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Aladdin
đ§ââïž Pour cet Ă©pisode hors-sĂ©rie de @jins_podcast , je me suis essayĂ© Ă un nouveau format oĂč je dĂ©cortique et analyse seul, Ă la lumiĂšre de toutes mes dĂ©couvertes en rĂ©sidence Ă la Villa Albertine de Los Angeles, ainsi quâĂ toutes mes lectures et visionnages de films, une oeuvre ; ici celle qui a rythmĂ© tous les jours de mon enfance, au grand dĂ©sespoir de ma famille : Aladdin.
đ Aladdin sert de miroir aux perceptions occidentales du Moyen-Orient, marquĂ©es par une histoire longue et souvent problĂ©matique d'orientalisme. La bonification de lâarabitĂ© dâAladdin, appelĂ© Al, la queerisation de lâignoble Jafar, la sexualisation Ă outrance de Jasmine, reprĂ©sentĂ©e comme une figure Ă la fois indĂ©pendante et objectivĂ©e... Ăa nous rappelle la responsabilitĂ© des auteurs et crĂ©ateurs de contenu de transcender les clichĂ©s et de prĂ©senter des rĂ©cits qui respectent et cĂ©lĂšbrent la richesse des cultures qu'ils reprĂ©sentent.
Je sors mon premier livre : âAMOUR - RĂ©volutionner lâamour grĂące Ă la sagesse arabe et/ou musulmaneâ et câest prĂ©facĂ© par LeĂŻla Slimani !
đđ€đ€Â Ăa sort le 12 septembre aux Ă©ditions LeDuc dans vos librairies mais vous pouvez dâores et dĂ©jĂ le prĂ©commander ici : https://www.fnac.com/a20477490/ đČÂ
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DUNE - with Pr Evelyn ALSULTANY
44:03|đ§ In today's episode of @jins_podcast , "DUNE", we dive deep with Professor Evelyn Alsultany ( @evelynalsultany ) into the sandy dunes of Arrakis and explore the cultural layers beneath its surface.đŹ Set against Frank Herbert's iconic universe and Denis Villeneuve's cinematic vision, we dissect themes of colonialism, Orientalism and Indigenous identities through a lens that questions the balance between cultural appreciation and appropriation. Professor Alsultany, a leading voice in media and ethnicity studies, brings her incisive insights into how these narratives shape our perceptions of "the other" and what it means for future storytelling in Hollywood and beyond.đ Join us as we unravel the complex portrayal of the Fremen, the mystical spice, and the echoes of Middle Eastern and North African influences that have sparked both admiration and controversy. đâšDoes 'Dune' honor its inspirations, or does it tread the line of cultural erasure? How do modern adaptations measure up against the backdrop of Hollywood's evolving landscape of diversity and representation?đ Don't miss this thought-provoking journey into one of science fiction's most celebrated and scrutinized epics.Subscribe to stay updated with JINS, where we dissect identity, culture, and the lines that connect us all. đđŹđ Follow us on Instagram @jins_podcast for exclusive behind-the-scenes content and more discussions that challenge, inspire, and enlighten.đ Leave 5 stars and nice comments if you loved it! đđ«âïž Credits:âAgadirâ by Gnawa Masters.Musics from Dune (2021) OST: âOriginal Motion Picture Soundtrackâ, âThe Dune Sketchbook, music from the Soundtrackâ, and âThe Art and Soul of Dune, Companion Book Musicâ. Composed by Hans Zimmer.Extracts from âDune Part Two Soundtrackâ, composed by Hans Zimmer.âJack Ryan - Main Themeâ (from Tom Clancyâs JAck Ryan: Season 1 (Music from the Prime Original Series), composed by Ramin Djawadi (Paramount Music).âSamir & Sharonâ, from The Siege, composed by Graeme Revell (Varese Sarabande Records, Inc.).Extract from âRoad to Moroccoâ directed by David Butler (1942).âShake That Tambourineâ (from Harum Scarum), composed by Bill Giant, Bernie Baum, Florence Kaye (RCA Records).