{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/8dbb4cae-1b0e-4001-b986-bd956560c6b9/63073aa1d59ed200163e6d74?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Lexie Elliott, author of 'How to Kill Your Best Friend' - When the title comes before the plot, how lockdown changes writing spaces, and finding the story's voice","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/60ef0dd059ecdb1bc24de1e1/show-cover.jpg?height=200","description":"<p>Lexie Elliott accomplishes things. She graduated from the University of Oxford with a degree in theoretical physics (?!) became a championship-winning swimmer, and even swam the English Channel. </p><p><br></p><p>She's just published her third novel, 'How to Kill Your Best Friend'. It tells the story of 3 friends who met on the college swim team. Years later, one is found dead in the ocean near a remote island. Can an elite swimmer really have drowned, or is something else going on?</p><p><br></p><p>We talk about why she wanted to make the location of the story one of the central characters, also how she's had to be much better with deadlines after becoming a full-tiime writer, and how lockdown has changed where she writes.</p><p><br></p><p>You can hear why she's pushed to be a writer in amongst everything else she's achieved, when she got a hold on her writing voice, and how quite rarely... the title came before the plot.</p><p><br></p><p>You can support the show at patreon.com/writersroutine</p><p><br></p><p>@writerspod</p><p>writersroutine.com</p>","author_name":"Dan Simpson"}