{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/af0e16de-9e4b-419b-b090-e1fe8c56f241/d9fc85d4-4a85-440e-86f0-3667f35b6ec8?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Matthew Arnold's good-bad poetry","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61ba0ef81a8cbec7663cf149/61ba0f46db9996001aebe060.png?height=200","description":"<p>With Stig Abell and Thea Lenarduzzi – The Mexican-born novelist Valeria Luiselli joins us to discuss her new book, Tell Me How It Ends: An essay in 40 questions, about America's role in an ongoing immigration crisis where tens of thousands of Mexican and Central American children arrive at the border, unaccompanied and undocumented; Is Matthew Arnold responsible for the worst opening line of a sonnet in English? Seamus Perry gives an impassioned defence of the poet's dissonant and awkward verse; \"If you are transgender, and if you come out as an adult in a position of authority (a tenured professor, say), non-trans people may treat you as an expert.\" So argues Harvard Professor Stephanie Burt, who has reviewed two accounts of being a trans person, Trans Like Me, by C. N. Lester and The Gender Games by Juno Dawson. She joins us to discuss.</p>","author_name":"The TLS"}