{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/af0e16de-9e4b-419b-b090-e1fe8c56f241/622092fa59335100165f8a95?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Faint Praise","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61ba0ef81a8cbec7663cf149/1646301233827-97f9056b448861c87a25af318d1e9799.jpeg?height=200","description":"<p>This week, Thea Lenarduzzi and Lucy Dallas are joined by the critic Muriel Zagha to discuss a new play by Florian Zeller, ‘the most successful representative of contemporary French theatre’; Kathryn Hughes, the author of ‘Victorians Undone: Tales of the flesh in the age of decorum’<em>,</em>&nbsp;explores&nbsp;the cultural significance of passing out, from ‘Troilus and Criseyde’ to ‘Fifty Shades of Grey’, via Shakespeare and Bram Stoker; plus, a poem by Ange Mlinko, ‘Storm Windows’&nbsp;</p><p><br></p><p><em>‘The Forest’ by Florian Zeller, translated by Christopher Hampton, Hampstead Theatre, until March 12</em></p><p><em>‘Swoon: A poetics of passing out’ by Naomi Booth</em></p><p><br></p><p><strong>Produced by Sophia Franklin</strong></p>","author_name":"The TLS"}