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JEFFERSON MORELY - CIA & JFK (JFK ASSASSINATION SERIES)

Season 3, Ep. 1

As the editor of JFKFacts.org, a website devoted to the assassination of President John F. Kennedy, Jefferson Morley is asked, “So who killed JFK? What’s your theory?”


Morley, a former reporter for the Washington Post and author of Our Man in Mexico: Winston Scott and the Hidden History of the CIA, invariably disappoints. “I don’t know. It’s too early to tell.”


Fifty-plus years after JFK’s death, this answer is laughable but serious. The JFK story remains unsettled well into the 21st century, no matter what the various conspiracy and anti-conspiracy theorists may proclaim. Indeed, the complex reality of how a president of the United States came to be gunned down on a sunny day, and no one lost his liberty — or his job — continues to live and grow in popular memory.

This is a book that reveals deceit and deception on the part of the CIA relating to the Kennedy assassination and why the CIA should reveal to the American people what it is still keeping secret.


Employing his investigative reporting skills through interviews and examination of long-secret records, Morley reveals that the CIA was closely monitoring the movements of accused assassin Lee Harvey Oswald in the months preceding the assassination of President Kennedy.


Questions naturally arise: Did the CIA suspect that Oswald was up to no good? Or was its surveillance part of a CIA scheme to frame Oswald for the assassination of President Kennedy? Why did the CIA keep its surveillance secret from the Warren Commission?


Morley also reveals a close relationship between the CIA and an American anti-Castro group that began advertising Oswald’s connections to communism and the Soviet Union immediately after the assassination?


That raises questions: Why didn’t the CIA reveal that relationship to official agencies investigating the assassination of President Kennedy? Why did a federal judge and the chief counsel of the House Select Committee on Assassinations accuse the CIA of deceit and deception?


The U.S. government retains almost 3,600 assassination-related records, consisting of tens of thousands of pages that have never been seen by the public. More than 1,100 of these records are held by the CIA.


What is in those secret files? What do they reveal about JFK’s death? Why has the CIA been so reluctant to release them? And when will they finally be revealed to the public? Will they answer the disturbing questions that the revelations in this book raise

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The Private Language - New Album

Their StoryIn one of most uniquely offbeat collaborations of the year, celebrated pop singer Blake Lewisjoins forces with EDM’s most accomplished drummer producer KJ Sawka to form The Private Language, a new project that combines cutting edge electropop, indie dance and future funk into one irresistible package. Their boldly unexpected debut single is a fresh take on the Tears For Fears smash ‘Everybody Wants To Rule The World’, spinning the classic songcraft of the original with state of the art modernist production. Released on Earth Day, the video for the song conveys an impassioned plea for peace and unity in these uncertain times. Watch ithere.Sawka and Lewis originally crossed paths amid the vibrant Seattle hip hop and rave scene, becoming fast friends and fellow musical travelers.Lewis rose to fame as one of the most distinctive and memorable finalists on American Idol, winning over the world with his charismatic singing, beatboxing and scat-singing. He went to collaborate with OneRepublic’s Ryan Tedder, releasing a top 10 US album and a #1 Billboard dance track. Sawka has been playing drums and producing for over 28 years, working with artists such as Illenium, BT, Amon Tobin, Andy Summers of the Police and dubstep supergroup Destroid. He is most known as the incendiary drummer for drum n’ bass legends Pendulum.Covering this classic 1980s hit has been a unique experience for both artists, as Sawka explains: "This song was a real challenge to reinterpret. It’s such an iconic song with a unique pulse. we slowed it down to 100 BPM and that changed it enough for an original feel and it fit our style and vibes. We then continued to produce in the way we do our original music by diving deep into the drum parts, vocal and keyboard effects and live bass. It was so much fun to create.”For his part, Lewis was drawn to the song for both artistic and sentimental reasons, as he relates “From their brilliant production, grooves and soaring vocal talent, I’ve been such a fan of Tears For Fears ever since I could remember. Any time one of their songs came on the radio as a kid in the 80’s I couldn’t help myself from singing at the top of my lungs. I love how melodic their music is in every way. After being amazed seeing them in concert two years ago, I knew I wanted to try taking a stab at one of their songs. Deciding to cover this song in particular, was tricky for us. Keeping the artistic integrity of the original while trying to make it your own is such a challenge but we had so much fun shaping this song in our style and think we nailed it.”“I came up with the idea for the music video during the height of the pandemic. Seeing so much tragedy and the impact we make on the environment I wanted to say something about it. I’ve always been mindful about the environment I’m in and human rights issues, from standing with the Dakota Tribes protesting at Standing Rock and performing charity concerts on Earth Day. I want to unite people with our music and message. The earth was here long before us and will remain long after. We need to be kind to each other, ourselves and Mother Nature. It’s just so simple to help and I hope whoever sees our version of this classic takes a little bit of that away with them.”Look for more music from The Private Language coming soon!