Share

cover art for The slow, sad death of the print newspaper

Audio Long Reads, from the New Statesman

The slow, sad death of the print newspaper

The freelance journalist Tim de Lisle is a lifelong newspaper addict, and still buys two papers a day, three at weekends. In this elegy to their demise, he tracks his own love affair with them, from a schoolboy in search of the football results, to sports reporter, music critic and media studies lecturer. Is the future of news entirely digital, or could some form of print survive – as vinyl and cinema have survived streaming? 

 

In this rich, personal piece, De Lisle talks to industry-watchers and travels to Scotland to meet two of the UK’s most successful local newspaper editors. With print, one feels “released from the clammy embrace of the algorithm”, he writes. “You get past the cacophony of politics to read about real life, from families to food. It’s better for your mental health, your general knowledge, your membership of the human race.” But can anyone afford to fund it – and is its audience a dying breed? The singer Katy Perry, for one, hopes not. She recently tweeted: “One of my favorite [sic] sounds ever is the sound of a crisp new newspaper being read over breakfast for an hour or so… The popping out of it, the folding, the scribbling on the crossword… I hope it never goes out of fashion in our digital world. It is too romantic.”


Written by Tim de Lisle and read by Rachel Cunliffe.


This article was originally published on the Newstatesman.com on 15 April 2023, and in the 21-27 April print edition. You can read the text version here


If you enjoyed this episode, you may also enjoy listening to the battle for the soul of English cricket.


Subscribers can get an ad free version of the NS Podcast on the New Statesman app


Podcast listeners can subscribe to the New Statesman for just £1 a week for 12 weeks using our special offer. Just visit newstatesman.com/podcastoffer.

More episodes

View all episodes

  • How Chile (almost) democratised Big Tech

    22:18
    Fifty years after Salvador Allende was ousted, might his greatest legacy be his battle with the emerging tech giants?On 1 August 1973, a seemingly mundane diplomatic summit took place in Lima, Peru. But there was nothing mundane about its revolutionary agenda. The attendees – diplomats from Bolivia, Chile, Colombia, Ecuador and Peru – aspired to create a more just technological world order, one that might have prevented the future dominance of Silicon Valley. As the Chilean foreign minister lamented even then: “500 multinational corporations control 90 per cent of the world’s productive technology”. Could a new international institution - a tech equivalent of the IMF - ensure that developing countries had access to all the benefits of technological progress? Six weeks later, Salvador Allende’s government was toppled, paving the way for General Augusto Pinochet’s dictatorship of Chile. In this week’s audio long read, the author and podcaster Evgeny Morozov considers Allende’s legacy. Often viewed as a tragic but hapless figure, his government in fact oversaw a number of radical and utopian initiatives - many of them to do with technology. Might Chile under Allende have evolved into the South Korea or Taiwan of South America?Read by Catharine Hughes and written by Evgeny Morozov, who hosts The Santiago Boys: the Tech World that Might Have Been podcast series. This article was originally published on newstateman.com on 9 September 2023; you can read the text version here. If you enjoyed listening to this episode, you might also enjoy Would climate change have been worse without capitalism?Download the New Statesman app:iOS: https://apps.apple.com/gb/app/new-statesman-magazine/id610498525Android: https://play.google.com/store/apps/details?id=com.progressivemediagroup.newstatesman&hl=en_GB&gl=USSubscribe to the New Statesman from £1 per week:https://newstatesman.com/podcastofferSign up to our weekly Saturday Read emailhttps://saturdayread.substack.com/
  • The prime minister and the AI that solved the climate crisis

    22:49
    After the extreme heat of summer 2024, which saw children stretchered out of their exams, Britain’s prime minister calls a press conference in Westminster Hall. He has one eye on life after office (skiing in Aspen, a big gig in Silicon Valley), but before he leaves, he wants to unveil something truly ground-breaking: a large language model that has been trained by the best minds to solve the climate crisis. In this satirical work of speculative fiction, the New Statesman’s business editor Will Dunn explores the government’s love affair with Big Tech, fast-forwarding to the dying days of a Conservative government. Climate protestors have been cleared from the roads - but the tarmac is melting and people want answers. Could an advanced AI called Tom provide the prime minister’s moonshot moment?Written and read by Will Dunn. You can read the text version at newstatesman.com If you enjoyed this episode, you might also enjoy Edward Docx reading Boris Johnson: the death of a clown. Download the New Statesman app:iOS: https://apps.apple.com/gb/app/new-statesman-magazine/id610498525Android: https://play.google.com/store/apps/details?id=com.progressivemediagroup.newstatesman&hl=en_GB&gl=USSubscribe to the New Statesman from £1 per week:https://newstatesman.com/podcastofferSign up to our weekly Saturday Read emailhttps://saturdayread.substack.com/
  • Summer of Light: a new short story by Jonathan Coe

