{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/af0e16de-9e4b-419b-b090-e1fe8c56f241/5aa289dc-df36-412d-9cb5-73643f501039?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"How the West was written","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61ba0ef81a8cbec7663cf149/61ba0f46db9996001aebdbc6.jpg?height=200","description":"<p>Geoff Dyer on why Larry McMurtry’s novel Lonesome Dove was one of the most memorable reading experiences of his life (a taster from his essay: “There was no book and no reader. There was just this world, this huge landscape and its magnificently peopled emptiness”);<em>&nbsp;</em>In April 1939, the black contralto Marian Anderson stood in front of the Lincoln Memorial and performed to a crowd of 75,000 people. Carol J. Oja sheds light on the twists and turns behind a moment when the history of Civil Rights intersected with that of classical music. Read more at&nbsp;<a href=\"http://the-tls.co.uk/\" rel=\"noopener noreferrer\" target=\"_blank\">the-tls.co.uk</a></p>","author_name":"The TLS"}