{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/af0e16de-9e4b-419b-b090-e1fe8c56f241/952f212e-361b-4498-87f4-072fa273fb4d?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Absolutely worth the hype","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61ba0ef81a8cbec7663cf149/61ba0f46db9996001aebdc59.jpg?height=200","description":"<p>Edmund Gordon discusses whether Hilary Mantel's final Cromwell novel lives up to its billing - and whether, at 900-odd pages, it is the right length; Muriel Zagha looks at the female gaze in French cinema, with respect to the new film Portrait of a Lady on Fire; Irina Dumitrescu talks about how to write well, and when to break the rules</p><p><br></p><p>The Mirror &amp; the Light, by Hilary Mantel</p><p>Portrait of a Lady on Fire, by Céline Sciamma</p><p>Why They Can't Write, by John Warner</p><p>Writing to Persuade, by Trish Hall</p><p>Every Day I Write the Book, by Amitava Kumar&nbsp;&nbsp;</p><p>First You Write&nbsp;a Sentence, by Joe Moran</p><p>Meander, Spiral, Explode, by Jane Alison</p>","author_name":"The TLS"}