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The WhatsOnStage Podcast
175. Bonus episode: Adrian Lester and Susannah Fielding talk Cyrano de Bergerac and the Dartmouth Scar Experiment
If you're looking for our main episode, we released it two days early as the dust settled on this year's Tony Awards. That said, we had to get a bonus episode in to help with your weekly theatre fix, so below is our interview with the two stars of the forthcoming West End transfer of Cyrano de Bergerac, Adrian Lester and Susannah Fielding, who will be returning to the roles of Cyrano and Roxane for the Noël Coward run of Edmond Rostand's play, adapted by Simon Evans and Debris Stevenson. In the interview, the pair discuss reinterpreting the role of Roxane, why a nose had to be shown on stage and the different rhyming structure bedded into the text. Oh – and if you're looking for the project Lester refers to, it's the Dartmouth Scar Experiment.
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187. The Best Plays of the Century Part Seven: the years 2012/2013
56:22|The year of the London Olympics and its successor sees theatre at a red hot peak. Sarah and Alex discuss plays from James Graham’s breakthrough to Lucy Prebble’s The Effect and Lucy Kirkwood’s era defining Chimerica. Plus The Audience with Helen Mirren and the groundbreaking The Curious Incident of the Dog in the Night-Time
186. Bonus episode: Tim Sheader on new Donmar season announcement + Hadestown stars on their film
46:05|Welcome to this midweek bonus episode of the WhatsOnStage Podcast! Today, the Donmar Warehouse's artistic director Tim Sheader (fresh from directing Jesus Christ Superstar at The London Palladium) reveals two brand new shows in his 2026 season – a new comedy involving Elvis' dead body, and a revival of Harold Pinter's No Man's Land. He also calls on more new comedies in UK theatre. After that, we head over to America where the stars of Hadestown discuss taking the award-winning musical to the big screen.
185. The Oresteia, the Odyssey and Lloyd Webber warns of Broadway tragedy
40:09|Sarah and Alex discuss Simon Stone’s new adaptation of The Orestia, out in the same week as Christopher Nolan’s blockbuster, and another example of the huge appeal of the Greeks. They talk about the cult surrounding Jonathan Larson, the composer of Rent, and ask whether Andrew Lloyd Webber is right when he puts the early closure of Cats:The Jellicle Ball down to the impossibility of producing theatre in New York’s famous heartland.
184. Bonus episode: No sooner Shed than done – producer Francesca Moody on her Edinburgh projects
28:42|Producer Francesca Moody has brought some iconic shows to the stage: Fleabag, Baby Reindeer and Weather Girl amongst their number. This year, she's taking three new productions to the Edinburgh Fringe, even working with partners like Global Creatures, the minds behind the Moulin Rouge! and Muriel's Wedding musicals. Shedinburgh will also be shooting down south to the Young Vic for a London spell, in a big step forwards for the artist-led project. Moody also reflects on her programming strategy and always developing work with a long life in mind.
183. Bonus episode: Hamilton's Thomas Kail on directing Moana and stage legend Frances Ruffelle discusses I Can Die Too
37:01|An interview double bill to end the week! Our main episode ran early to coincide with the barnstorming Palladium production of Jesus Christ Superstar at The London Palladium, but we had to wrap up the week with something special. Firstly, you can hear award-winning director Thomas Kail discuss his work on the live-action version of Moana, now sailing into cinemas across the world. We also ask Kail if he'd ever give Hamilton the same treatment... secondly, we head to Pitlochry Festival Theatre where stage legend Frances Ruffelle is premiering I Can Die Too, a brand new play with music co-created with Alan Cumming and Sally George. Ruffelle unpacks the fascinating, metatheatrical new work.
182. Jesus Christ Supersized + Sarah talks Pride
34:19|What's the buzz? Our main episode has landed a few days early to coincide with the opening night of Jesus Christ Superstar at The London Palladium! Sarah and Alex discuss Sam Ryder's performance and the show's ability to awe on the largest stages. Elsewhere, it was a big, bold, exciting opening for Pride at the National Theatre, while Sarah and Alex mull over big news stories from the NT, RSC and Bridge.
181. Russell Tovey in The Guilty, art by actors, and memories of Tom Stoppard
31:34|Actress Nancy Carroll returns to the podcast while Alex Wood takes a break. She and Sarah talk about their theatre outings to The Guilty at the Donmar Warehouse and Springwood with Robert Lindsay at Hampstead and the MAMA (Many Actors Make Art) exhibition Nancy is organising. Plus as a theatre is named the Stoppard, Nancy reveals his favourite thing in rehearsals - and why Arcadia is a perfect play.
180. Bonus episode: It's A Midsummer Night's Hot Mess as we bring the heat in a two-parter
44:05|Welcome to this bonus episode of the WhatsOnStage Podcast! In a double bill, we head first to Regent's Park Open Air Theatre to hear from three of the cast members of A Midsummer Night's Dream – Jenny Rainsford, Terique Jarrett and Mary Malone. The trio explain why Shakespeare's comedy is such a tried-and-tested hit at the beautiful outdoor venue. Secondly, we hop to The Other Palace for the return of hit musical Hot Mess, which is currently celebrating a well-received second and expanded run at the central London venue.
179. The Best Plays Of The Century Part Six: the years 2010/11
55:35|We've hit the 2010s! Sarah and Alex continue their odyssey through the top plays of the century, which in this episode has two central themes: plays about climate catastrophe and the gargantuan success of the Royal Court under Dominic Cooke. At the same time, playwrights like Branden Jacobs-Jenkins and Alice Birch are entering the mix... while Laura Wade correctly predicts Partygate a decade early. And James Corden brings some cheer with One Man, Two Guvnors.