Can I change my score?

Matt and Sophie tackle Steven Spielberg's long-awaited sci-fi thriller Disclosure Day, a film that promised government conspiracies, alien secrets and blockbuster spectacle but left them surprisingly cold. Despite an impressive cast including Emily Blunt, Josh O'Connor and Colin Firth, neither host found themselves emotionally invested in the story or its characters.The conversation explores why the film's mix of UFO mythology, religion, political intrigue, action sequences and personal drama never quite comes together. They discuss Spielberg's effort to blend genres, why some films can juggle multiple ideas successfully (see also the episode on The Sheep Detectives) while others become overwhelmed by them, and how Disclosure Day compares to classics from Spielberg's own filmography.Along the way, they question some baffling action scenes, debate Emily Blunt's intensely emotional performance, wonder why Colin Firth is so difficult to understand, and reflect on the impossible standards faced by one of cinema's greatest directors. There is also time for a passionate defence of The Adventures of Tintin, a brief detour into deer and fox visual effects, and some soul-searching over what happens when a Spielberg film simply doesn't click.

Matt and Sophie dive into Pixar's latest original film, Hoppers, a movie that left them surprisingly cold despite its glowing reviews and stunning animation. While the beavers are undeniably adorable, the visuals are beautiful, and supporting characters like Titus and George provide some genuinely funny moments, neither host can shake the feeling that something important is missing.The discussion explores Pixar's increasingly difficult challenge of creating new stories in a world where every theme feels familiar, from grief and environmentalism to family relationships and finding your place. They compare Hoppers to films such as Turning Red, Encanto and The Sheep Detectives, questioning why those stories connected emotionally while this one never quite lands.Along the way, they discuss anime influences in Pixar's animation style, the film's unusual "animal avatar" concept, whether George the beaver is actually the real protagonist, and why a movie can be visually spectacular yet still struggle to make you feel anything at all. 

Matt and Sophie revisit Fool's Gold, the 2008 treasure-hunting adventure that reunited Matthew McConaughey and Kate Hudson after How to Lose a Guy in 10 Days. What follows is less a discussion about buried treasure and more an exploration of why McConaughey remains such a magnetic screen presence, even when the material around him is decidedly average.The pair discuss the film's sun-soaked escapism, questionable logic, paper-thin villains and endless shirtless scenes, before diving into the actor's transformation from rom-com king to Oscar winner. Along the way, they explore the origins of the "McConnaissance", the strange appeal of adventure movies, why some stars can carry almost any film, and how Fool's Gold fits into McConaughey's career.There's also time for a detour into Jurassic Park, Toy Story 5, and the unique talent Matthew McConaughey seems to possess for making people simultaneously want to hug him and punch him.

In this episode of Can I Change My Score?, Sophie and Matt investigate The Sheep Detectives, the unlikely murder mystery that somehow became Hugh Jackman’s highest-rated film. What starts as a quirky tale of talking sheep solving their shepherd’s murder turns into something far deeper, tackling grief, memory, loss and the question of what makes a life meaningful. Along the way, they discuss why the film is much more adult than the trailer suggests, the surprisingly clever whodunnit at its heart, standout performances from a stacked cast, and how a movie about animated sheep managed to pull at their heartstrings. Sophie wonders if it’s really a family film, Matt dives into its unusual production history, and both try to decide if the emotional journey outweighs a slightly too-neat ending. Plus: British villages designed by Americans, police stations with neon signs, Amazon Studios’ unexpected hot streak, and why sheep suddenly look a little different after leaving the cinema.

In this episode of Can I Change My Score?, Sophie and Matt return to Barbie to see if the pink-powered phenomenon still works without the full Barbenheimer buzz. Sophie revisits the joy of Barbie Land, Margot Robbie’s perfect casting, Ryan Gosling’s full Ken-ergy, and that America Ferrera monologue, while Matt questions Ken’s “beach” credentials and whether the film is secretly more about Ken than Barbie (he's obsessed with Ryan Gosling, evidently). There’s praise for the sets, the soundtrack, the 2001: A Space Odyssey opening, Dua Lipa hiding in plain sight, and a surprising amount of confusion around ghost logistics. Barbie still has plenty of sparkle, but outside the 2023 hype machine, the plastic starts to bend a little.

In this episode of Can I Change My Score?, Sophie and Matt head straight home from the cinema to talk about Project Hail Mary, a big, funny, surprisingly heartfelt sci-fi adventure powered almost entirely by Ryan Gosling doing what Ryan Gosling does best. There’s a dying sun, a panicked scientist, a spaceship full of problems, and an alien friendship that somehow manages to be both ridiculous and adorable. Sophie weighs up the film’s length against its charm and and Gosling’s ability to make swallowing a tablet feel relatable, while Matt marvels at the comedy and the practical effects, and both agree that this is far more than just “a space film”. It’s funny, warm, weirdly moving, and one of the most entertaining cinema trips they’ve had in a while, even if a few repeated beats stop it from reaching full masterpiece status.

In this episode of Can I Change My Score?, Sophie and Matt finally tackle Peaky Blinders: The Immortal Man, the long-awaited Netflix follow-up to the gangland saga that gave us hats, brooding, and Cillian Murphy staring into the middle distance like it’s an Olympic sport.Sophie goes in hoping for atmosphere, style and a proper send-off, only to find herself underwhelmed by fuzzy lighting, flat emotion and a plot that never quite catches fire. Matt is even harsher, questioning the script, the missing spark of the old series, and a certain typewriter-on-a-barge moment that nearly sends him over the edge.They dig into Rebecca Ferguson’s unconvincing gypsy mystique, Barry Keoghan’s Tommy-lite energy, the absence of the old family chaos that made the series sing, and the awkward truth that without the Peaky Blinders name, this might not feel like much at all. Stylish, brooding and occasionally gripping, but missing the bite, swagger and emotional punch that made the early seasons unforgettable.

In this episode of Can I Change My Score?, Sophie and Matt finally catch up with The Fall Guy, the stunt-filled action comedy they somehow missed in cinemas, only to discover on Netflix that it’s exactly the kind of film that makes you wonder why you didn’t watch it sooner. Ryan Gosling plays Colt Seavers, a stuntman with feelings he can’t quite articulate, Emily Blunt is the director-love-interest Jody Moreno with sharp comic timing and plenty of bite, and together they stumble through explosions, conspiracies, movie-within-a-movie chaos, and a romance that somehow manages to be sweet, funny, and never too syrupy.They chat about why the film feels like a love letter to old-school Hollywood, how the chemistry between Gosling and Blunt does a lot of heavy lifting, why the second half loses just a little momentum, and how a practical stunt movie about stunt people somehow ended up helping the stunt industry get its long-overdue Oscar category. There’s also room for cowboy-level Ryan Gosling admiration, Miami Vice boat trivia, a hat accident that stayed in the film, and a brief detour into why some actors simply have that movie star thing.Not every film needs to reinvent cinema; some just need to be funny, charming, practical, and packed with enough crashing cars to make Steven Spielberg happy.