    20:22
    In the summer of 1924, a highly regarded painter falls – or is he pushed? – into the canal while celebrating his exhibition at the Venice Biennale. Two young women are heard running away into the night.In this dazzling new coming-of-age story first published in the New Statesman’s summer issue, the award-winning novelist Jonathan Coe explores the relationship between artist and muse, female friendship and male cruelty.Written by Jonathan Coe and read by Tom Gatti.If you enjoyed this episode, you may also enjoy Then Later, His Ghost: a short story by Sarah Hall.
  • Escaping Eden: life after the Plymouth Brethren

    43:11
    For those who leave the ultra-conservative Christian sect, separation comes at great personal cost. The New Statesman’s assistant editor Pippa Bailey had always been curious about the Plymouth Brethren, ever since discovering that her maternal grandparents had left the group in the 1960s. What might her life have been like if they stayed? Who were the cousins separated by a doctrine of isolation from non-Brethren ‘worldlies’? In this week’s deeply reported and moving magazine cover story, Pippa tells the story of the breakaway group, from its origins in 1820s Ireland to its modern-day incarnation as a global church and effective lobbyist. She speaks to former members, many of whom mourn the loss of family and friends to an organisation they consider repressive. It’s a fascinating journey, even if, as Pippa writes, her  grandmother has no interest in resurfacing the past: “After all, she says, it’s all part of the Lord’s plan, and He does not test us more than we can bear.” This article originally appeared in the 25-31 August issue of the New Statesman; you can read the text version here. Written and read by Pippa Bailey. If you enjoyed this episode, you might also enjoy How to build a language: inside the Oxford English Dictionary, by Pippa Bailey, or our reported feature by Stuart McGurk, A year inside GB news.
  • In defence of counterfactual history

    23:13
    What if the rush to war in 1914 had been averted? What if the Berlin Crisis of 1961 had led to nuclear war? What if the liberal revolution of 1848 had been successful? A new exhibition in Berlin considers a series of momentous what-ifs, an intriguing addition to the canon of counterfactual history. In this week’s long read, the New Statesman’s contributing writer Jeremy Cliffe assesses the value of such rival realities, as explored in fiction and, increasingly, on social media platforms and alt-fic online communities. In contemporary British politics, the tumult of the past decade has inspired a new cottage industry of counterfactual histories.  Often derided as pure speculation, Cliffe makes the case for their usefulness and, from his home in Berlin, reflects on the city’s many ghosts. “History is about facts,” he writes. “But those facts include intentions, imagined futures and visions that shape actual events even when – much more often than not – they never come to pass.”Written by Jeremy Cliffe and read by Chris Stone.This article originally appeared in the 28 July-17 August summer issue of the New Statesman. You can read the text version here.If you enjoyed listening to this episode, you might also enjoy Thomas Mann, German identity and the romantic allure of Russia, by Jeremy Cliffe.Download the New Statesman app:iOS: https://apps.apple.com/gb/app/new-statesman-magazine/id610498525Android: https://play.google.com/store/apps/details?id=com.progressivemediagroup.newstatesman&hl=en_GB&gl=USSubscribe to the New Statesman from £1 per week:https://newstatesman.com/podcastofferSign up to our weekly Saturday Read emailhttps://saturdayread.substack.com/
  • What Simone De Beauvoir knew about loss, by Ali Smith

    21:41
    The novelist Ali Smith first came across the work of Simone de Beauvoir in an Inverness bookshop, aged 18 or 19, and was instantly compelled by her “tough, troubling” prose. In this week’s long read, Smith reflects on De Beauvoir’s 1964 memoir A Very Easy Death, a slight, visceral book about her estranged mother’s death. What happens when an existentialist, bound ethically to a thinking life, confronts the end of life and thought? Why does a writer who prides herself on uncompromising truth tell her mother she is not dying of cancer, when she is?Smith blends the personal and the political in an essay that grapples with De Beauvoir’s power to disturb and provoke, sixty years on. Written by Ali Smith and read by Anna Leszkiewicz. This article originally appeared in the 28 July-17 August 2023 New Statesman summer issue. You can read the text version here.If you enjoyed listening to this episode, you might also enjoy Karl Ove Knausgaard: a personal manifesto on the art of fiction.Download the New Statesman app:iOS: https://apps.apple.com/gb/app/new-statesman-magazine/id610498525Android: https://play.google.com/store/apps/details?id=com.progressivemediagroup.newstatesman&hl=en_GB&gl=USSubscribe to the New Statesman from £1 per week:https://newstatesman.com/podcastofferSign up to our weekly Saturday Read emailhttps://saturdayread.substack.com/
  • George Monbiot: how I escape climate despair

