{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/af0e16de-9e4b-419b-b090-e1fe8c56f241/a1f3700d-f30d-47ab-8d1c-7b12955307ef?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Critical women","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61ba0ef81a8cbec7663cf149/61ba0f46db9996001aebe02a.png?height=200","description":"<p>With Stig Abell and Thea Lenarduzzi – Elizabeth Hardwick, the critic, co-founder of the NYRB, and, yes, stoic wife of Robert Lowell, died ten years ago this month – a new Collected Essays is cause for celebration; Suzannah Lipscomb delves into early modern French court records to tell us about the lives of women at a time when moral crimes were punished by strange rituals of public shaming; Leaf Arbuthnot, one of this year's judges of the Michael Marks Poetry Pamphlet Awards, discusses the importance of this playful format, bringing us poems to be read, heard – and sniffed</p>","author_name":"The TLS"}