JINS

🦄 Today on @jins_podcast, a compelling new episode featuring the inspiring Glamrou. @glamrou, a non-binary drag artist and unapologetically Muslim, is a bold voice reshaping narratives around gender, faith, and self-expression. Through their unique artistry, Glamrou (Amrou Al-Khadi) challenges stereotypes and celebrates the intersection of queerness and spirituality, offering a perspective that’s as refreshing as it is empowering. They're not only a performer but also a brilliant author, with their essay "Unicorn: The Memoir of a Muslim Drag Queen", and as a film director with short movie "Run(a)Way Arab" (2017) and their film debut "Layla" (2024). 🎛️ Sound design: @pogoff_sound🎧 Tune into this powerful episode on Spotify, Apple Podcasts, Amazon Music, Google Podcasts, and more. Don’t forget to subscribe to @jins_podcast and share your thoughts in the comments!#drag #nonbinary #muslim #identity #selfexpression #podcast #intersectionality #cinema #empowerment

💚❤️🖤🤍 In today's episode, I’m honored to have Yasmine Al Massri with me, an actress whose work embodies the rich, nuanced storytelling that Palestinian and Arab cinema is celebrated for. Yasmine is a Lebanese-born actress of Palestinian descent. Her journey into acting began in Paris, where she honed her craft in some of the most prestigious acting schools before making her screen debut in the critically acclaimed film "Caramel" directed by Nadine Labaki. Her performances have been praised for their authenticity and emotional depth, whether in international film festivals or mainstream Hollywood productions. Beyond her acting talent, Yasmine is an advocate for more nuanced and diverse representations of Arab and Muslim identities in cinema, using her platform to speak out against stereotyping and for greater inclusion in the film industry.⚙️ Credits:“Agadir” by Gnawa Masters."Succar Ya Banat” and “Rendez-vous manqués” (Original music from the film “Caramel”), composed by Khaled Mouzanar.“Pray For Lebanon”, composed by AIi Eldeeb.“Quantico - End Credits Theme”.“Red Rider”, “Nenna Nofinger”, and “Whip It” composed by Mateo Messina, on “Crossbones” official soundtrack.“Salam” (featured in the film “Between Heaven and Earth”), composed by Souad Massi and Khaled Izz (naïve, a label of Believe Group).“Ya Hala Bikoum” by Mohammad Al Badi (Lord Sound).“Before the Night Falls” and “Valse for Julian” by Gabriele Roberto, from Julian Schnabel: A Private Portrait (Original Motion Picture Soundtrack) (Air-Edel Records).“A Dream Within a Dream” (From Shōgun Original Soundtrack), composed by Atticus Ross, Leopold Ross, Nick Chuba (FX).Extract from the movie “Ma'eoulshe Lehad”, directed by Henry Barakat, with Samia Gamal dancing on a music from Farid El Atrache.Traditional Music of Palestine (from http://gopalestine.org/ Youtube channel).“Offering” (from Passages), composed by Ravi Shankar and Philip Glass (Dunvagen Music Publishers).Use of AI-generated voice (ElevenLabs).Post production: POG OFF

🎧 In today's episode of @jins_podcast , "DUNE", we dive deep with Professor Evelyn Alsultany ( @evelynalsultany ) into the sandy dunes of Arrakis and explore the cultural layers beneath its surface.🎬 Set against Frank Herbert's iconic universe and Denis Villeneuve's cinematic vision, we dissect themes of colonialism, Orientalism and Indigenous identities through a lens that questions the balance between cultural appreciation and appropriation. Professor Alsultany, a leading voice in media and ethnicity studies, brings her incisive insights into how these narratives shape our perceptions of "the other" and what it means for future storytelling in Hollywood and beyond.🌟 Join us as we unravel the complex portrayal of the Fremen, the mystical spice, and the echoes of Middle Eastern and North African influences that have sparked both admiration and controversy. 🕌✨Does 'Dune' honor its inspirations, or does it tread the line of cultural erasure? How do modern adaptations measure up against the backdrop of Hollywood's evolving landscape of diversity and representation?👀 Don't miss this thought-provoking journey into one of science fiction's most celebrated and scrutinized epics.Subscribe to stay updated with JINS, where we dissect identity, culture, and the lines that connect us all. 🌐💬🔗 Follow us on Instagram @jins_podcast for exclusive behind-the-scenes content and more discussions that challenge, inspire, and enlighten.🌟 Leave 5 stars and nice comments if you loved it! 🌍💫⚙️ Credits:“Agadir” by Gnawa Masters.Musics from Dune (2021) OST: “Original Motion Picture Soundtrack”, “The Dune Sketchbook, music from the Soundtrack”, and “The Art and Soul of Dune, Companion Book Music”. Composed by Hans Zimmer.Extracts from “Dune Part Two Soundtrack”, composed by Hans Zimmer.“Jack Ryan - Main Theme” (from Tom Clancy’s JAck Ryan: Season 1 (Music from the Prime Original Series), composed by Ramin Djawadi (Paramount Music).“Samir & Sharon”, from The Siege, composed by Graeme Revell (Varese Sarabande Records, Inc.).Extract from “Road to Morocco” directed by David Butler (1942).“Shake That Tambourine” (from Harum Scarum), composed by Bill Giant, Bernie Baum, Florence Kaye (RCA Records).“The Delta Force - Main Theme”, composed by Alan Silvestri.This episode contains sound design from the movie “Dune”, by Mark Mangini ans his team.Extracts from the movie “Dune”, directed byDenis Villeneuve.“Istanbul - The Blue Mosque” (from Argo (Original Motion Picture Soundtrack), composed by Alexandre Desplat.“Imhotep (from the Mummy OST)”, composed by Jerry Goldsmith (Universal Pictures Film Music).“Making of Cyborg” (Ghost in the Shell Soundtrack), composed by Kenji Kawai."Spectres in the Fog (The Last Samurai: Original Motion Picture Score)”, composed by Hans Zimmer.“Theme from Sahara” (Sahara soundtrack), composed by Ennio Morricone.“Beirut (from Black Sunday - Unreleased Soundtrack)”, composed by John Williams (1977).Use of AI-generated voice (ElevenLabs).Post production: POG OFF

