{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/af0e16de-9e4b-419b-b090-e1fe8c56f241/321f6f6e-3067-44d7-8e08-37a39c9a469d?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"As we like it","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61ba0ef81a8cbec7663cf149/61ba0f46db9996001aebddd4.png?height=200","description":"<p>There is only one author to whom the TLS devotes an issue every year: William Shakespeare.&nbsp;Michael Caines talks us through the latest theories, research and reviews; Ian McEwan discusses his new novel, Machines Like Me&nbsp;&nbsp;</p><p><br></p><p>‘Still a giddy neighbour’ – Shakespeare’s parish in the 1590s, by Geoffrey Marsh, the TLS</p><p>The Bible on the Shakespearean Stage: Cultures of interpretation in Renaissance England, edited by Thomas Fulton and Kristen Poole</p><p>Believing in Shakespeare: Studies in longing, by Claire McEachern</p><p>Religious Conversion in Early Modern English Drama, by Lieke Stelling</p><p>What Blest Genius?: The Jubilee that made Shakespeare, by Andrew McConnell Stott</p><p>Shakespeare’s Rise to Cultural Prominence: Politics, print and alteration, 1642–1700, by Emma Depledge</p><p>Shakespeare: The theatre of our world, by Peter Conrad</p><p>Machines Like Me by Ian McEwan (Cape)</p>","author_name":"The TLS"}