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The Harrisong Edition
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In the 1960s, the Beatles were defined by the success of the Lennon-McCartney songwriting partnership. But in the digital era, we discovered that the Fab Four’s most popular song wasn’t written by John or Paul. In fact, it had never been a chart hit—it wasn’t even released as a single.
Today on Hit Parade: Chris Molanphy shines a light on “Here Comes the Sun,” the George Harrison deep cut from Abbey Road that, in the streaming era, has emerged as the most enduring—and most popular—Beatles song of all time.
For more about “stealth hits,” listen to Hit Parade’s episode on B-sides that improbably become classics and read Chris’s Slate column about the surprising dominance of this holiday song.
Podcast production by Joel Meyer.
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Her Heart Will Go On Edition
43:21|Céline Dion is set to emerge from her career dormancy into a sold-out Paris residency—a triumph over a rare neurological illness that, until recently, prevented her from singing. Her silence seemed unimaginable. Only a few decades ago, a precocious Dion evolved from a big-lunged teen Francophone chanteuse to the chest-beating frontwoman of a string of smash English-language hits—including several titanic movie themes. The sheer physicality of her athletic voice captivated audiences in the ’90s, and filled your mom’s car.Join Chris Molanphy as he unlocks the heart of Céline Dion's chart history—how she built pop’s most soaring career from working-class Quebec to the stage at Eurovision…from the power of love to the prow of a very large ship.Podcast production by Kevin Bendis.
The Bridge: The Great Quiz in the Sky
12:36|Our popular bonus segment returns, with questions on an album that's spent more “Time” on the charts than any other LP. Join Chris Molanphy as he tests a Slate Plus listener’s knowledge of Pink Floyd’s Dark Side of the Moon and other album-chart long-timers! Then, the contestant turns the tables on Chris with a question of his own. Slate Plus members can sign up for a chance to be our trivia contestant on a future episode here.Podcast production by Kevin Bendis.
The Run This Town Edition
39:54|Jay-Z recently celebrated the 30th anniversary of his debut Reasonable Doubt with a three-night residency at Yankee Stadium featuring superstar guests like Pharrell, Nas, Alicia Keys and, of course, Beyoncé. The marathon event was a tribute to one of rap’s most influential and successful icons—but it was also a reminder that many of Jay-Z's biggest hits were collaborations that showcased the talents of other—often women—artists.Join Chris Molanphy as he traces the decades-long history of Hova’s hitmaking, and how he deftly sought the assistance of female collaborators to push his biggest songs to No. 1.Podcast production by Kevin Bendis.
The Chart Side of the Moon Edition
56:11|Pink Floyd’s The Dark Side of the Moon is one of the most played, purchased and praised albums of all time. Yet its enduring legacy might be its supernatural chart longevity. Officially, the 1973 long-player has spent nearly a thousand weeks on the Billboard album chart. But that number probably understates its past performance, not to mention its future potential, with new generations of teenagers discovering Dark Side every year.Join Chris Molanphy as he explores Pink Floyd's deathless totem and traces the band’s evolution from ’60s psychedelic curios to dorm-room poster icons. Will Dark Side be able to hold on to the all-time Billboard record into the 2030s?Podcast production by Kevin Bendis.
Don’t Fear the Repeat Edition
50:50|We’re all familiar with the concept of a one-hit wonder, but what about artists who hit it big a second time—and never again? This week on Hit Parade, Chris Molanphy lays out the ground rules for one of pop's most misunderstood chart distinctions and sorts through the roster of this ultra-exclusive club, which counts Gloria Gaynor, Hozier, the Clash, and Dead or Alive among its members. Then, Chris counts down his favorite fluky examples of two-hit wonders.Podcast production by Kevin Bendis.
The Bridge: It’s All Coming Back to Me Now
11:42|Our popular bonus segment returns, with more questions and a topic that will make you hit the high notes. Join Chris Molanphy as he tests Slate senior editor and culture writer Sam Adams on his knowledge of the songs that haunted him in high school: power ballads! Then, Sam turns the tables on Chris with a question of his own. Slate Plus members can sign up for a chance to be our trivia contestant on a future episode here.Podcast production by Kevin Bendis.
More Than a Feeling Edition
50:52|If you were watching cable TV around midday at the turn of the millennium, there’s a good chance you saw a commercial for a compilation CD called Monster Ballads. It promised you more than two hours of musical cheese—some of the most over-the-top, cornball, leather-clad romantic jams ever to grace the charts, from “Heaven” to “High Enough,” “Carrie” to “Amanda.”There’s another, more common term for these rockin’ romancers: power ballads. And while this TV ad suggested the power ballad was perfected in the ’80s—preferably sung by a dude in spandex, with long, flowing locks—its roots go back decades earlier. Acts as seemingly mild as Roy Orbison, Harry Nilsson and even the Carpenters were pivotal to the way these mega-devotionals evolved. R&B divas would turn power vocals into an athletic sport, alongside hair-metal howlers. Eventually, power ballads colonized the charts in the ’80s, the ’90s and beyond.Maybe they’re cheesy, cringeworthy and melodramatic—but power ballads have proven remarkably enduring, with even 21st-century Zoomer stars like Olivia Rodrigo offering their own variations. So, join Chris Molanphy as he brings on the heartbreak, finds thorns on every rose, explores feelings we can’t fight anymore and celebrates pop fans’ greatest love of all: the power ballad.Podcast production by Kevin Bendis
Near-Miss Hits: ’70s Edition
35:34|In 1979, Sister Sledge changed the sound of wedding receptions forever with “We Are Family.” Believe it or not, the Chic-penned banger never made it to No. 1. Steely Dan helped invent Yacht Rock with 1977’s jazzy bop “Peg.” (They would have loved it better if it had cracked the Top 10.) And in 1972, Elton John told a timeless tale of a blue-jean baby, “Tiny Dancer.” Casey Kasem never counted it down.Today on Hit Parade: Chris Molanphy celebrates “near misses”—now-ubiquitous hits that missed the mark on the pop charts, stalling out at No. 2, No. 11, or No. 41. In this episode, Chris zooms in on near-misses from the 1970s, including songs from Paul McCartney, the Spinners, Jackson Browne, Cat Stevens, Diana Ross, and Michael Jackson.