the band, Downie’s penchant for incorporating conversations and experiences he shared with Billy into his lyrics, the story behind “Introduce Yerself,” whether we may hear more unreleased music by Downie and the potential for Sadie to make a new album, upcoming tour dates, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win a Gord Downie Vinyl Bundle in April 2026!Ep. #1085: Richard Reed ParryEp. #1083: RheostaticsEp. #1082: Joe PerniceEp. #1071: Buck 65Ep. #971: Change of HeartEp. #892: Fucked UpEp. #889: Rick White and The SadiesEp. #880: Guided By VoicesEp. #842: Daniel Romano’s OutfitEp. #821: Kurt VileEp. #744: Don PyleEp. #590: Bob YoungEp. #496: Iggy Pop

Richard Reed Parry returns to discuss Were “The Watchtowers” by Dallas Good + Richard Reed Parry, his Skybarn recording studio, being a new dad and adjusting to life off the road, how he first got to know Dallas after they were randomly chosen to participate in a Dawson City Music Festival collaborative workshop, a shared love of the Everly Brothers and other key artists and records, instant friend crushes and a yearning to collaborate on music, how they wrote lyrics together in a shared, outdated daytimer, insights about how vocals and other recordings of Dallas were used posthumously, how the sessions for Colder Streams by the Sadies and the Watchtowers informed each other, a unique contribution by Neko Case and making an album with songs about the tragic loss of one of the creators of that same album, why it’s a Record Store Day exclusive, news about Richard’s other bands and pursuits, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win a Gord Downie Vinyl Bundle in April 2026!Ep. #1082: Joe PerniceEp. #1049: Rebecca Foon and Aliayta Foon-DancoesEp. #889: Rick White and The SadiesEp. #857: Michael FeuerstackEp. #815: Geordie GordonEp. #805: La ForceEp. #703: The SadiesEp. #669: Dallas Good RememberedEp. #485: Richard Reed ParryEp. #191: Buffy Sainte-Marie

Janel Leppin returns to discuss her new solo album Slowly Melting and Pluto in Aquarius by Janel Leppin's Ensemble Volcanic Ash, her ability to compartmentalize her visual art impulses from her musical ones, why she frequently releases more than one album on the same day, how Susan Alcorn and David Lynch remain constant inspirations, an eye-opening Mdou Moctar tour, making protest jazz music in a politically volatile time, her compelling and dynamic use of the cello as a lead instrument in jazz expressions, her tribute to Deerhoof, why she employs fuzz and distortion, loving pedals and naming songs after different ones, upcoming shows, another new record, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win a Gord Downie Vinyl Bundle in April 2026!Ep. #1069: The Messthetics and James Brandon LewisAll Things Konsidered: The Beatles AnthologyEp. #1003: Marissa NadlerEp. #975: DeerhoofEp. #919: Oren AmbarchiEp. #887: Janel and AnthonyEp. #874: Mdou Moctar

Dave Bidini and Dave Clark from Rheostatics are here to discuss The Great Lakes Suite, politics and tensions between the U.S.A. and Canada, contemporary protest music, what prompted this album’s concept and improvisational approach, featured contributions by Alex Lifeson from Rush, Kevin Hearn, Hugh Marsh, Tanya Tagaq, Laurie Anderson, Chief Stacey LaForme, Anne Carson, Liz Howard, Kendel Carson, Maiah Wynne, and Gord Downie, why Alex Lifeson was so blown away by Tanya Tagaq’s performance on this record, insights about Gord Downie’s posthumous appearance here telling a poetic story, Martin Tielli’s current status in Rheostatics, Alex Lifeson’s current status in Rheostatics, the excitingly unique way they plan to stage live shows to represent this album, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win a Gord Downie Vinyl Bundle in April 2026!Ep. #1031: Leanne Betasamosake SimpsonEp. #424: Dave BidiniEp. #332: Billy BraggEp. #294: Don Kerr of CommunismEp. #272: Gord Downie [Archival; May 2010]Ep. #65: Tanya Tagaq

Joe Pernice is here to discuss his excellent new album, Sunny, I Was Wrong, living in frigid Canada as a well-informed American, his obsession with bicycles and riding bikes, his close friendship with music writer Warren Zanes who penned lovely liner notes for this new record, being a dad and coaching baseball with some encouragement from Buck 65, writing music again after a substantial break and from a very honest, reflective perspective, why he chose to release a record under his own name, the killer studio band he assembled featuring Jim Creeggan, Mike Belitsky, and Mike Evin, bringing in very special guests like Aimee Mann, Norman Blake of Teenage Fanclub, Rodney Crowell, and Jimmy Webb, what will become of the large number of unreleased songs he wrote and recorded towards this album, upcoming shows, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1071: Buck 65Buck 65 on Bike For Three! (2009)Grandaddy’s Jason Lytle (2012) – TeaserEp. #889: Rick White and The SadiesEp. #800: Buck 65Ep. #703: The SadiesEp. #335: The Sadies on Long Night