{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/af0e16de-9e4b-419b-b090-e1fe8c56f241/68f0c9d71a1c560821f3e3bd?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Dramatic licence","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61ba0ef81a8cbec7663cf149/1760610353669-15145f53-a35f-4d7e-a034-0b29c0d2dfcc.jpeg?height=200","description":"<p>This week, Mary Beard grapples with a noisy new version of Euripides at the National Theatre; and Norma Clarke on the mysterious world of Helen DeWitt's new novel.</p><p><br></p><p>'Bacchae', by Nima Taleghani, after Euripedes, Olivier Theatre, National Theatre, London, until November 1</p><p>'Your Name Here', by Helen DeWitt and Ilya Gridneff</p><p><br></p><p>Produced by Charlotte Pardy</p>","author_name":"The TLS"}