🎤 Aujourd'hui sur @jins_podcast, un nouvel épisode inspirant avec l’incroyable Emel Mathlouthi. @emelmathlouthi, chanteuse, auteure-compositrice et productrice tunisienne, a marqué les esprits du monde entier avec sa chanson "Kelmti Horra", devenue un hymne de la Révolution tunisienne. Sa musique, un mélange captivant de folk, d'électronique et de sonorités nord-africaines, a transcendé les frontières et les genres, s'imposant comme un symbole de résistance, de liberté et de féminisme.Laissez 5 étoiles 🌟 si vous avez aimé écouter cet épisode inspirant, laissez un commentaire et partager autour de vous ! ⚙️ Credits:“Agadir” par Gnawa Masters.Extrait d’une chanson arabe par Fayrouz, lors d’une émission de TV du 24 mai 1975 (INA).Extrait de “Kelmti Horra”, chanté par Emel Mathlouthi lors de la révolution tunisienne.Extrait de “Kelmti Horra”, chanté par Emel Mathlouthi lors du 2015 Nobel Peace Prize Concert.“NAR”, composé par Ami Yerewolo, Emel Mathlouthi (Little Human (exclusively licensed to Yotanka Records)).Extraits de “Variations #6 : Vitalic & Emel jouent Ghada Al-Samman”, filmé au Théâtre du Châtelet (Culturebox, FIP, Sourdoreille).“Mazel (feat. Camélia Jordana)”, composé par Emel Mathlouthi (Little Human (exclusively licensed to Yotanka Records)).“Princess Melancholy” (from the album “Ensen”), composé par Emel Mathlouthi (Partisan Records LLC / Knitting Factory Records, Inc / Emel Mathlouthi).“Sallem” (from the album “Ensen”), composé par Emel Mathlouthi (Partisan Records LLC / Knitting Factory Records, Inc / Emel Mathlouthi).“Naci en Palestina” interprété live par Emel Mathlouthi.“L’amour (feat. Justina)”, composé par Emel Mathlouthi, Farima Habashizadehasl (Little Human (exclusively licensed to Yotanka Records)).“The Man Who Sold The World”, from “The Tunis Diaries”, interprété par Emel Mathlouthi, composé par David Bowie.Post-production: POG OFF.

🇵🇰 Today on @jins_podast, join me in welcoming Pakistani filmmaker Saim Sadiq who gained international acclaim with his short film "Darling," which won the Orizzonti Award for Best Short Film at the Venice International Film Festival. 🏳️‍⚧️ His feature debut, "Joyland," made history as Pakistan's first film screened at the Cannes Film Festival, winning the Jury Prize. The film's exploration of transgender identity and societal taboos has stirred significant discussion and controversy in Pakistan. From facing a ban to becoming a subject of national debate, the movie highlights the evolving conversation around gender and sexual identities in Pakistan. It showcases how cinema can be a powerful medium for challenging stereotypes and fostering empathy.📲 Follow @jins_podcast on Instagram for more exclusive content.

💥 WOW ! Moi, Jamal, la voix derrière JINS Podcast, je sors mon premier livre : “AMOUR - Révolutionner l’amour grâce à la sagesse arabe et/ou musulmane” 💛🖤 aux éditions LeDuc et préfacé par la seule et unique Leïla Slimani !📔🤍 C’est un livre à mettre entre toutes les mains, pour faire germer l’amour de manière universelle. Mon essai est un manifeste pour faire la révolution de l’amour, toustes ensemble ! C’est une invitation à reconsidérer la manière dont nous appréhendons et pratiquons l’amour dans une société marquée par des divisions profondes et systémiques. En s’inspirant de ma culture arabo-musulmane, mon texte cherche à allier un militantisme politique et poétique, à réinjecter la joie et l’empathie, pour reconstruire un monde régi par l’Amour.✊🏽 Alors, vous voulez faire la révolution de l’amour avec moi ?🚀 Le lien de commande est disponible ici 📲 https://www.fnac.com/a20477490/ !Merci infiniment !Amoureusement,Jamal

