CorrsCast

In this episode, we have a first for the podcast, a returning guest! We again have the great privilege of talking with industry veteran Andy Murray, who was the European Marketing Director for Warner Music International during The Corrs' rise to fame.Andy recounts the challenges the band faced in the album's gestation period, from the initial recording of demo tracks to navigating the complex dynamics with their American label, Atlantic Records. He shares how he fought to ensure key songs like "So Young" and "What Can I Do" were included, despite some resistance, ultimately helping shape the album's final track list.We hear firsthand of the technical and creative decisions that went into the album’s success and details of the involvement of producers, David Foster and Glenn Ballard, as well as personal anecdotes - from the band gifting him a rare guitar to the making of some of the the album's iconic music videos. Andy shares insights that shed new light on the high-stakes environment of breaking an international act in the late 90s.At 00:09:27 you can hear a clip of the March 1997 Demo of 'What Can I Do' with as then, unfinished lyrics. Andrea can be heard to sing about 'Johnny' referring to the bands manager John Hughes who was no doubt watching her put down these vocals.At 00:32:51 you can hear the backing vocals for 'Helpless' (Hopelessly Addicted) sung by Andrea and layered by Oliver Leiber from the master recorded on 7th August 1997.At 00:43:04 you can hear a clip of the band's first ever live performance of Fleetwood Mack's 'Dreams' at Melkweg in Amsterdam on the 18th of November 1997.At 00:52:58 you can hear the beginning of 'What Can I Do?' as heard in the music video.At 01:09:38 you can 'Runaway' Tin Tin Out Remix as heard in the music video.At 01:29:03 you can hear a clip of 'Help Me Find My Heart’ produced by Andy Murray and Mike Gaffey for consideration by The Corrs for 'Talk on Corners'.In this episode Andy describes being gifted a limited edition Fender Stratocaster guitar by the band after the gig at the NEC in Birmingham on December 22nd 1998. An image of this wonderful gift can be found at the following link HERE.Andy also describes receiving a fax from Emma Hill (PA to John Hughes and the band) with a provisional running order of the songs for 'Talk on Corners', this can be seen HERE.Andy also shared with us a promotional poster which was ultimately unapproved by the band but was considered for early promotion of the Royal Albert Hall release on VHS and DVD, a link to this can be found HERE.This work is licensed under a Creative Commons Attribution 4.0 International License.CorrsCast.comInstagramTwitterFacebookDiscordPatreon#CorrsCast on social media.#TheCorrsPlease subscribe, rate and review CorrsCast on iTunes or a platform of your choosing.

In this episode, we speak with producer Oliver Leiber and begin our exploration into the making of The Corrs’' second album, Talk on Corners. Oliver, known for his work with a range of successful artists such as Paula Abdul and Sheena Easton shares unique insights from the production of this beloved album. Ranging from the technical aspects of recording to the personal dynamics in the studio, Oliver offers a fascinating behind-the-scenes look at songs that inspired him and how some of the album's most memorable tracks came to be.A link to images of hand written lyrics to the songs 'Hawaiian High' (Only When I Sleep), 'Love Give and Love Takes' can be seen HERE.A link to images of the dated recording masters produced by Oliver can be seen HERE.At 00:22:50 you can hear a clip of 'Staring At The Sun' by 'U2'. This track inspired Oliver to write an early version of the song that eventually became 'Only When I Sleep'.At 00:29:23 you can hear a clip of the demo for 'Only When I Breath' by Oliver Leiber and John Shanks as handed to Caroline and Sharon.At 00:39:59 you can hear a clip of the 'Hopelessly Addicted' (Working title 'Helpless') work-tape in which Andrea and Oliver can be heard creating the lyrics and melody for the song.At 00:44:05 you can hear a clip of 'Love In The Milky Way'.At 00:51:41 you can hear a clip of the original version of 'Dreams' as recorded on 13/01/98 by Oliver for consideration on 'Legacy: A Tribute to Feetwood Mac's Rumours' album.At 00:55:43 you can hear a clip of 'Wrong' by 'Everything But The Girl' remixed by Todd Terry. This inspired Oliver when producing a less faithful version of 'Dreams'.At 01:07:45 you can hear a clip of the March 97 demo for the song 'So Young'.At 01:26:58 you can hear a clip of 'World Without You' as recorded by Trine Rein. Originally written and produced by Oliver for consideration by The Corrs.The 'Hawaiian High' incense which inspired Andrea while writing in her room at the Georgian hotel (1415 Ocean Avenue, Santa Monica, California 90401) can be sourced from the company Triloka HERESpecial thanks on this episode go to Jessica Kennedy of Windrose Trading and also Rachel Lewis for her continued support and friendship.Extra special thanks goes to Barry Rudolph for mixing down the digitised masters from the original recordings he made in the studio with the band in 1997.This work is licensed under a Creative Commons Attribution 4.0 International License.CorrsCast.comInstagramTwitterFacebookDiscord#CorrsCast on social media.#TheCorrsPlease subscribe, rate and review CorrsCast on iTunes or a platform of your choosing.

