Burn Out

"So many of my friends had pop star dreams and we're all at this age where we're building a life that can include our creative talents and passions in a sustainable way. It was sad for me for a bit, but now I'm ecstatic." — Matthew ProgressIn this chat, Toronto-born multidisciplinary artist Matthew Progress talks about his short film TXN: A Decade In Review, commissioned by the Nia Centre, which culls the recent archive of images and sound to create a capsule narrative about Black Toronto. It had its public release (Zoom-style) the week that George Floyd's murder the death of Regis Korchinski-Paquet enflamed the news cycle. It got me thinking about the way that the grace of time is often denied to immigrant and racialized communities, who are denied public histories and ensnared in cycles of outrage. Matthew and I talked about the making of TXN, our meditation and grounding techniques and, because he's also a musician, the slow unfolding of multiple creative voices.Watch TXN: A Decade In Review: https://vimeo.com/421074565Stream his music https://smarturl.it/t3pv65We need to take care of each other. Learn more about Encampment Support Network Toronto: instagram.com/esn.to.4realUNDER by Dyani is available now: dyani.bandcamp.comOriginal music by Jahmal PadmoreArtwork by amad.studioSupport the podcast 💸 supporter.acast.com/burnoutSubscribe to the newsletter 💌 anupa.substack.com

"We're all out here trying to act like individuals [but] there is something about the individual that takes everything away from the community. We have to be aware of that." — Kris HarperMeet Kris Harper of nêhiyawak, the excellent Polaris Prize-shortlisted band from amiscwaciy (Edmonton, Alberta). Kris talks about how the Idle No More Movement, which began in Saskatchewan in 2012, shook up his understanding of how music, made intentionally, can be transformative, why he believes that more people should identify as Indigenous, and the importance of self-determination in music-making.Kris's Instagram post about skipping the Juno Awards: https://www.instagram.com/p/B9FXSs9Fky7/Additional tunes: "ôtênaw" and "open window" by nêhiyawakWe need to take care of each other. Learn more about Encampment Support Network Toronto: instagram.com/esn.to.4realᓀᐦᐃᔭᐊᐧᐠ nêhiyawak: nehiyawak.bandcamp.comOriginal music by Jahmal PadmoreArtwork by amad.studioSupport the podcast 💸 supporter.acast.com/burnoutSubscribe to the newsletter 💌 anupa.substack.com

"People talk a lot about the political potential of film, but they don't talk about the harmful effects and what happens when that image and that sound reaches you in the audience." — Sarah-Tai BlackBack at it with writer and film programmer Sarah-Tai Black, the brains and generous spirit behind the Toronto screening series "Black Gold." Sarah-Tai talks through the need for radical thinking around programming Black films, the perils and violence of institutional art in the name of social justice, what it means to be "politically bimbo” 💁🏾‍♀️ and much more. Apologies to the Britney stans for my brain fart — I absolutely am familiar with the Blackout-era track "Piece of Me"!!!We need to take care of each other. Learn more about Encampment Support Network Toronto: instagram.com/esn.to.4realSarah Tai Black: sarahtaiblack.comOriginal music by Jahmal PadmoreArtwork by amad.studioSupport the podcast 💸 supporter.acast.com/burnoutSubscribe to the newsletter 💌 anupa.substack.com

The new episodes of Burn Out (coming soon!) are a response to the protests for justice and police abolition in the United States.... *and* a continuation of what Burn Out has always been: a place for artists to talk about resilience, survival, pleasure, and sustainability within systems of oppression and dysfunction. I just wanted to make that clear.Original music by Jahmal PadmoreArtwork by amad.studioSupport the podcast 💸 supporter.acast.com/burnoutSubscribe to the newsletter 💌 anupa.substack.com

It's a BONUS episode. Ft. voicenotes from artist pals about making shit (or not) during isolation.Biggest of thanks to:Casey Mecija: caseymecija.comJamilah Abu-Bakare: soundcloud.com/jamilahmalikaNoor Khan: noorkhan.coCadence Weapon: cadenceweapon.bandcamp.comNayani Thiyagarajah: 9knee.comSFX:> Street trumpet c/o Casey> Nêhiyawak educator Dwayne Donald from the short film "ôtênaw" (2017) by Conor McNallySupport the podcast 💸 supporter.acast.com/burnoutSubscribe to the newsletter 💌 anupa.substack.com

"So much of my work, especially as I move forward, has been thinking about lateral violence or how we buy into white supremacy in the ways that we don't know how to support each other." — Vivek ShrayaSeason finale chat with Vivek Shraya, a writer and multi-disciplinary artist from Edmonton who spent a number of years in Toronto and recently returned to Alberta to teach at the University of Calgary. I caught Vivek when she was in Toronto to premiere her recent solo stage show, How To Fail As A Pop Star, a deeply honest account of the dream that didn't come true. Vivek's best-known book might be 2018's I'm Afraid Of Men, but she also has a new book out called The Subtweet, that's about a fierce and ~very online~ friendship between two brown girls who love music. It's funny — we ran out of time talking about the play and failure and Vivek's shift from Toronto to Calgary life, so we didn't explicitly talk about the book but I think our chat ends up riffing on the themes and dynamics that play out in The Subtweet. A frank conversation from a Canlit darling, with just enough sweetness that I hope will hold you over until we meet again.Vivek: vivekshraya.comTheme song: "Dark Beings" by LALOriginal music provided by Jahmal PadmoreSupport this work 💸 supporter.acast.com/burnoutSubscribe to the newsletter 💌 anupa.substack.com