{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/9475d117-fcd4-4915-a6f3-923941e7aa0d/74e2e24f-3a67-48cd-ad7d-c9689dca8865?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Anne Boleyn and colour-blind casting","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61ba05fc1a8cbed4343cf0e6/61ba0641cb08390012d7c06d.jpg?height=200","description":"<p>Channel 5’s new Anne Boleyn drama’s launching with black actor Jodie Turner-Smith playing the doomed second wide of Henry VIII.It’s another example of colour-blind casting in period dramas, following Bridgerton and the Great, but this time the character is a real, very well known, person.&nbsp;</p><p><br></p><p>The Evening Standard’s Katie Rosseinsky tells us why producers are increasingly hiring diverse casts for historical pieces, and why audiences appear to be supporting their choices.</p>","author_name":"The Evening Standard"}