{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/7a01c9e5-3627-4113-bb75-a1162bceb72d/6744e6d21468aa825583dc6f?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Filmmaker Richard Linklater on Hit Man and whether people can change","description":"<p>Filmmaker Richard Linklater’s movies span blockbusters, such as <em>School of Rock</em>, cerebral indie classics like <em>Boyhood</em>, and a hard-to-define <em>The</em> <em>Before</em> <em>Trilogy</em>. His most recent film, <em>Hit Man</em>, is a thriller, but it picks up on many themes that Linklater has explored before, such as identity and masculinity. Today, he reflects on the film in conversation with Lilah.&nbsp;&nbsp;</p><p>-------</p><p>Our film critic Danny Leigh’s review of <em>Hit Man</em> is here: <a href=\"https://on.ft.com/4fGIDid\" rel=\"noopener noreferrer\" target=\"_blank\">https://on.ft.com/4fGIDid</a></p><p>Danny also spoke with Richard Linklater in 2018 about his portrayal of masculinity in the movie <em>Last Flag Flying</em>: <a href=\"https://on.ft.com/3Va6v5L\" rel=\"noopener noreferrer\" target=\"_blank\">https://on.ft.com/3Va6v5L</a></p><p>-------</p><p><strong>The show is ending in early January. But we want to know your cultural questions! Write to Lilah </strong>at <a href=\"mailto:lilahrap@ft.com\" rel=\"noopener noreferrer\" target=\"_blank\">lilahrap@ft.com</a> or on Instagram @<a href=\"https://instagram.com/lilahrap\" rel=\"noopener noreferrer\" target=\"_blank\">lilahrap</a>. And – thank you.</p><p><br></p><p><a href=\"https://www.ft.com/content/b63874b6-02a7-48fa-84ad-2bc11978c1a5\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Read a transcript of this episode on FT.com</strong></a></p>","author_name":"Financial Times"}