{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/d5d9b672-d90e-48ce-9a9e-76d59f32622f/415187c4-07b0-4fbc-8ebf-3ee045b53aeb?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Report and the paperwork thriller","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/60ed7c113469b76844e4d104/60ed7c328c0c31001917bfcc.jpg?height=200","description":"<p>A paperwork thriller. A chit-chat drama. The Report, the true story of the US Senate intelligence officer who investigated the CIA's torture of detainees after 9/11, uses dialogue - lots and lots of dialogue - to tell a slow-burning story of an instution reaching far beyond its limits.</p><p><br></p><p>In this episode of The Bigger Picture Hen, Anna and Pete describe how watching the film is more akin to listening to long-form narrative podcast than going to the cinema, why the film remains a thrill despite its slow pace and how - bizarrely - scenes of state-sanctioned torture have become a trope unto themselves.</p><p><br></p><p>The Bigger Picture, presented by the BFI, is ...</p><p><br></p><p>BFI Digital editor <a href=\"https://twitter.com/HenryHBarnes\" rel=\"noopener noreferrer\" target=\"_blank\">Henry Barnes</a></p><p><br></p><p><a href=\"https://twitter.com/annabdemented\" rel=\"noopener noreferrer\" target=\"_blank\">Anna Bogutskaya</a></p><p><br></p><p>and producer <a href=\"https://www.petersale.co.uk/\" rel=\"noopener noreferrer\" target=\"_blank\">Peter Sale. </a></p>","author_name":"British Film Institute"}