{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/95db78cc-f43b-4d7f-9ea6-ff6d3b926954/9ad7ea47-7295-4cbd-b566-11353bc35daf?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"068: Big Questions of Creativity: Part 2 With Michael Hanchett Hanson","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6100856531fd81f125b34dad/610085a490e69d001a26cfa4.png?height=200","description":"<p>A few weeks&nbsp;ago we interviewed Michael Hanchett Hanson&nbsp;- author and founder and director of the Masters Concentration in Creativity and Cognition program at Columbia University around the theoretical aspects of creativity.&nbsp;</p><p>In part two of the interview we focused on creativity in practice.&nbsp;</p><p>Michael explains why constraints are a core component in generating creativity, and expands on the invalidity the out of the box metaphor, discusses big ideas.</p><p>I use a classic quote from legendary ad man David Ogilvy to frame our discussion</p><p>We discuss how as we work creatively we not only produce work, but our point of view develops, our understanding of big questions deepens.</p><p>.</p><p>Michael draws on references to Monet, John Coltrane, Ian Curtis, Mozart, George Bernard Shaw, Elton John and Picasso as we discuss and dissect the role of passion, empathy, hard work, research, complex systems, forward and backward loops and how creating solutions for the future often requires us to mine the creativity of the past.&nbsp;</p><p>I hope you are stimulated by this episode of big questions on creativity with Michael Hanchett Hanson.&nbsp;</p><p><br></p><p><strong>What we discuss&nbsp;</strong></p><p><br></p><p>Constraints drive creativity&nbsp;</p><p>Deviation amplifying techniques&nbsp;</p><p>David’s Ogilvy's philosophy&nbsp;</p><p>Pat Stokes research on creativity and rats</p><p>George Bernard Shaw and The Fabian Society&nbsp;</p><p>Bill Bernbach&nbsp;</p><p>Aristotle&nbsp;</p><p>The importance of passions</p><p>The role of Empathy&nbsp;</p><p>Affect and Effect</p><p>The future&nbsp;as an idea</p><p>Complex systems&nbsp;</p><p>Temporal loops&nbsp;</p><p>Neophilic version of creativity&nbsp;</p><p>The role of domain expertise</p><p>Research&nbsp;</p><p>The role of talent</p><p>Creativity defined</p><p><br></p><p><strong>Connecting&nbsp;</strong></p><p><a href=\"https://www.linkedin.com/in/michael-hanchett-hanson-65913560/\" rel=\"noopener noreferrer\" target=\"_blank\">Linkedin&nbsp;</a></p><p><br></p><p><strong>Links&nbsp;in the show&nbsp;</strong></p><p><a href=\"https://www.amazon.com/Creativity-Beyond-Robert-W-Weisberg/dp/0716723670\" rel=\"noopener noreferrer\" target=\"_blank\">Weisberg&nbsp;</a></p><p><a href=\"http://www.pz.harvard.edu/who-we-are/people/edward-clapp\" rel=\"noopener noreferrer\" target=\"_blank\">Edward Clapp</a></p><p><a href=\"https://en.wikipedia.org/wiki/George_Bernard_Shaw\" rel=\"noopener noreferrer\" target=\"_blank\">George Bernard Shaw</a>&nbsp;</p><p><a href=\"https://fabians.org.uk/\" rel=\"noopener noreferrer\" target=\"_blank\">Fabian Society</a>&nbsp;</p><p><a href=\"https://en.wikipedia.org/wiki/Ian_Curtis\" rel=\"noopener noreferrer\" target=\"_blank\">Ian Curtis&nbsp;</a></p><p><a href=\"https://en.wikipedia.org/wiki/Pablo_Picasso\" rel=\"noopener noreferrer\" target=\"_blank\">Picasso</a></p><p><a href=\"https://en.wikipedia.org/wiki/Claude_Monet\" rel=\"noopener noreferrer\" target=\"_blank\">Monet</a></p><p><a href=\"https://en.wikipedia.org/wiki/David_Ogilvy_(businessman)\" rel=\"noopener noreferrer\" target=\"_blank\">David Ogilvy&nbsp;</a></p><p><a href=\"https://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart\" rel=\"noopener noreferrer\" target=\"_blank\">Mozart&nbsp;</a></p><p><a href=\"https://en.wikipedia.org/wiki/William_Bernbach\" rel=\"noopener noreferrer\" target=\"_blank\">Bill Bernbach</a></p><p><a href=\"https://en.wikipedia.org/wiki/Aristotle\" rel=\"noopener noreferrer\" target=\"_blank\">Aristotle&nbsp;</a></p><p><a href=\"https://en.wikipedia.org/wiki/Rocketman_(film)\" rel=\"noopener noreferrer\" target=\"_blank\">RocketMan Movie</a>&nbsp;</p><p><a href=\"https://en.wikipedia.org/wiki/Bernie_Taupin\" rel=\"noopener noreferrer\" target=\"_blank\">Bernie Taupin</a>&nbsp;</p><p><a href=\"https://en.wikipedia.org/wiki/David_Bowie\" rel=\"noopener noreferrer\" target=\"_blank\">Bowie</a>&nbsp;</p><p><a href=\"https://en.wikipedia.org/wiki/John_Coltrane\" rel=\"noopener noreferrer\" target=\"_blank\">John Coltrane&nbsp;</a></p><p><a href=\"https://en.wikipedia.org/wiki/Labor_omnia_vincit\" rel=\"noopener noreferrer\" target=\"_blank\">Labor Omnia Vinci</a></p><p><a href=\"https://psycnet.apa.org/record/2006-12925-005\" rel=\"noopener noreferrer\" target=\"_blank\">Howard Gruber&nbsp;</a></p><p><a href=\"https://hackernoon.com/constraints-and-creativity-14831a538643\" rel=\"noopener noreferrer\" target=\"_blank\">Creativity and constraints</a></p>","author_name":"Fabrica Collective"}