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cover art for (ATASTTC) Food on stage  - and guests for the dream dinner party

The WhatsOnStage Podcast

(ATASTTC) Food on stage - and guests for the dream dinner party

Nancy and Sarah discuss their attitudes to food on stage and off. Does Nancy eat before a show? Does Sarah write hungry or stuffed? And are there perilous foodstuffs that you might want to avoid on stage? Plus: who would they both invite to their dream dinner parties?

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    Sarah and Alex lift the curtain on the complicated moment when a critic starts to wonder whether they are on the wrong side of history - and confess to a few reviews they’d like to rewrite
  • What are the unmissable shows this autumn?

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    After a summer of Scottish trips, Sarah and Alex are now back and ready for the start of the autumn. What a season to look forward to! With shows across the nation piquing their interest, here's what can't be missed for theatre fans up and down the UK over the course of the next few months – including productions in Sheffield, Leeds, Chichester, the West End and beyond.
  • Special guest Francesca Moody talks Fleabag, Fringe and the secret to stage success

    34:55|
    In this special episode recorded from both sides of the Scottish border, Alex and Sarah talk to special guest producer Francesca Moody as she completes another bumper season at the Edinburgh Fringe, all while also transferring smash-hit musical Kathy and Stella Solve a Murder to the West End. With shows like Fleabag and Baby Reindeer to her name, Moody spills the beans on why she’s so keen to stage work at the festival every year.
  • Our favourite musical revivals

    32:11|
    Finally, a reunion! Alex and Sarah are back in the same room after many weeks apart to catch up on their latest theatre outings - to the Almeida, Chichester Festival Theatre, the London Palladium, the Edinburgh Fringe and beyond. Then, down to business: the duo pick their favourite musical revivals from across the years.
  • Who wins at Edinburgh?

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    Alex reports from the Edinburgh Festival where there's an American invasion, a lot of producers trying out new shows, a few rising stars, and not many vegetables. But who is making a killing and who is losing out? Plus, Sarah visits the Regent's Park Open Air Theatre for a fabulous production of Fiddler On the Roof which makes the most of the variables of theatre outside.
  • Bernadette Peters: the Broadway legend on Sondheim, solo concerts and sharing a dressing room with dames

    26:39|
    This week Alex had a virtual sit down with musical legend Bernadette Peters ahead of her eagerly anticipated solo concert at Theatre Royal Drury Lane on 12 August. Their discussion ranged from Sondheim to West End audiences, working with musical directors who know the difference between singing and making noise and Broadway Barks.
  • From Edinburgh Fringe to world domination?

    34:36|
    As the Edinburgh Festival begins, Sarah and Alex talk about their memories of festivals past - from great shows such as Fleabag!, Six and Baby Reindeer, to disasters, miseries and the rain.Is the Edinburgh Festival still really a hotbed for new talent or are prices and rents simply too high for the truly unknown to thrive? And what part did the Fringe play in the end of Alex's career as a playwright
  • Is Death of England the great state of Britain play? Ft Roy Williams and Clint Dyer

    33:20|
    In this guest episode, Sarah talks to playwright Roy Williams and the National Theatre's deputy artisitc director Clint Dyer about the three plays they wrote together that seem to sum up the spirit of the times. As Michael, Delory and Closing Time are performed together for the first time at Soho Place, the writers discuss what promted the plays, their struggles with illness, Covid and sheer bad timing to get them to the stage, and the impact their work has had. Plus why you can be deadly serious and very funny at the same time.
  • What happens when a show loses its star?

    32:35|
    In a week of shock substitutions Alex and Sarah talk about James Corden at the Old Vic, Justine Mitchell at the Almeida and the way that history of theatre is filled with understudies who become the star.