âThe Delta Force - Main Themeâ, composed by Alan Silvestri.This episode contains sound design from the movie âDuneâ, by Mark Mangini ans his team.Extracts from the movie âDuneâ, directed byDenis Villeneuve.âIstanbul - The Blue Mosqueâ (from Argo (Original Motion Picture Soundtrack), composed by Alexandre Desplat.âImhotep (from the Mummy OST)â, composed by Jerry Goldsmith (Universal Pictures Film Music).âMaking of Cyborgâ (Ghost in the Shell Soundtrack), composed by Kenji Kawai."Spectres in the Fog (The Last Samurai: Original Motion Picture Score)â, composed by Hans Zimmer.âTheme from Saharaâ (Sahara soundtrack), composed by Ennio Morricone.âBeirut (from Black Sunday - Unreleased Soundtrack)â, composed by John Williams (1977).Use of AI-generated voice (ElevenLabs).Post production: POG OFF14. La voix de l'espoir - avec Emel MATHLOUTHI
30:47||Saison 3, Ep. 14đ€ Aujourd'hui sur @jins_podcast, un nouvel Ă©pisode inspirant avec lâincroyable Emel Mathlouthi. @emelmathlouthi, chanteuse, auteure-compositrice et productrice tunisienne, a marquĂ© les esprits du monde entier avec sa chanson "Kelmti Horra", devenue un hymne de la RĂ©volution tunisienne. Sa musique, un mĂ©lange captivant de folk, d'Ă©lectronique et de sonoritĂ©s nord-africaines, a transcendĂ© les frontiĂšres et les genres, s'imposant comme un symbole de rĂ©sistance, de libertĂ© et de fĂ©minisme.Laissez 5 Ă©toiles đ si vous avez aimĂ© Ă©couter cet Ă©pisode inspirant, laissez un commentaire et partager autour de vous ! âïž Credits:âAgadirâ par Gnawa Masters.Extrait dâune chanson arabe par Fayrouz, lors dâune Ă©mission de TV du 24 mai 1975 (INA).Extrait de âKelmti Horraâ, chantĂ© par Emel Mathlouthi lors de la rĂ©volution tunisienne.Extrait de âKelmti Horraâ, chantĂ© par Emel Mathlouthi lors du 2015 Nobel Peace Prize Concert.âNARâ, composĂ© par Ami Yerewolo, Emel Mathlouthi (Little Human (exclusively licensed to Yotanka Records)).Extraits de âVariations #6 : Vitalic & Emel jouent Ghada Al-Sammanâ, filmĂ© au ThĂ©Ăątre du ChĂątelet (Culturebox, FIP, Sourdoreille).âMazel (feat. CamĂ©lia Jordana)â, composĂ© par Emel Mathlouthi (Little Human (exclusively licensed to Yotanka Records)).âPrincess Melancholyâ (from the album âEnsenâ), composĂ© par Emel Mathlouthi (Partisan Records LLC / Knitting Factory Records, Inc / Emel Mathlouthi).âSallemâ (from the album âEnsenâ), composĂ© par Emel Mathlouthi (Partisan Records LLC / Knitting Factory Records, Inc / Emel Mathlouthi).âNaci en Palestinaâ interprĂ©tĂ© live par Emel Mathlouthi.âLâamour (feat. Justina)â, composĂ© par Emel Mathlouthi, Farima Habashizadehasl (Little Human (exclusively licensed to Yotanka Records)).âThe Man Who Sold The Worldâ, from âThe Tunis Diariesâ, interprĂ©tĂ© par Emel Mathlouthi, composĂ© par David Bowie.Post-production: POG OFF.13. Joyland is a queer land - with Saim SADIQ
35:34||Saison 3, Ep. 13đ”đ° Today on @jins_podast, join me in welcoming Pakistani filmmaker Saim Sadiq who gained international acclaim with his short film "Darling," which won the Orizzonti Award for Best Short Film at the Venice International Film Festival. đłïžââ§ïž His feature debut, "Joyland," made history as Pakistan's first film screened at the Cannes Film Festival, winning the Jury Prize. The film's exploration of transgender identity and societal taboos has stirred significant discussion and controversy in Pakistan. From facing a ban to becoming a subject of national debate, the movie highlights the evolving conversation around gender and sexual identities in Pakistan. It showcases how cinema can be a powerful medium for challenging stereotypes and fostering empathy.đČ Follow @jins_podcast on Instagram for more exclusive content.Mon livre "AMOUR" sort aujourd'hui en librairie !
