In the same way that Shakespeare’s women characters were performed by boys in female costume, African, Middle Eastern, Hispanic and Jewish roles in his plays were taken by white men, deploying a series of racial symbols, stereotypes and, to modern ears, troubling racial language. But how did Shakespeare's original audiences view race and racial difference? And how has this understanding changed?
In this episode of Not Just the Tudors, Professor Suzannah Lipscomb talks to Professor Farah Karim-Cooper, whose new book The Great White Bard raises important questions about Shakespeare's depiction of both race and racism.
This episode was produced by Rob Weinberg.
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