{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/9c4dc3cd-147f-442d-b0d3-033f45c2648c/67adfd92e54c8d17287bb5e4?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"425 Republic: Court and Culture","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/611e6f1506c05e01b3f408d6/1739455861078-a3992a54-43a9-4745-9c56-cc99242d7fc8.jpeg?height=200","description":"<p>Cromwell's court struck a balance between the status required of a head of state, and the Cromwell's own openbness and informality. It was a court full of music, as was the supposedly joyless puritan state. There was little of the London theatre, though popular performance at fairs went on as before - but Britain saw its first Opera and John Playford's Dancing Master was all the rage. And in 1657, the first openly Jewish place of worship opened in Creechurch Lane</p>","author_name":"David Crowther"}