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OffScript
The Reckoning: Curtain Up
This month Dash’s brand new production, The Reckoning, opens at The Arcola Theatre in Dalston. Co-Writer and Director Josephine Burton gives you a taste of what to expect from this vivid and powerful new play about war, survival and the fragile trust between those who uncover the truth and those who must live with it.
Book your tickets for The Reckoning on the Arcola Theatre’s website.
Based on real events within The Reckoning Project’s verified archive of witness testimonies of the Russian war in Ukraine, The Reckoning is playful and unsettling, blending storytelling with movement, music and cooking.
As the performance ends, the conversation continues in Food for Thought. Audiences will be invited to hear reflections from expert speakers, journalists, lawyers, and those with lived experience of the conflict.
Written by Anastasiia Kosodii and Josephine Burton, and directed by Burton.
In the podcast, we hear from:
Josephine Burton - Artistic Director, Dash Arts
Tom Godwin - The Man from Stoyanka
Marianne Oldham - The Journalist
Olga Safronova - Olga / Echo
Simeon Kylsyi - Sam / Echo
Marie Horner - Podcast Producer
Our intro music is Fakiiritanssi by Marouf Majidi
Music from The Reckoning by Anton Baibakov
We’d like to that the following supporters; The Reckoning Project, Royal Victoria Hall Foundation, AHRC Impact Acceleration Account Award from the University of Cambridge, Public Interest Journalism Lab, Open Society Foundations, Nick Tranter in the name of 4Ukraine Humanitarian Aid, Fritt Ord Foundation, Goethe-Institut in Exile, Goethe-Institut London, SAV Group, The Golsoncott Foundation, and the many individuals who have made this possible.
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4. ALBION: HARDEEP MATHARU
44:33||Ep. 4What does Englishness mean to you?In this episode of OffScript, Dash Arts’ Artistic Director Josephine Burton is joined by journalist, writer, and Editor-in-Chief of Byline Times, Hardeep Matharu, for a wide-ranging conversation about the complex and overlooked stories shaping contemporary England. Drawing on her work leading an independent, reader-funded news outlet committed to investigative journalism and democratic accountability, Hardeep brings a sharp perspective on the narratives that dominate public life — and those that are too often ignored.This podcast series sits within Dash Arts’ ongoing exploration of landscape and language, Albion, from reimagining Middlemarch in 1980s Coventry to running speech-making workshops with over 700 people across the UK. Throughout these projects, we’ve been listening closely to how people express identity, voice, and place.In 2026 Albion will culminate with our new touring theatre production, Our Public House. Get your tickets and to find out more on the Dash Arts website : https://www.dasharts.org.uk/our-public-house Our intro music is Fakiiritanssi by Marouf Majidi
ALBION: OUR PUB
29:33|In this episode of OffScript, Dash Arts' Artistic Director Josephine Burton takes us inside the rehearsal room and into the pub, as she introduces the people and ideas behind Our Public House, Dash Arts' new touring theatre production and the culmination of the Albion series.Josephine reflects on three years of speech-making workshops with over 700 people across the country, from community centres, schools, working men’s groups to HMP Styal, and what she has learned about who we are, and who we could be. She talks about how those voices have shaped the play, and how 150 of the people who inspired it will step onto the stage alongside the professional cast.She's joined by several guests including BSL Consultant Charly Arrowsmith, who talks about the work happening behind the scenes to build a production that speaks, in every sense, to everyone; by actor Lauren Moakes, who reflects on what it meant to meet inmates at HMP Styal and how that encounter will ground her performance; and by playwright Barney Norris, who takes us into the heart of a play about a community that has lost faith in politics and what happens when it finds its voice again.Set in a struggling pub on election night, Our Public House is a play about Englishness: who we are, what we've lost, and what we might still become. It sits at the very heart of Albion.Join us as we ask: what kind of future can we imagine together?Our Public House tours England in 2026. Get your tickets and find out more on the Dash Arts website: https://www.dasharts.org.uk/our-public-houseOur intro music is Fakiiritanssi by Marouf MajidiYou also hear a preview of Community by Jonathan Walton, arranged by Yaniv Fridel
2. ALBION: JEREMY DELLER
40:25||Ep. 2In this episode of OffScript, Dash Arts’ Artistic Director Josephine Burton is joined by Jeremy Deller for a wide-ranging conversation about how art uncovers the contradictions, radical traditions, and hidden stories that shape contemporary England.Jeremy and Josephine reflect on why Englishness remains so slippery to define; how popular culture, folk traditions, and street art reveal who we really are.Dash Arts has been digging into landscape and language — from reimagining George Eliot’s Middlemarch in 1980s Coventry, to running speech-making workshops with more than 600 people across the country. We’ve been listening to who we are — and who we could be.Join us as we ask: what does Englishness mean to you?In 2026 Albion will culminate with our new touring theatre production, Our Public House. Get your tickets and to find out more on the Dash Arts website : https://www.dasharts.org.uk/our-public-houseOur intro music is Fakiiritanssi by Marouf MajidiThis podcast is marked explicit for language only.
