{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/80057992-f79a-4567-8ba0-45e1e97771ed/85423d9e-5927-434c-a6ef-bc949d6582d0?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Re:sound #247 The Meet the Composer Show","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61009a3631fd81f125b34e75/61009ac8121e70001399e253.jpg?height=200","description":"<p>This hour, we're diving deep into the strange, beautiful world of modern music composition.</p><p><br></p><p>The Producer&nbsp;&nbsp;</p><p>By Alex Overington for WXQR's&nbsp;*Meet the Composer*&nbsp;(2017)&nbsp;&nbsp;</p><p>Staff paper and key signatures are great for concertos and sonatas, but the composers in this story don’t think that way… in fact most of them aren’t even sure they should be called composers at all. That includes producer Alex Overington who takes us on a road trip to unravel the creative process of those who write without a score.</p><p><br></p><p>This episode of Re:sound was produced by Dennis Funk.</p><p><br></p><p>Music for&nbsp;Re:sound*&nbsp;is provided by Patient Sounds, a private-press record label and book publisher in Chicago.</p>","author_name":"Third Coast International Audio Festival"}