{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/af0e16de-9e4b-419b-b090-e1fe8c56f241/61b94425-5f7d-4f1f-8a6c-481a9e0a55e0?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Radical Turns","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61ba0ef81a8cbec7663cf149/61ba0f45db9996001aebd9cf.jpg?height=200","description":"<p>This week, Thea Lenarduzzi and Michael Caines are joined by Jenni Quilter, the author of ‘New York School Painters and Poets: Neon in daylight’, to discuss the colourful and ceaselessly experimental work of the American artist Helen Frankenthaler; and Emma Smith, Professor of Shakespeare Studies at Hertford College, Oxford, reviews a radical (and watery) new production of ‘Macbeth’ that redeems the fallen world of this overfamiliar tragedy.</p><p><br></p><p>‘The Tragedy of Macbeth’, Almeida Theatre, London; also streaming</p><p>‘Fierce Poise: Helen Frankenthaler and 1950s New York’ by Alexander Nemerov</p><p>‘Helen Frankenthaler: Radical beauty’, Dulwich Picture Gallery, London; until April 18, 2022</p><p><br></p><p>A special subscription offer for TLS podcast listeners: <a href=\"https://www.the-tls.co.uk/buy/pod19\" rel=\"noopener noreferrer\" target=\"_blank\">www.the-tls.co.uk/buy/pod</a></p><p>Producer: Sophia Franklin</p>","author_name":"The TLS"}