{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/af0e16de-9e4b-419b-b090-e1fe8c56f241/5452ea60-2f40-43ab-b077-15474653ecf7?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The risky art of cartooning","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61ba0ef81a8cbec7663cf149/61ba0f46db9996001aebdf89.png?height=200","description":"<p>Martin Rowson, cartoonist for the&nbsp;Guardian&nbsp;and elsewhere, joins us to discuss caricature&nbsp;as&nbsp;political hit-job; the TLS's Arts editor Lucy Dallas considers the jolly japes and scrapes of the&nbsp;Beano, as that publication marks its eightieth year; and our Features editor&nbsp;Rozalind Dineen goes to meet Jesmyn Ward, a writer described in our pages&nbsp;as&nbsp;“an important new voice of the American South – one developing, perhaps, into the twenty-first-century’s answer to William Faulkner”</p><p><br></p><p><strong>Books</strong></p><p>The Communist Manifesto: A Graphic Novel, adapted by Martin Rowson</p><p>The Fire This Time: A New Generation Speaks about Race by Jesmyn Ward&nbsp;</p>","author_name":"The TLS"}