{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/c446fed8-3792-4a23-9aef-4756e7190286/62a89d386af3920012d78c2f?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Playing politics: censure in theatres","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/60ed7c4cf1734ba0e93d0e68/cb2b34e7-0272-4bb0-b1b1-3cfe0aad933c.png?height=200","description":"<p>Theatre riots might capture the imagination but audiences, critics and authority figures shape theatre in other less dramatic ways. Guest Dr Barry Houlihan talks about his new book <em>Theatre and archival memory: Irish drama and marginalised histories 1951-77</em> (2022)</p><p><br></p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Reading a banned book is a private thing while theatre-going is a public political act. </p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Theatre is a way of dismantling the mechanics of the state and church. </p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Theatres are institutions in their own way – they can have set audiences that they cater for and don’t want to lose.</p><p><br></p><p>You can support the show here: <a href=\"https://www.patreon.com/censoredpod\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.patreon.com/censoredpod</a></p><p>And buy stickers here: <a href=\"https://censoredpod.bigcartel.com/\" rel=\"noopener noreferrer\" target=\"_blank\">https://censoredpod.bigcartel.com/</a></p>","author_name":"Aoife Bhreatnach"}