{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/af0e16de-9e4b-419b-b090-e1fe8c56f241/119e9dd8-d2a3-40c1-9822-e6d527749040?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Jam's literary credentials","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61ba0ef81a8cbec7663cf149/61ba0f46db9996001aebe163.png?height=200","description":"With Stig Abell and Thea Lenarduzzi – D. J. Taylor on the bookish sensibilities of Paul Weller's post-punk romanticism (including a bizarre medley of Orwell's 1984 and Wind in the Willows); Stephen Brown considers a clutch of books about practising, playing and listening to music, how to think about Mahler, and the perfect aphorisms of Michael Hampe (“Develop a feeling for greatness. It protects against stupidity”)","author_name":"The TLS"}