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FIPADOC: Stolen Time
Stolen Time
A coproduction of National Film Board of Canada and Intuitive Pictures inc.
In Stolen Time, a riveting feature documentary, charismatic elder rights lawyer Melissa Miller takes on the for-profit nursing-home industry. It’s Miller’s most challenging case yet in her early career: a mass tort representing hundreds of families fighting some of the world’s most powerful long-term care corporations. Her adversaries stand accused of neglecting their vulnerable charges as they reap huge profits. Booming elderly populations worldwide add urgency to holding these corporations to account.
Stolen Time is a compelling call for justice from desperate families who’ve turned to the courts as a last resort. We witness surprising testimonies and images from researchers, advocates and, most notably, frontline caregivers whose work is often undervalued but disproportionately blamed for what goes wrong. The film is a rare inside look at a legal battle and an emerging elder justice movement with ramifications—and inspiration—for us all.
Helene Klodawsky
Independent filmmaker Helene Klodawsky is a passionate storyteller, committed to portraying complex political and social struggles. Exploring the documentary art form for over 35 years, Klodawsky’s work has been screened and broadcast around the world. The Academy of Canadian Cinema & Television, Hot Docs, the Rendez-vous du Cinéma Québécois, the Montreal International Documentary Festival (RIDM), World Press Photo, the Mannheim Film Festival, and the Jerusalem International Film Festival are among the many festivals and events that have honoured her work.
FILMOGRAPHY
Stolen Time (2023), Feature doc
The Invisible Everywhere (2019),
Short web documentary
From Janet with Love (2017), Interactive story
Grassroots in Dry Lands (2015),Feature doc
Come Worry with Us! (2013), Feature doc
Malls R Us (2009), Feature doc
Family Motel (2007), Feature alternative drama
No More Tears Sister (2005), Feature doc
Undying Love (2002), Feature doc
What If? About Judith Merril (1998), Feature doc
Motherland: Tales of Wonder (1994), Feature doc
Shoot and Cry (1988), Feature doc
Painted Landscapes of the Times (1984), Short doc
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Where Dragons Live
21:11|Where Dragons Live Following the death of their parents, Harriet and her siblings must unpack their childhood fears as they prepare to sell their dragon-filled Oxfordshire home. Suzanne Raes’ film follows the Impey family through a major transition: rifling through the contents of their childhood home in preparation to sell it, with their own children watching on. Between the clutter and the boxes, the siblings find themselves haunted by the memories of their late parents: a dragon-obsessed father and an exacting mother, and the esoteric collections of objects they left behind. Working through her award-winning documentary collective, Docmakers, veteran filmmaker Raes (0.03 Seconde, Two Men, Close to Vermeer) carves out a disarmingly tender rumination on parent-child relationships. Giving equal weight to each sibling, balancing the light and shade of the physical and emotional spaces of their lives, Where Dragons Live also features some dazzling visuals in the way it presents this personal history.Suzanne Rae Suzanne Raes has been working as an independent filmmaker for more than 20 years. Her early films The Houses of Hristina (2007), The Rainbow Warriors of Waiheke Island (2009), and The Successor of Kakiemon (2012) premiered at IDFA and won several awards at international film festivals. Her film Come Closer about Boudewijn de Groot received the IDFA Music Audience Award in 2015. For her film about the Rotterdam social service, Quid pro quo (2015) Raes won a Golden Calf, the most important film award in the Netherlands. The international co-production Ganz: How I Lost My Beetle (2019) had a theatrical release in the Netherlands and has been broadcast in the Netherlands, Germany and Switzerland. In 2023, her film Close to Vermeer was the only Dutch feature-length documentary that qualified for an Academy Award® for Best Documentary Feature, following successful theatrical runs in the Netherlands, United States and Germany. The film was also nominated for a Golden Calf and won the Special Jury Prize at Guangzhou International Documentary Film Festival. Close to Vermeer has been sold to 15 countries to date.Docs Ireland: Don't Forget to Remember
25:25|Don't Forget to RememberAn artist navigates his mother's life and memories as they are being eroded by the advance of Alzheimer's.This collaboration between filmmaker Ross Killeen and Irish street artist Asbestos documents the latter’s creation of an installation inspired by his mother, Helena, who was diagnosed with Alzheimer’s. The artwork is an attempt to preserve Helena’s memories of her life – capturing her experiences and feelings – and her love for those who have played a part in it. At the same time, Killeen captures Asbestos’ own love for his mother as he attempts to preserve her recollections. The film is also a record of how life-changing a condition Alzheimer’s is – a moving and poignant portrait that conveys the lived experience of a neurodegenerative condition. But it is also a joyous celebration of a life lived and a testament to the vivid, if fragile, nature of our memory.Ross Killen Ross Killeen is a film director based in Dublin. He founded