01:36|đ„ WOW ! Moi, Jamal, la voix derriĂšre JINS Podcast, je sors mon premier livre : âAMOUR - RĂ©volutionner lâamour grĂące Ă la sagesse arabe et/ou musulmaneâ đđ€ aux Ă©ditions LeDuc et prĂ©facĂ© par la seule et unique LeĂŻla Slimani !đđ€ Câest un livre Ă mettre entre toutes les mains, pour faire germer lâamour de maniĂšre universelle. Mon essai est un manifeste pour faire la rĂ©volution de lâamour, toustes ensemble ! Câest une invitation Ă reconsidĂ©rer la maniĂšre dont nous apprĂ©hendons et pratiquons lâamour dans une sociĂ©tĂ© marquĂ©e par des divisions profondes et systĂ©miques. En sâinspirant de ma culture arabo-musulmane, mon texte cherche Ă allier un militantisme politique et poĂ©tique, Ă rĂ©injecter la joie et lâempathie, pour reconstruire un monde rĂ©gi par lâAmour.âđœ Alors, vous voulez faire la rĂ©volution de lâamour avec moi ?đ Le lien de commande est disponible ici đČ https://www.fnac.com/a20477490/ !Merci infiniment !Amoureusement,Jamal12. Leur France, leur AlgĂ©rie - avec Samir GUESMI, Slimane DAZI & Zinedine SOUALEM
51:06||Saison 3, Ep. 12đȘ Rejoignez-nous pour un Ă©pisode LIVE et captivant de JINS, le premier podcast dĂ©diĂ© aux rĂ©cits d'amour, de sexualitĂ©s et de genre pour les personnes arabes et/ou musulmanes au Hasard Ludique Ă Paris.đ«đ· đ©đż Dans cet Ă©pisode, on va redĂ©couvrir les masculinitĂ©s maghrĂ©bines Ă l'Ă©cran Ă travers les regards des Ă©minents acteurs Zinedine Soualem, Samir Guesmi et Slimane Dazi. DĂ©couvrez comment ils ont voulu raconter leurs histoires au travers de leurs filmographies et de rĂ©cits autant français qu'algĂ©riens.Un Ă©pisode passionnant oĂč nous avons rĂ©inventĂ© les reprĂ©sentations, ensemble !Je sors mon premier livre : âAMOUR - RĂ©volutionner lâamour grĂące Ă la sagesse arabe et/ou musulmaneâ et câest prĂ©facĂ© par LeĂŻla Slimani !đđ€đ€Â Ăa sort le 12 septembre aux Ă©ditions LeDuc dans vos librairies mais vous pouvez dâores et dĂ©jĂ le prĂ©commander ici : https://www.fnac.com/a20477490/ đČ âïž Credits:âAgadirâ par Gnawa Masters.Extrait du film âPepe le Mokoâ, de Julien Duvivier, avec le morceau âOĂč est-il donc ?â interprĂ©tĂ© par Frehel.âLa Bataille dâAlgerâ (Bande Originale du film âLa Bataille dâAlgerâ), composĂ© par Ennio Morricone (Creazioni Artistiche Musicali C.A.M. S.r.l. / Universal Music Publishing Ricordi S.r.l.).âIndigĂšnesâ (Bande Originale du film âIndigĂšnesâ), composĂ© par Armand Amar (Europa Corp).Extraits du film âLeur AlgĂ©rieâ, de Lina Soualem (2020).âFiĂšvresâ (Bande Originale du film âFiĂšvresâ), composĂ© par Bachar Mar-KhalifĂ© (Balcoon)."Un prophĂšteâ (Bande Originale du film âUn prophĂšteâ), composĂ© par Alexandre DesplatMusique du gĂ©nĂ©rique de fin du film "D'une pierre deux coupsâ, composĂ© par Youssef Boukella & Luis Saldanha, accompagnĂ©s par l'Orchestre national de BarbĂšs.Musique du gĂ©nĂ©rique de fin du film "Fastâ, composĂ© par Krishna Levy.âCold Little Heartâ (du film "El Houb"), composĂ© par Michael Samuel Kiwanuka, Brian Joseph Burton, Dean Wynton Josiah Cover (Warner Chappell Music Publishing Limited, Sony Music Publishing (Uk) Ltd).âL'air de la mer rend libre (Bande Originale du Film)â, composĂ© par Samy ThiĂ©bault (Thelonious Productions).âOussekineâ (de "Oussekine"/La Bande Originale de la SĂ©rie), composĂ© par Sacha et Evgueni Galperine (Walt Disney Records) (2022).âThĂšme de Louisaâ (Musique extrait du film "Ibrahim" (Bande originale du film)), composĂ© par Raphael Eligoulachvili (Why Not Productions).Post-production: POG OFF.11. A Hollywood history of Muslim tropes - with Maytha ALHASSEN
