{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/af0e16de-9e4b-419b-b090-e1fe8c56f241/506bbe4e-97a1-4769-8309-48707cf4840e?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"A brand-new London theatre","description":"<p>With Toby Lichtig and Lucy Dallas – London has a brand-new theatre: the Bridge, the latest venture by Nicholas Hytner and Nick Starr, based in Southwark and dedicated to original writing. And it starts its life with a new play by Richard Bean and Clive Young:&nbsp;<em>Young Marx</em>&nbsp;features Rory Kinnear as a delinquent Karl Marx, with a dash of&nbsp;<em>Monty Python</em>&nbsp;thrown in. The TLS’s Michael Caines joins us in the studio to discuss it; The “common view” of atheists is that religion is a combination of cosmology (a theory of the universe) and morality (or how best to behave) – but for the&nbsp;<em>TLS</em>’s Philosophy Editor Tim Crane this conception seems “deeply inadequate”. Crane identifies a third category, too often ignored: religious practice itself. He joins us on the line to discuss the religion of belonging, along with this week’s other philosophy pieces; The Austrian author Marianne Fritz was hailed in the late 1970s as a literary wunderkind, for a debut novel that described the descent into madness of a young mother in post-war Vienna. But as the decades progressed, her work grew increasingly obscure: brilliant for some, maddening for others. Jane Yager offers her insights into the author often dubbed, perhaps unfairly, “the female James Joyce”.</p>","author_name":"The TLS"}