In this episode, we speak with Andy Murray, Andy was the European Marketing Director at Warner Music International and played a pivotal role in managing the marketing and promotion of The Corrs' albums. In our interview, we hear how he first heard of the band, his filming of the early Electronic Press Kit, and his helping to finalise a needed edit of the band’s music video for ‘Love to Love You'. He also conceptualised the band’s live EP, ‘The Corrs Live', to showcase the band’s live abilities, which contributed significantly to their widespread recognition as more than just a 'good-looking' pop act. As a long-term fan himself, he provides unique insights into his experiences with The Corrs, offering a behind-the-scenes perspective on the meticulous work that shaped not only the promotion and production of 'Forgiven, Not Forgotten' but beyond.At 00:11:20 Andy mentions photos on paper that can be seen HEREAt 00:17:18 you can hear a clip of 'Runaway' performed acoustically as part of the EPK.At 00:25:30 Andy mentions John Mills scouting the location to recording the EPK. Images can be seen HERE The script for the EPK can be read HEREAt 00:29:08 you can hear a clip of Jim and Andrea answering the questions asked by Andy Murray to be used in the EPK.At 01:00:40 the episode features a clip of 'Leave me Alone' recorded at the Langelands Festival gig in Denmark on 27th July 1996. Mixed by Jim Corr and Tim Martin on 18th Sept 1996 for release on 'The Corrs Live', EP.At 01:09:58 Andrea and Jim can be heard playing 'Little Wing' during the gig at the Docks in Hamburg on 11th December 1996.An image of the Betacam tape containing the final edit of 'Love to Love You' by John Mills can be seen HEREAn image of the master DATs for The Corrs Live EP can be seen HERE and the EPK can be seen HEREThe geolocation of Normansfield Theatre used for the filming of the ‘Forgiven, Not Forgotten’ EPK can be found HEREThe CorrsCast logo uses the font 'Bodhran' and was created by the very talented @guillaumelechelon.design and used with kind permission. (Font design based on the original work of Sung Lee Crawforth).This work is licensed under a Creative Commons Attribution 4.0 International License.Original photography by Guzman and used with permission.CorrsCast.comInstagramTwitterFacebookDiscord#CorrsCast on social media.#TheCorrsPlease subscribe, rate and review CorrsCast on iTunes or a platform of your choosing

In this episode, we speak with one of Ireland's most well-known and trusted photographers, Barry McCall. Barry's incredible work spans a huge range of clients over many decades, including names such as U2 and Liam Neeson and print magazines such as Vogue and Rolling Stone. We discuss his love of photography from an early age and how a chance meeting with the band led to the now iconic photos used to promote The Corrs' first tour. Join me as we talk of how he found himself in the 'Love to Love You' music video as well as the joy of being entrusted with wedding photography for band members and being asked to document Sharon's work with Oxfam on their 'Ending Poverty Starts With Women' campaign in Tanzania. More about Sharon's work on this campaign can be found HERE At 00:23:58 the episode features a clip of 'Leave me Alone' played live in Hamburg on December 11th, 1996, as part of the second European leg of the 'Forgiven, Not Forgotten' World Tour. During the interview, Barry mentions a number of images he has taken of the band over the years. He very kindly gave permission for some never before seen shots to be exclusively shared for listeners of the podcast to enjoy. Shots used for tour promotion can be seen HERE & HEREShots of the band in the studio as seen in the "Love to Love You' music video can be seen HERE & HEREBarry mentions shooting the band for press in a hotel room. An image from this set can be seen HEREThe CorrsCast logo uses the font 'Bodhran' and was created by the very talented @guillaumelechelon.design and used with kind permission. (Font design based on the original work of Sung Lee Crawforth). This work is licensed under a Creative Commons Attribution 4.0 International License. Original photography is by Barry McCall and is used with permission. Connect with CorrsCastCorrsCast.comInstagramTwitterFacebookDiscord#CorrsCast on social media.#TheCorrsPlease subscribe, rate, and review CorrsCast on iTunes or a platform of your choosing. Special thanks for this episode go to Katie Chesher.

In this episode, we speak with Director of Photography Ciarán Tanham to discuss his work on the "Love to Love You" music video. The years he spent documenting the band's rise to fame through the documentary "Something Else In The Meantime" and the filming of the band's triumphant return home at their 40,000 crowd concert at Lansdowne Road in 1999.We hear how it all began with a childhood friendship with the band's manager John Hughes and what it was like to be a fly on the wall for The Corrs' first steps into the promotional work of music making.At 00:17:52 the episode features a clip of the band playing live at the Carrickdale Hotel in Dundalk on 26th August 1996.At 00:25:01 there are a number of audio clips and backstage interview highlights of the band playing live at the National Stadium in Dublin on 11th May 1996.At 01:03:24 the episode features a clip of 'Love to Love You' as heard performed to the 40,000 strong crowd at Lansdowne Road in Dublin on 17th July 1999.During the interview Ciarán mentions the 'controversy' regarding the JFK Aircraft carrier being docked in Dublin bay. Some 400 plus anti-war demonstrators took to the streets in protest. For more information please see the news article at the following LINKThe CorrsCast logo uses the font 'Bodhran' and was created by the very talented @guillaumelechelon.design and used with kind permission. (Font design based on the original work of Sung Lee Crawforth).This work is licensed under a Creative Commons Attribution 4.0 International License.Original photography by Guzman and used with permission.Connect with CorrsCastCorrsCast.comInstagramTwitterFacebookDiscord#CorrsCast on social media.#TheCorrsPlease subscribe, rate and review CorrsCast on iTunes or a platform of your choosing

