Decoding TV

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This podcast contains SPOILERS for The Rehearsal Season 2 on HBO.

The Rehearsal Season 2 chronicles Nathan Fielder’s attempts to understand why aviation accidents happen. According to Fielder, one major factor is that pilots are unwilling to communicate candidly with each other, especially when they disagree or have bad news to deliver.

To test this theory, Fielder used his resources from The Rehearsal to create a fictional(?) aviation-themed singing competition called Wings of Voice. In this competition, pilots judged singers performances, advanced the ones they liked, and were forced to break the bad news to some contestants that they were eliminated. The idea was that by forcing them to break singers’ hearts, the process would reveal something about what it takes to be a good communicator.

I used a “(?)” next to “fictional” above because even though contestants on Wings of Voice were occasionally made the butt of the joke on The Rehearsal and the competition never aired as its own TV show, the winner of the competition still received something of value: the privilege of performing a song for HBO’s audience on national television.

Today I’m speaking with the winner of that competition, Isabella Henao. As a fellow musician, I thought Henao crushed her performance of Evanescence’s “Bring Me To Life” in the culminating moments of season two. And as someone who is endlessly fascinated by how much of Fielder’s stunts are “real,” I was thrilled to get an insider’s perspective on what it’s like to go through Fielder’s shenanigans as they happen. Henao spoke with me about what it was like to go through the audition process, what contestants were actually told about what was happening, what other contestants’ thought about the whole thing, and how being on The Rehearsal changed her life.

This interview has been edited and condensed for brevity and clarity. To listen to a fuller version of the conversation, check out the podcast/video above. If you want to learn more about Isabella, check out her website.