{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/af0e16de-9e4b-419b-b090-e1fe8c56f241/c9e63bc2-2931-49c0-bb87-59465fe6e0f6?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Everything points north","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61ba0ef81a8cbec7663cf149/61ba0f46db9996001aebde39.png?height=200","description":"<p>Catherine Taylor on bookish goings on in the north of England, from her family’s bookshop in Sheffield to the Northern Fiction Alliance of small presses; Diarmaid Ferriter considers the fraught matter of the border between Ireland and Northern Ireland; Fríða Ísberg on the spectre of war in Icelandic film and fiction</p><p>&nbsp;</p><p><strong>Books</strong></p><p><em>The Border: The legacy of a century of Anglo-Irish politics by&nbsp;Diarmaid Ferriter</em></p><p><em>Hotel Silence (Ör) by Auður Ava Ólafsdóttir</em></p><p><em>Woman at War, directed by Benedikt Erlingsson</em></p><p><em>Section 6 of “American Standard”, a new poem by Paul Muldoon published in this week’s TLS; read by Lisa Dwan (full recording available as a separate podcast episode)</em></p>","author_name":"The TLS"}