1. ALBION: CAROLINE LUCAS
43:30||Ep. 1Welcome to Albion - our exploration of what it means to be English, and what we mean by England.In this episode of OffScript, Dash Arts’ Artistic Director Josephine Burton is joined by Caroline Lucas for a thoughtful and urgent conversation about Englishness - beyond flags and nostalgia.Drawing on her book Another England, Caroline shares her thoughts on how land, belonging and identity shape our politics and our culture; how England’s stories have been constructed and contested; and why reclaiming a generous, complex vision of England matters now.Since 2022, Dash Arts has been digging into landscape and language - from reimagining Middlemarch by George Eliot in 1980s Coventry, to running speech-making workshops with more than 600 people across the country. We’ve been listening to who we are — and who we could be.Join us as we ask: what does Englishness mean to you?Albion will culminate in 2026 with our new touring theatre production, Our Public House. Get your tickets and to find out more on the Dash Arts website : https://www.dasharts.org.uk/our-public-house Our intro music is Fakiiritanssi by Marouf Majidi
We Are Free To Change The World: Steady
26:41|What does it mean to stay balanced and grounded in a shifting world?This episode of OffScript was recorded live at STEADY, the second event in Dash Arts’ We Are Free To Change The World series. Through live performance and conversation, the evening focused on staying; on staying open without burning out, staying yourself in dialogue without collapsing into agreement or disagreement and staying human amid pressure, speed and polarisation.Hosted by Dash Arts’ Artistic Director Josephine Burton, with Natasha Walter, Liz Slade, Tasneim Zyada, and Mohammed Ali, the contributors shared perspectives rooted in activism, faith, art and lived experience. Together, they reflect on what it means to remain grounded while responding to a world in flux — and how steadiness itself can be a radical, collective practice.Find out more about their work here:Natasha Walter - www.natashawalter.co.ukLiz Slade - www.elizabethslade.ukTasneim Zyada - www.instagram.com/tasneimzyadaMohammed Ali - www.artofmohammedali.comThe live event was co-presented by Dash Arts, Arts Admin and Fete of Britain.Get your tickets for the live events for We Are Free To Change The World by going to the Dash Arts website : https://www.dasharts.org.uk/we-are-free Our intro music is Fakiiritanssi by Marouf Majidi
We Are Free To Change The World: Lyndsey Stonebridge
39:21|In this episode of OffScript Josephine Burton is joined by Professor Lyndsey Stonebridge. They delve into Hannah Arendt's belief in collective action as the essence of freedom. Lyndsey discusses Arendt's life, her impact on political philosophy, and her relevance in contemporary social movements. Exploring how her theories inspire artists and activists today, the conversation highlights Arendt's idea of politics as something we perform in public and the power of human resilience and action.Get your tickets for the live events for We Are Free To Change The World by going to the Dash Arts website : https://www.dasharts.org.uk/we-are-free Our intro music is Fakiiritanssi by Marouf MajidiPhoto of Lindsay Stonebridge by Ione Saizar.---Headlines in the episode:00:00 Introduction to OffScript00:46 Exploring Freedom with Lyndsey Stonebridge 02:56 Hannah Arendt's Life and Influence 12:51 The Relevance of Arendt's Ideas Today23:24 Art, Performance, and Political Action 28:42 Navigating Dark Times with Hope 40:22 Conclusion and Upcoming Events
We Are Free To Change The World: Ready?
55:50|What does it take to prepare for change — artistically, emotionally, politically? This episode of OffScript was recorded live at the opening event in Dash Arts’ We Are Free To Change The World series.Through performance and conversation, the event explored the conditions that help artists and creative activists find their ground to listen, to make, to resist, and to come together.Hosted by Dash Arts’ Artistic Director Josephine Burton, the conversation features Bishi Bhattacharya, Lehni Lamide Davies, Carole Cadwalladr, and Sam Lee, reflecting on readiness rooted in care, courage, and collective imagination.Find out more about their work here:https://www.bishi.co.uk/ https://www.lehnilamide.com/contact https://broligarchy.substack.com/about http://samleesong.co.uk/ Get your tickets for the live events for We Are Free To Change The World by going to the Dash Arts website : https://www.dasharts.org.uk/we-are-free Our intro music is Fakiiritanssi by Marouf Majidi
We Are Free To Change The World: Peter Kennard
38:08|In this episode of We Are Free to Change the World, Dash Arts’ Artistic Director Josephine Burton is joined by the legendary artist Peter Kennard.Inspired by Hannah Arendt’s belief in our freedom to begin anew, Josephine and Peter examine how art becomes a form of political action—shifting public consciousness, exposing injustice, and giving shape to the possible futures.They discuss the challenges of making radical work in increasingly authoritarian and fearful times, and why visual art still has the power to mobilise, unsettle, and inspire.Peter shares stories from five decades on the frontlines of artistic dissent, reflecting on collaboration, solidarity, and the urgent need to make work now more than ever.Get your tickets for the live events for We Are Free To Change The World by going to the Dash Arts website: https://www.dasharts.org.uk/we-are-free Our intro music is Fakiiritanssi by Marouf Majidi
We Are Free To Change The World: Baroness Helena Kennedy LT KC
40:39|“[Dash] reaches beyond the creation of its work and its interpretation of human experience. You go to places that others don't.”For Dash Arts’ 20th anniversary, OffScript host Josephine Burton is joined by one of the UK’s leading champions of justice, Baroness Helena Kennedy LT KC.Helena and Josephine explore how the arts and the law shift public imagination, from movements for social justice to the urgent need for transitional justice in Ukraine and beyond.She also reflects on her decades-long groundbreaking work in fighting for human rights, women’s rights, and miscarriages of justice—and why jury trials are essential to any healthy democracy.Get your tickets for the live events for We Are Free To Change The World by going to the Dash Arts website : dasharts.org.uk/we-are-free Our intro music is Fakiiritanssi by Marouf Majidi