44:29||Saison 3, Ep. 11đ©đ»âđ« Today on @jins_podast, Iâm very pleased to welcome Maytha Al-Hassen. Maytha is a journalist, poet, scholar, and professor. Her work spans social justice, academic research, media engagement, and artistic expression, aiming to create and popularize authentic narratives for Muslims in popular culture. Maytha has contributed to CNN and Huffington Post, among others. She has performed at significant venues, including TED conferences. Her Ph.D. in American Studies and Ethnicity from USC reflects her dedication to changing narratives around Arab and Muslim communities through media, education, and pop culture. Following Professor Jack Shaheenâs steps, she wrote a compelling document named Haqq & Hollywood (which means âHollywood & the Truthâ in Arabic) that was the basis of my exploration.đČ Follow @jins_podcast on Instagram for more exclusive content.âïž Credits :âAgadirâ by Gnawa Masters.Arabic Vocals by Soulpacifica - https://tihana.net/soulpacifica | YT: âȘ@tihanamusicâŹNo Copyright Music : Copyright Free Sad Background Music | Best No Copyright emotional Music | NCMâThe End/ Playoff Music (From "Lawrence of Arabia")â, composed by Maurice Jarre. â A Decca Records Recording; â 1989 Universal Music Operations Limited.âArabian Nights (Official Instrumental)â from Aladdin 2019, composed by Alan Menken · Howard Ashman · Benj Pasek · Justin Paul. â 2019 Walt Disney Records.âMain Title / Cleopatra Enters Rome (From "Cleopatra" 1963)â, composed by Alex North. â 2001 Twentieth Century Fox Film Corporation, under exclusive license to Varese Sarabande Records, Inc.âHoward Beale Show Theme Songâ from the movie Network (1976).âNot Without My Daughter - Orchestra Only Suiteâ, composed by Jerry Goldsmith. Publisehd by Pathe Entertainment Movie Songs.End credits music from âThe Hate That Hate Producedâ (1959).Excerpts from âAmerican Sniperâ, directed by Clint Eastwood (2014).âNorthâ, composed by Silent Partner.âLounga 79â, composed by Hany Shenouda. On the serie âRamyâ.âSometimesâ, composed by Iman Europe, published by Good Soil Productions. On the serie Insecureâ.Post production: POG OFF10. Middle-Eastern gay actors in Hollywood - with Omar SHARIF Jr, SHAROK & Kais BOUKTHIR
30:54||Saison 3, Ep. 10đ Today on @jins_podast, I am sharing a live interview I had in the legendary Mickyâs bar in WeHo thanks to Hump Events with 3 amazing humans:Omar Sharif Junior is an Egyptian-Canadian actor and model. He studied acting at the Lee Strasberg Theatre and Film Institute in New York. Omar came out as gay in 2012, causing a significant stir in the Middle Eastern media. Besides acting, he's an advocate for queer rights and has written on these topics for international publications.Kais Boukthir is a Tunisian-born actor, content creator and model. In 2017, Kais was awarded a scholarship to attend the University of Southern Indiana. During