In this episode, we speak with Sharon Ullman and Robert Brinkmann, two individuals who worked directly on the video shoot for the bands' first single 'Runaway'.Sharon and Robert discuss their backgrounds working in the industry and the many occasions they spent working alongside the video's Director Randee St Nicolas. They both share details of a last minute call asking them to fly to Ireland for this music video and discuss their thoughts and feelings of working with the Irish band on set over two days.At 00:20:22 the episode features a clip of the song 'Runaway' as performed live on ‘The Kelly Show’ on 26-01-1996The geolocation of Pierce Street Station in Dublin used for filming the train scenes can be found HEREThe geolocation of the tree used for filming in Phoenix Park in Dublin can be found HEREIn this episode Robert Brinkmann mentions photos taken with a Graflex camera, select examples of these can be seen HERERandee St. Nicholas shot a series of stills while filming this music video, select examples of these can be seen HEREDavid Humphries shot images while filming was happening at Pierce Street Station these can be seen HEREThe locomotive mentioned in the episode (Loco 171) and the carriages used (Diner 88 & Coach 1335) are awaiting funds for restoration. Donations are being accepted by R.P.S.I. at the following LinkSpecial thanks for this episode go to Tracey Richter, David Humphries and Charlotte Somers.The CorrsCast logo uses the font 'Bodhran' and was created by the very talented @guillaumelechelon.design and used with kind permission. (Font design based on the original work of Sung Lee Crawforth).This work is licensed under a Creative Commons Attribution 4.0 International License.Original photography by Guzman and used with permission.Connect with CorrsCastCorrsCast.comInstagramTwitterFacebookDiscord#CorrsCast on social media.#TheCorrsPlease subscribe, rate and review CorrsCast on iTunes or a platform of your choosingThis episode is dedicated to the memory of the Runaway video's incredible stylist Lynne Bugai

In this episode, we speak with music supervisor and movie producer G. Marq Roswell.While working on Alan Parker's movie 'The Commitments' as music supervisor he was there to witness the formation of the group and aided in their securing a publishing deal with Polygram Music Publishing.Alongside John Hughes he guided the band on forming their first demos to present to labels in the hope of that all-elusive record deal, a deal and songs that eventually formed the album we now know as 'Forgiven, Not Forgotten'. This episode also features a world exclusive of two songs;00:08:35 Heaven Knows (Demo)00:17:58 Leave Me Alone (Demo)The CorrsCast logo uses the font 'Bodhran' and was created by the very talented @guillaumelechelon.design and used with kind permission. (Font design based on the original work of Sung Lee Crawforth).This work is licensed under a Creative Commons Attribution 4.0 International License.Original photography by Guzman and used with permission.Connect with CorrsCastCorrsCast.comInstagramTwitterFacebookDiscord#CorrsCast on social media.#TheCorrsPlease subscribe, rate and review CorrsCast on iTunes or a platform of your choosing

In this special bonus episode we discuss The Corrs' triumphant return to the stage for their first performance together in 5 years and the band's long awaited return to Australia after 21. We are joined in this episode by new voices to the show: Francisco Salinas who travelled to the gig from Mexico. Wendy Lang and Rachel Lewis who are from Australia to discuss what it was like to be at the VIP Q&A with meet and greet, The concert at Hope Estate and how new friends for life are made through their common love of music of The Corrs.The Corrs forum mentioned in this episode is 'CorrsClub' (Originally CorrBoard) and can be found at www.corrsclub.comThe Cilla Black 'Surprise Surprise' episode featuring The Corrs from 1997 can be watched on Youtube HEREA photo of a Andrea's setlist from the Hope Estate concert can be seen HEREAs mentioned in the episode one of The Corrs' support acts were 'Germein' who's music can be enjoyed at www.germeinsisters.comRachel Lewis' Instagram can be found @rachellewisphotographyFrancisco Salinas' Instagram is @fcosalinas3Wendy Lang's Instagram can be found @wendylangmusicThe CorrsCast logo uses the font 'Bodhran' and was created by the very talented @guillaumelechelon.design and used with kind permission. (Font design based on the original work of Sung Lee Crawforth).This work is licensed under a Creative Commons Attribution 4.0 International License.Connect with CorrsCastCorrsCast.comInstagramTwitterFacebookDiscord#CorrsCast on social media.#TheCorrsPlease subscribe, rate and review CorrsCast on iTunes or a platform of your choosing