    15:53
    There is one question the environmental journalist and author George Monbiot is asked more than any other: how do you cope? When your job is to report on the climate crisis, where do you find hope? Monbiot’s answer is a very personal one: he goes sea kayaking – alone, often far off the coast, with (if he’s lucky) a pod of dolphins or a flock of shearwaters for company.In this evocative essay from the New Statesman’s summer 2023 issue, Monbiot explores the sea off the island of Lewis in the Outer Hebrides, his former home in Cardigan Bay, and his new home in South Devon – a coastline “featuring cliffs and rocky coves, clefts and chasms, reefs and skerries, sandy and shingle beaches and several estuaries”. He relives the dangers and joys of battling the waves in a very small boat, most recently with an underwater camera fixed to the hull. There is no permanent escape from ecological distress, he writes, from the warming seas and the waste pumped into them, “but for hours at a time, I lose myself”.Written by George Monbiot and read by Chris Stone.This article originally appeared in the 28 July-17 August 2023 New Statesman summer issue. You can read the text version here.https://www.newstatesman.com/environment/2023/07/escpaing-climate-sea-kayaking-george-monbiotIf you enjoyed listening to this episode, you might also enjoy Rebecca Solnit on hope, despair and climate action.https://www.newstatesman.com/podcasts/audio-long-reads/2022/10/rebecca-solnit-on-hope-despair-and-climate-actionDownload the New Statesman app:iOS: https://apps.apple.com/gb/app/new-statesman-magazine/id610498525Android: https://play.google.com/store/apps/details?id=com.progressivemediagroup.newstatesman&hl=en_GB&gl=USSubscribe to the New Statesman from £1 per week:https://newstatesman.com/podcastofferSign up to our weekly Saturday Read emailhttps://saturdayread.substack.com/
  • The 1922 committee: inside the Conservatives’ assassination bureau | Audio Long Read

    26:51
    The Conservative Private Members Committee, informally known as the 1922 Committee (or the ’22), is the Tory confessional, its trade union and backbenchers’ common room. If that makes it sound chaotic (and it sometimes is) it is also the assassination bureau that felled Margaret Thatcher, and, more recently, three prime ministers in four years: Theresa May, Boris Johnson and Liz Truss. Will it come for Rishi Sunak before the next election?In this week’s richly detailed and highly entertaining long read, magazine writer Tanya Gold reports on the secretive committee’s inner workings, hearing from decision-makers past and present about what happens when a leader loses the party’s confidence. “The ’22 can be turgid for months, even years,” she writes. “But people talk about Committee Room 14 during a leadership crisis as they might about seeing Bruce Springsteen, or a riot.” And over the next 18 months, they could be busy.Written by Tanya Gold and read by Rachel Cunliffe. This article originally appeared in the 21-27 July 2023 edition of the New Statesman, and you can read the text version here. If you enjoyed this episode, you might also enjoy The making of Prince William by Tanya Gold.Download the New Statesman app:iOS: https://apps.apple.com/gb/app/new-statesman-magazine/id610498525Android: https://play.google.com/store/apps/details?id=com.progressivemediagroup.newstatesman&hl=en_GB&gl=USSubscribe to the New Statesman from £1 per week:https://newstatesman.com/podcastofferSign up to our weekly Saturday Read emailhttps://saturdayread.substack.com/
  • How Saudi Arabia is buying the world

    36:33
    When Saudi cinemas reopened in 2018, for the first time in 35 years, they screened the Marvel movie Black Panther. Many saw parallels between the kingdom and the fictional world of Wakanda, as crown prince Mohammed bin Salman unveiled ambitious plans for modernisation and an economy that would diversify away from oil, investing in futuristic projects such as Neom, a half-trillion-dollar city.Saudi Arabia has since sought to position itself as a global investment powerhouse, focusing on tourism, sports sponsorships, financial services, green hydrogen production, and the electric vehicle industry. Long dependant on oil, can the kingdom transform itself into a major global force in a post-carbon future?In this week’s long read and magazine cover story, New Statesman contributing writer Quinn Slobodian explores the consequences of Saudi dominance on international politics, the climate crisis and our technological future. Written by Quinn Slobodian and read by Chris Stone.Download the app:iOS: https://apps.apple.com/gb/app/new-statesman-magazine/id610498525Android: https://play.google.com/store/apps/details?id=com.progressivemediagroup.newstatesman&hl=en_GB&gl=USSubscribe to the New Statesman from £1 per week:https://newstatesman.com/podcastofferSign up to our weekly Saturday Read emailhttps://saturdayread.substack.com/