his time there, he claimed refugee in the U.S. for being gay. He moved to LA to pursue his dream. He guest-starred on HBO's "The Sex Lives of College Girls". Youâll also find his hilarious TikTok videos, under the name Kayes Hurricane.Sharok is an Iranian-American adult film actor based in LA, whoâs known not only for his work in the porn industry but also for his activism and outspokenness on social issues. He indeed won a GayVN Award in 2021 and won the Most Accomplished International Star Award at the 2022 Grabby Awards. He is also a bird lover, a painter and one of the voices of the Iranian revolution in the US.đČ Follow @jins_podcast on Instagram for more exclusive content.9. Le cinĂ©ma marocain, entre crĂ©ativitĂ© et engagement - avec Hicham LASRI
38:11||Saison 3, Ep. 9đŹÂ Mon invitĂ© du jour dans @jins_podcast est Hicham Lasri, un rĂ©alisateur marocain dont le travail est fortement ancrĂ© dans la rĂ©alitĂ© sociale et culturelle du Maroc. NĂ© Ă Casablanca, il s'est rapidement fait un nom grĂące Ă son style unique et ses narrations audacieuses. Sa filmographie comprend des Ćuvres notables comme âThe Endâ (2011), "Câest eux les chiens" (2013), "The Sea is Behind" (2014), "Starve Your Dog" (2015), et "Headbang Lullaby" (2017). Hicham est reconnu pour son approche non conventionnelle et expĂ©rimentale, qui dĂ©fie souvent les normes cinĂ©matographiques traditionnelles et les reprĂ©sentations des figures masculines et fĂ©minines dĂ©chues. đČ Suivez @jins_podcast sur Instagram, partagez autour de vous et laissez 5 Ă©toiles sur les plateformes dâĂ©coute !đ Concernant la prĂ©commande de mon livre "AMOUR", ça se passe par ici : https://www.fnac.com/a20477490/Jamal-Ouazzani-Amour !âïžÂ Credits:âAgadirâ par Gnawa Masters.âAnimalia Main Title 1â (de la bande originale du film Animalia), composĂ© par Amine Bouhafa (Wrong Films / SRAB Films, under exclusive licence to 22D Music) (2023).âMa Hammouniâ (reprise par Barry, dans le film âThe Endâ), composĂ© par Nass el Ghiwane (Brahim Ounassar) (2012).âHeadbang Lullaby part 1â (de Headbang Lullaby (Original Motion Picture Soundtrack)), composĂ© par Wissam Hojeij (â Wissam Hojeij) (2020).âUfo Robot Grendizerâ (gĂ©nĂ©rique), composĂ© par Shunsuke Kikuchi, interprĂ©tĂ© par Sami ClarkâBuono Il Brutto Il Cattivâ, composĂ© par Ennio Morricone (EMI MUSIC PUBLISHING ITALIA SRL)."Mahmounaâ, composĂ© et interprĂ©tĂ© par Nass el Ghiwane (MLP) (2014).Extrait de la bande annonce du film âThe Sea is Behindâ (Al Bahr Min Ouaraikoum), de Hicham Lasri, produit par Hicham Lasri, Raccord cinĂ© et service, Moon & Deal Films - La Prod, Pan Production (2015).Musique de âCACA-MINDâ, par Hicham Lasri (2016).Musique de âBissara Overdoseâ, par Hicham Lasri.Musique du teaser de âMoroccan Bada$$ Girlâ de Hicham Lasri.Extrait de âBack to the Futureâ, de Robert Zemeckis, produit par Universal Pictures, Amblin Entertainment (1985).âRed Dawnâ (Original Motion Picture Soundtrack Red Dawn), composĂ© par Ramin Djawadi (United Artists Production Finance LLC, sous license exclusive Ă Sony Classical a Division of Sony Music Entertainment).âLa Solitudeâ, composĂ© par LĂ©o FerrĂ© (Barclay).Utilisation de voix gĂ©nĂ©rĂ©es par IA (ElevenLabs).Post-production: POG OFF.