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49 - Jake Kobrin (Sex, Death, & The Return of the Black Madonna)

Ep. 49

This week’s guest is visionary artist Jake Kobrin, whose digital paintings explore a gorgeous, dark, evocative terrain of non-ordinary human experience and twist religious iconography into a metamorphic form well-suited to our psychedelic modern era.

We discuss his painting “Black Madonna” and the return and healing of the repressed feminine – not just women, but the body, the psychological shadow, marginalized peoples, death, and transformation…

We talk about Jake’s artistic intuition, nontraditional relationships, the reality of love, and my transformation from living in a haunted house to realizing the “ghost” was my own disowned soul…

If you are, or love, a witch, you’ll dig this episode.

 

Jake’s Website: http://kobrinart.com

 

More Topics We Discuss:

• The nonduality of the sacred and profane;

• Intuition and the creative process, allowing the art to speak through you;

• Eden & Apocalypse, with history in the middle;

• Light & Dark, Good & Evil as “conceptual impositions” that don’t really exist “in nature”;

• Mary Magdalene, Judas, and The Scapegoat;

• The evolution of cell division as failed excretion and the relationship between sex and death;

• James Hollis’ book The Eden Project: The Search for the Magical Other, and how we seek out lovers based on unconscious images of our idealized early childhood caregivers

• Being a better partner to yourself first before relying on lovers

• Don Miguel Ruiz’s book The Mastery of Love

• Hakim Bey’s book Temporary Autonomous Zone and ontological anarchy versus the social ego (as a function of wilderness)

• B Catling’s book The Vorrh

• “cis-relational” “cis-racial” and other “yes I am this thing” labels

• Graphic Novel, The Wicked & The Divine, and japanese sun goddess Amaterasu

And Jake reads his short piece about the spiritual authority of the Black Madonna.

Here’s an AMAZING related piece by theologian Matthew Fox:

http://www.matthewfox.org/blog/the-return-of-the-black-madonna-a-sign-of-our-times-or-how-the-black-madonna-is-shaking-us-up-for-the-twenty-first-century

 

“Understanding that my self is kind of alien to me, and a mystery, I can’t really judge…”

“All things are inherently pure and it’s more like our projection onto that that is less than pure…The Christ saw The Magdalene in her essential purity.”

“Our lives and our relationships are these formless, complex, infinite things, and I would rather exist in that framework than try to limit myself to conceptual boxes about the way I see things and how I project ideas of what my life is.”

“What is considered manly – certainly, that projection within American culture – I don’t relate to that AT ALL, and it just makes me go, ‘ew.’”

“I think we can just let our experiences exist without NEEDING to put them in a category as ‘real’ or ‘not-real’…”

More Episodes

7/28/2022

189 - Planet-scale Musical Chairs: 21st Century Human Geography with Parag Khanna

Ep. 189
This week on Future Fossils, we sync up with globe-trotting (Singapore-based) futurist Parag Khanna, author of several internationally best-selling books on the shifting landscape of human geography and technological evolution. My acquaintance with Parag dates back all the way to 2011 when I found his Hybrid Reality Institute, and started writing for his BigThink blog, thanks to the writing of Jason Silva — I knew this was a party I couldn’t miss, even though I was then, as now, deeply ambivalent about the contours of the futures he and his colleagues were making visible with their rigorous research. This spirit has defined my entire adult life: if you want to help steer something in a better direction, you might just have to get your hands down into the murk and engage with it deeply enough to be in the position to make a difference. So when his agent contacted me about interviewing him about his latest book, 2021’s Move: The Forces Uprooting Us, I knew it was an offer I couldn’t refuse. But let me be clear that Parag sees things very differently than I do, and I appreciate that about him: he has a keen sense of the risks and dangers of our times but emphasizes the opportunities because the facts are there to support it. If you move around as much as he does, and always has, you get a kind of synoptic view of the planet and the tension between individual destiny and collective momentum comes into a new tuning. This is a beast of a conversation. It was hell to edit. I’m glad it happened. Here you go!Complete, extensive show notes at Patreon.✨ Housekeeping:• Intro music is "You're In My Self-Portrait" from my 2012 album Golden Hour. Outro music is "City of Jewels" from my 2013 EP of the same name. For something completely different, check out my latest live album, recorded at Meow Wolf Santa Fe while opening for DeVotchKa.✨ Other Ways To Support The Work & Community:• My roughly-monthly newsletter at Substack• Venmo: @futurefossils• PayPal.me/michaelgarfield• ETH: FutureFossils.eth• BTC: 1At2LQbkQmgDugkchkP6QkDJCvJ5rv3Jm• NFTs: Rarible | Foundation | Voice | Hic Et Nunc | Mint Songs

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