Share

cover art for Ishmael Beah - A Long Way Gone - Episode 2 - The Creation Of A Child Soldier

How To Love Lit Podcast

Ishmael Beah - A Long Way Gone - Episode 2 - The Creation Of A Child Soldier

Season 1, Ep. 193

Hi, I’m Christy Shriver and we’re here to discuss books that have changed the world and have changed us. 

 

And I’m Garry Shriver, and this is the How to Love Lit Podcast.  This is episode two in our three part series on Ishmael Beah’s national bestseller A Long Way Gone, Memoirs of a Boy Soldier.  It is Ismael Beah’s first hand account of what he experienced as a child during Sierra Leone’s long armed conflict which completely ravaged the country and displaced a third of its inhabitants between 1991 until its official end in January of 2002. Last week we discussed the origins of the war and the fact that the violence endured for so long and was so bloody in large part because it was funded by what we call blood diamonds, those precious gems that were mined and sold by both sides of the conflict in order to buy weapons.    

 

 Beah’s account begins with an introduction dating in 1998 as a reflection.  From the beginning we know that Beah not only survives the war but somehow is writing his story from New York City, which is crazy to think about after reflecting on the chapters we discussed in the last episode, chapters 1-10.  We also can see by that introduction that he manages to escape the conflict before its official ending.  In these early chapters we meet an innocent group of boys living normal adolescent lives that are interrupted by murderous and senseless  killing sprees.  The boys run because that is the only thing they can do.  They run in a group so as to survive, but by the very nature of the war, they are not only threatened by all sorts of dangers, but they themselves are also perceived as threats.  They are the exact profile of the nation’s most deadly assassins.  They are on the run with no where to go and are totally disenfranchised for what is almost an entire year.  This week, we will discuss only five chapters, chapters 10-15.  These are the chapters that detail Beah’s relatively brief discussion of his two years spent as a soldier.  He is only 13 but he will serve as a soldier for two years in what is basically a terrorist squad victimizing in many cases innocent civilians.  Garry, before we read Beah’s individual story, let’s look at the concept of child soldiers in general.  It is obviously an inhumane practice.  What armies and terriorists do to the children to manipulate them into becoming killing machines is  immorale by any code of. Morality.  What these children do in the perceived service of freedom or liberation go far beyond international humanitarian law or acceptable standards of warfare conducted by  adult soldiers in armed conflicts, especially what they did to innocent civilians.  How could any leader on any side of any political concept justify this practice for any political or economical reason?   

 


More episodes

View all episodes

  • 120. William Butler Yeats || The Second Coming || Apocalyptic Poetry At Its Best!

    37:00||Season 1, Ep. 120
    William Butler Yeats || The Second Coming || Apocalyptic Poetry At Its Best!  
  • 119. William Butler Yeats || Easter,1916 || The Poetry That Inspired Things Fall Apart

    46:32||Season 1, Ep. 119
    William Butler Yeats || Easter,1916 || The Poetry That Inspired Things Fall Apart
  • 297. The Short Stories of Katherine Mansfield || Episode 3 || The Garden Party Part 2

    50:08||Season 1, Ep. 297
    The Short Stories of Katherine Mansfield || Episode 3 || The Garden Party Part 2
  • 296. The Short Stories of Katherine Mansfield || Episode 2 || The Garden Party Part 1

    41:34||Season 1, Ep. 296
    The Short Stories of Katherine Mansfield || Episode 2 || The Garden Party Part 1
  • 295. The Short Stories of Katherine Mansfield || Episode 1 || Miss Brill

    41:59||Season 1, Ep. 295
    The Short Stories of Katherine Mansfield || Episode 1|| Miss Brill
  • 97. Julia de Burgos || Meet Puerto Rico's Most Famous Poet!

    39:48||Season 1, Ep. 97
    Julia de Burgos || Meet Puerto Rico's Most Famous Poet!
  • 39. The Crucible || Arthur Miller || Episode 4 || My Name! The Disintegration And Reintegration Of John Proctor!

    40:41||Season 1, Ep. 39
    The Crucible || Arthur Miller || Episode 4 || My Name! The Disintegration And Reintegration Of John Proctor!
  • 38. The Crucible || Arthur Miller || Episode 3 || Allegories Galore! || How To Incite Hysteria And Create a Bogeyman!

    40:56||Season 1, Ep. 38
    The Crucible || Arthur Miller || Episode 3 || Allegories Galore! || How To Incite Hysteria And Create a Bogeyman!
  • 200. Aldous Huxley - Brave New World - Episode 4 - The Struggle Between Meaning And Happiness!

    48:06||Season 1, Ep. 200
    Hi, I’m Christy Shriver and we’re here to discuss books that have changed the world and have changed us.  I’m Garry Shriver, and this is the How to Love Lit Podcast.  Today we conclude our four-part series on Aldous Huxley’s Brave New World; the world Huxley creates may be New but certainly it is not brave. Michel Houellebecq in his 1998 novel The Elementary Particles references Brave New World in an unusual way.  Instead of seeing it as a warning of an evil to be avoided, he, or at least his characters find it a world to aspire to.   Let me quote him, “everyone says BNW is supposed to be a totalitarian nightmare, a vicious indictment on our society, but that’s just hypocritical bullshit.  BNW is our idea of heaven: genetic manipulation, sexual liberation, the war against aging, the leisure society.”    It’s a conversation, Huxley thought we should have as a society: what constitutes a real human world?  What is human society? Are we individuals living together; or are cells in a single organism called society with a small collection of men as braintrusts running it all?  In BNW Revisited, he says this, “In spite of the Id and the Unconscious, in spite of endemic neurosis and the prevalence of low IQ's most men and women are probably decent enough and sensible enough to be trusted with the direction of their own destinies. “  The World Controllers in BNW disagree., Mond, in part 4, describes a world where men and women are NOT to be trusted with the direction of their own destinies. And as we reach the end of the book, we listen to Mustafa Mond explain why.  And in a nutshell the answer is instability.  “Independence was not made for man. God isn’t compatible with machinery and scientific medicine and universal happiness.  “It would upset the whole social order if men started doing things on their own.”  These are the arguments we read at the end of the book, but their meanings are illustrated  throughout starting in chapter one.    After reading the dialogue between John and Mond, so much of what we’ve seen illustrated makes more sense.  Really, this is a book that needs to be read twice because when you read those first chapters, you’re overwhelmed and confused.  In episode 1, we tour with our omniscient narrator that Central London Hatchery and Conditioning Center in the year of stability AF 632.  We learn that vivaparous reproduction (or birth as we know it) has been replaced by the assembly line; babies are manufactured in bottles.  The director explains to us that world is divided into castes, and everyone is conditioned to believe they are equal and equally valuable- albeit, they certainly are not equal in the way we think of equality today. We are introduced to a new set of values and the value that prevails is happiness.  The World State has solved man’s happiness problem, and we are shown how this is achieved.  The way the director describes makes it seem flawless.   Caitrin Nicol in her famous essay “Brave New World at 75” describes it a different way, “there is an unholy alliance of industrial capitalist, fascist, communist, psycho- analytic, and pseudo-scientific ideologies has brought about the end of history. The past is taboo - "History is bunk," as "Our Ford" so eloquently said - and there is no future, because history's ends have been accomplished. There is no pain, deformity, crime, anguish, or social discontent. Even death has no more sting: Children are acclimatized to the death palaces from the age of eighteen months, encouraged to poke around and eat chocolate creams while the dying are ushered into oblivion on soma, watching sports and pornography on television.”