{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/9475d117-fcd4-4915-a6f3-923941e7aa0d/644a9287d734fa0011088050?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Would you listen to AI-generated music?","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61ba05fc1a8cbed4343cf0e6/5883ea1e-0ebe-4d27-9746-2bf0605b19e6.jpg?height=200","description":"<p>A recent track went viral that was programmed through artificial intelligence to write a song sounding like a collaboration between Canadian singers Drake and The Weeknd, dubbed Heart on My Sleeve.</p><p>This episode of The Leader podcast looks at the boom in robot-made music, including new tracks and mash-ups by famous artists - but would you add these artificial songs to your party playlist?</p><p>Analysis with The Prodigy’s veteran front of house engineer Jon Burton, who's a senior lecturer in entertainment engineering at the University of Derby, and Evening Standard music reporter Jonathan Kanengoni.</p><p>We discuss whether AI-made tunes can be considered art, what it means for live music and who’ll get the royalties.</p>","author_name":"The Evening Standard"}