The WhatsOnStage Podcast

The great British actor is currently on stage as the great American showman Liberace. As he finished rehearsals he talked to Sarah about how to play characters with whom you have little sympathy, returning to the stage after serious illness, the Shakespeare roles he longs to play and working with Tom Stoppard just before the playwright’s death.

Sarah and Alex continue their journey through the finest new plays of the 21st century. This episode, Harry Potter hits the stage,climate change becomes a major theme and James Graham has an exceptionally busy year. Plus new plays by Lucy Kirkwood, Caryl Churchill, Mike Bartlett and a romance from David Eldridge.

Welcome to this bonus episode of the WhatsOnStage Podcast, brought to you by the West End production of Wicked. Last night, Wicked celebrated its 20th anniversary at the Apollo Victoria in the West End with a special celebration. While a certifiably joyous, hair-raising spectacle, the work being done on hair backstage is much, much more complicated – and pulled off with equal aplomb. We sit down with Wicked's head of wigs Heather-Jay Ross to reflect on the technical expertise happening behind the scenes, some of the incredible moments working on the show and some misconceptions about the world of wigs in theatre.

Ahead of the RSC’s all male As You Like It, Jonathan Groff and Fisayo Akinade discuss the similarities between Shakespeare and musicals, their best theatre experiences, the importance of Ian Charleson and the fun of dressing up in very glamorous frocks.

What do Into the Woods, Cabaret and Jesus Christ Superstar all have in common? That's right, this year they're all being mounted in the West End, and they're all being designed by the same man: the Tony Award-winning Tom Scutt. We sit down with Scutt to discuss his design process, getting into the reeds of Into the Woods and where his artistic drive comes from.

Recapping after a very busy series of trips and outings, Sarah and Alex run through the biggest openings and stories of the week: new warnings about the threat of AI to the creative industries, a gloriously knockout performance from Josh O'Connor at the Almeida, reactions to the National's new season and the fate of Sunday in the Park with George at the Barbican...

Martin Guerre has a devoted following amongst musical theatre fans, originally penned by Alain Boublil and Claude-Michel Schönberg, the two creators of that little-known musical Les Misérables (whatever happened to that one?). Now, they're returning to passion project Martin Guerre to give the musical a new lease of life at the Old Vic, staged in the round alongside rising star co-lyricist Annabel Mutale Reed. They join Alex Wood to discuss the project from their rehearsal room in south London.

In our bonus episode, the intrepid Tom Millward is at the National Theatre’s launch to run through their bumper 18-show 2027 season, chatting with the wonderful artistic director Indhu Rubasingham. Then, Alex Wood and David Gordon (plus squeaky chair) chew through the shows in question, with the season featuring West Side Story, a new Punchdrunk immersive production, Tracy Letts and Paul Mescal in Death of a Salesman and so much more…