the award winning production company, Motherland whichworks across film, commercials and music videos. Ross’ directorial debut feature documentary Love Yourself Today, centred on the music of Damien Dempsey and had a nationwide cinematic release in Ireland. The film was nominated for an IFTA and also played all over the UK, New York andAustralia. Brian Eno quoted in relation to the film “I have seen no better film about the social value of art”. Killeen’s other films include 99 Problems and Becoming men. 99 Problems was a short documentary which looked at the murky underworld of the Dublin ice cream business. The film premiered atTribeca film festival in New York and won the audience award at Dublin International Film Festival. It also played at Sheffield FilmFestival and Raindance in the UK. Becoming Men was Killeen’s first short film and put his company, Motherland on the map as a maker of authentic documentary films that resonate with an audience. Ross has two more feature documentaries in development.Asbestos As a prolific Irish artist, Asbestos has been producing street art since 2003, utilising masks to convey narratives and elicit emotions.His works have been displayed worldwide, and he was nominated for “Best International Street Art 2021” for a mural that drew attention to thehousing crisis in Ireland. In 2022 he collaborated with the band Idles at Roskilde festival in Denmark on a project called “I Beat Myself Up” where theysmashed piñatas off their heads to encourge people to talk about their mental health. His art delves into society’s fixation with self-image while using anonymity to become more transparent and candid in his creations. Notably, he reveals his own vulnerabilities, providing insight into what it means to be human. By opening up to the public his work starts a conversation with the viewer making their contribution essential to his work and giving them a voice in it.Silent Men – The Awkward Art of Expressing Emotion
22:35|Duncan CowlesDirector Duncan Cowles takes us on a journey through male mental health, stigma and taboo in the UK. Part road trip, part coming-of-middle-age tale, Cowles’ laconic humour and frank approach to his subject proves effective in exploring aspects of masculinity that all too often are little discussed. Admitting that he is not always open and intimate in his conversations with loved ones, the BAFTA-winning Scottish filmmaker sets out to define masculinity in the modern age – what makes men tick and, more importantly, coming to terms with all aspects of health, both physical and mental. The questions asked in Silent Men may seem simple, but their answers betray underlying tensions, as Cowles’ subjects make all too clear. The film grapples with being able to express oneself as a man – to become someone at peace with themselves, their life and the ones they love.Duncan Cowles Duncan Cowles is a BAFTA Scotland Award winning documentary filmmaker whose short films are often known for their comedic, self-aware and sensitive approach. His shorts have gained significant online exposure through screenings at A-list festivals such as BFI London Film Festival and online platforms such as Short of the Week, Vimeo Staff Picks, BFI Player, BBCiplayer, MUBI, It’s Nice That, TED and numerous others. Duncan has won a selection of awards at festivals such as Glasgow Short Film Festival, Open City Documentary Festival, BFI Future Film Festival, Hamburg Short Film Festival, Kyiv Short Film Festival, Szczecin European Film Festival, The Smalls and received numerous nominations including being twice shortlisted for Best British Short Film at the London Critics Circle Awards. In recent years Duncan has been commissioned to write and direct documentaries for Channel 4, STV, BBC Scotland, BBC Radio 4, TED and Adobe. In 2020 Duncan was commissioned to make x6 30minute episodes of his own new documentary TV series ‘Scary Adult Things’ which looks at the struggles of the millennial generation for BBC Scotland and aired in March 2021.In 2017 Duncan founded his own production company Relative Films Ltd to facilitate the production of his first feature documentary project which he initially took to IDFA Academy before being awarded development funding from Screen Scotland & The Whickers. The film is currently nearing the end of post-production and due to be completed in 2023.Duncan has also hosted a range of documentary filmmaking workshops for all ages for University of Edinburgh, BFI, Edinburgh International Film Festival, Mental Health Foundation, Glasgow Film Festival, Glasgow Youth Film Festival, Flatpack Film Festival, VIS Vienna Shorts, Screen Academy Scotland and more.Duncan graduated from Edinburgh College of Art with a 1st Class degree and a specialisation in documentary film, winning an Award for Distinguished work by the University upon graduating. He then went on to work for the internationally renowned Scottish Documentary Institute for three years on training programs and feature documentaries such as I am Breathing, Future My Love, Pablo’s Winter, Seven Songs for a Long Life, Donkeyote, Time Trial, Becoming Animal & Nae Pasaran. He also served for five years as part of the programming team for selecting feature documentaries for the Edinburgh International Film Festival 2013-2018.Docs Ireland -Glimmer - Marilyin Hyndman Award Winner -
21:00|Martin Lennon is Podcast (buymeacoffee.com)DocsIreland- Shorts Special
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