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DARCI

Disability, Accessibility and Representation in the Creative Industries


Latest episode

  • 2. Interview with Christopher Samuel

    58:13||Season 3, Ep. 2
    In this episode, Mariana interviews Christopher Samuel, a multi‑disciplinary artist working on disability and its intersection with race. His work uses humour to raise insightful questions about accessibility and representation.

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  • 1. Interview with Lily Norton (Stopgap)

    01:01:23||Season 3, Ep. 1
    In this interview, Lily explains how Stopgap Dance’s approaches to accessibility reshape practice, broaden disabled artist representation, and underscore inclusive leadership, while also normalising disability in creative work.
  • 12. Interview with Dr. Jessi Parrott

    52:15||Season 2, Ep. 12
    In this interview, Jessie, a disabled and neurodivergent performer, highlights how their queer and trans identity informs their artistic academic career, linking representation, storytelling, and who gets to tell those stories.
  • 11. DARCI Conference Reflection

    53:30||Season 2, Ep. 11
    In this very special podcast episode, the EAD team reflects on the DARCI conference they organized at the University of York from 10‑12 September, sharing the challenges and triumphs of creating a truly inclusive, accessible event.
  • 10. Interview with Monika Zabrocka

    19:39||Season 2, Ep. 10
    This podcast episode features an interview with Monika Zabrocka, exploring creative audio description for children, neurodivergent inclusion, and the future of accessible storytelling.
  • 9. Interview with Mairi Taylor

    43:22||Season 2, Ep. 9
    This podcast episode features an interview with Mairi Taylor, discussing accessibility in theatre, collaboration, and the challenge of retaining knowledge to sustain disability inclusion efforts.
  • 8. Interview with Jay Pocknell

    42:23||Season 2, Ep. 8
    The podcast episode features an interview with Jay Pocknell, a mixing engineer and founder of Sound Without Sight, an online hub connecting visually impaired musicians and audio professionals. He discusses barriers faced by blind and partially sighted creators in music production, solutions like inclusive design and screen reader-friendly software, and the importance of community-driven accessibility initiatives.