{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/8db78936-153d-56f6-b6d4-fa61364322f6/65f0530527b93800167c9b24?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"How To: Be a Film Critic","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61b778f11695629596e95100/1749044690671-3335b8c3-d0f4-4cf7-87bc-40efead6cf20.jpeg?height=200","description":"<p>For our next deep-dive into <em>How to Lose a Guy in 10 Days</em>, we wanted to better understand the story structure of a Rom-Com. We called up the delightful Hannah Giorgis, a film critic for <em>The Atlantic, </em>to help us break down the three-act structure and how it operates in this film.</p><p><br></p><p>Hannah brought some great citations and resources to the show:</p><ul><li><a href=\"https://www.vanityfair.com/hollywood/2023/02/how-to-lose-a-guy-in-10-days-oral-history\" rel=\"noopener noreferrer\" target=\"_blank\">“You’re So Vain”: An Oral History of&nbsp;How to Lose a Guy in 10 Days</a></li><li><a href=\" https://slate.com/culture/2003/02/the-fatal-flaw-of-how-to-lose-a-guy-in-10-days.html\" rel=\"noopener noreferrer\" target=\"_blank\">The Big Sleepover:The fatal flaw of How To Lose a Guy in 10 Days</a></li><li>This&nbsp;<a href=\"https://twitter.com/frauleinsmaria/status/1759771694246297871?s=20\" rel=\"noopener noreferrer\" target=\"_blank\">tweet</a>&nbsp;about romcom women being as annoying as possible</li></ul><p><br></p><p>---</p><p>If we give you butterflies, consider supporting us <a href=\"https://www.patreon.com/hotandbotheredrompod\" rel=\"noopener noreferrer\" target=\"_blank\">on Patreon</a>! On Patreon have more great romance content including a close scene analysis with Hannah.</p>","author_name":"Not Sorry Productions"}