🎪 Rejoignez-nous pour un épisode LIVE et captivant de JINS, le premier podcast dédié aux récits d'amour, de sexualités et de genre pour les personnes arabes et/ou musulmanes au Hasard Ludique à Paris.🇫🇷 🇩🇿 Dans cet épisode, on va redécouvrir les masculinités maghrébines à l'écran à travers les regards des éminents acteurs Zinedine Soualem, Samir Guesmi et Slimane Dazi. Découvrez comment ils ont voulu raconter leurs histoires au travers de leurs filmographies et de récits autant français qu'algériens.Un épisode passionnant où nous avons réinventé les représentations, ensemble !Je sors mon premier livre : “AMOUR - Révolutionner l’amour grâce à la sagesse arabe et/ou musulmane” et c’est préfacé par Leïla Slimani !💛🖤🤍 Ça sort le 12 septembre aux éditions LeDuc dans vos librairies mais vous pouvez d’ores et déjà le précommander ici : https://www.fnac.com/a20477490/ 📲 ⚙️ Credits:“Agadir” par Gnawa Masters.Extrait du film “Pepe le Moko”, de Julien Duvivier, avec le morceau “Où est-il donc ?” interprété par Frehel.“La Bataille d’Alger” (Bande Originale du film “La Bataille d’Alger”), composé par Ennio Morricone (Creazioni Artistiche Musicali C.A.M. S.r.l. / Universal Music Publishing Ricordi S.r.l.).“Indigènes” (Bande Originale du film “Indigènes”), composé par Armand Amar (Europa Corp).Extraits du film “Leur Algérie”, de Lina Soualem (2020).“Fièvres” (Bande Originale du film “Fièvres”), composé par Bachar Mar-Khalifé (Balcoon)."Un prophète” (Bande Originale du film “Un prophète”), composé par Alexandre DesplatMusique du générique de fin du film "D'une pierre deux coups”, composé par Youssef Boukella & Luis Saldanha, accompagnés par l'Orchestre national de Barbès.Musique du générique de fin du film "Fast”, composé par Krishna Levy.“Cold Little Heart” (du film "El Houb"), composé par Michael Samuel Kiwanuka, Brian Joseph Burton, Dean Wynton Josiah Cover (Warner Chappell Music Publishing Limited, Sony Music Publishing (Uk) Ltd).“L'air de la mer rend libre (Bande Originale du Film)”, composé par Samy Thiébault (Thelonious Productions).“Oussekine” (de "Oussekine"/La Bande Originale de la Série), composé par Sacha et Evgueni Galperine (Walt Disney Records) (2022).“Thème de Louisa” (Musique extrait du film "Ibrahim" (Bande originale du film)), composé par Raphael Eligoulachvili (Why Not Productions).Post-production: POG OFF.

👩🏻‍🏫 Today on @jins_podast, I’m very pleased to welcome Maytha Al-Hassen. Maytha is a journalist, poet, scholar, and professor. Her work spans social justice, academic research, media engagement, and artistic expression, aiming to create and popularize authentic narratives for Muslims in popular culture. Maytha has contributed to CNN and Huffington Post, among others. She has performed at significant venues, including TED conferences. Her Ph.D. in American Studies and Ethnicity from USC reflects her dedication to changing narratives around Arab and Muslim communities through media, education, and pop culture. Following Professor Jack Shaheen’s steps, she wrote a compelling document named Haqq & Hollywood (which means “Hollywood & the Truth” in Arabic) that was the basis of my exploration.📲 Follow @jins_podcast on Instagram for more exclusive content.⚙️ Credits :“Agadir” by Gnawa Masters.Arabic Vocals by Soulpacifica - https://tihana.net/soulpacifica | YT: ‪@tihanamusic‬No Copyright Music : Copyright Free Sad Background Music | Best No Copyright emotional Music | NCM“The End/ Playoff Music (From "Lawrence of Arabia")”, composed by Maurice Jarre. ℗ A Decca Records Recording; ℗ 1989 Universal Music Operations Limited.“Arabian Nights (Official Instrumental)” from Aladdin 2019, composed by Alan Menken · Howard Ashman · Benj Pasek · Justin Paul. ℗ 2019 Walt Disney Records.“Main Title / Cleopatra Enters Rome (From "Cleopatra" 1963)”, composed by Alex North. ℗ 2001 Twentieth Century Fox Film Corporation, under exclusive license to Varese Sarabande Records, Inc.“Howard Beale Show Theme Song” from the movie Network (1976).“Not Without My Daughter - Orchestra Only Suite”, composed by Jerry Goldsmith. Publisehd by Pathe Entertainment Movie Songs.End credits music from “The Hate That Hate Produced” (1959).Excerpts from “American Sniper”, directed by Clint Eastwood (2014).“North”, composed by Silent Partner.“Lounga 79”, composed by Hany Shenouda. On the serie “Ramy”.“Sometimes”, composed by Iman Europe, published by Good Soil Productions. On the serie Insecure”.Post production: POG OFF